Hayter, Stanley William (British, 1901-1988). “Day and Night”. 1952. Engraving, soft ground etching, scorper and 1 linoleum block. Edition 22 of 50. Editioned, titled, signed and dated in pencil l.l., l.c., l.r., respectively. Also known under the alternative titles, “Night and Day” and “Action in two fields”. Image: 17 1/2″ x 23 3/4″. Framed: 24 3/4″ x 31 1/2″.
Condition Near fine. Faint toning to blank margins.

Pre-Columbian, Northern Peru, Inca Empire, ca. 1200 to 1500 CE. A remarkable bi-chrome pottery vessel in the form of an alpaca or llama head with a long snout, a high nasal bridge, recessed nostrils, an incised mouth, round bulbous eyes, and petite pointed ears flanking a circular opening with a flared rim. Boasting a lustrous burnish, the adorable visage is beautifully coated in russet-hued glaze and embellished with burnt umber eyes and a triangular stripe on either side of its snout. As camelids were the only burden bearing animals in South America, aside from humans, this vessel was likely created to demonstrate the importance of these animals to the Inca. Size: 8.75″ L x 5.875″ W x 5.875″ H (22.2 cm x 14.9 cm x 14.9 cm)

DESCRIPTION: A sculpture by surrealist artist Ernest Trova composed of stainless steel titled “Falling Man”. Marked along the bottom Edition “3 of 8” and dated 1976 with Trova stamp. Comes with artists book. Replicas of these sculptures are given to CFDA winners as awards, designers such as Ralph Lauren, YSL, Giorgio Armani, and Marc Jacobs have been recipients. (We Can Provide In House Shipping)

Artist Note: In 1969 his work was heralded by the New York Times as “among the best of contemporary American sculpture,” and throughout those decades examples of his art were prominently displayed in dozens of major museums including the Museum of Modern Art, the Whitney Museum of American Art, and the Walker Art Center in Minneapolis. Trova’s life-size bronze, Study/Falling Man (Wheelman), once greeted visitors at the Guggenheim’s 5th Avenue entrance, and for more than twenty years he was represented by the estimable Pace Gallery, which inaugurated its first New York space with an exhibition of his work. (www.etrova.org)
CIRCA: 1976
ORIGIN: USA
DIMENSIONS: H: 17.5″ W: 6″ L: 6″
CONDITION: Great condition. See lot description for details on item condition. More detailed condition requests can be obtained via email ([email protected]) or SMS 305-332-9274. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.

Central/Eastern Europe, Germany or Poland, ca. mid-17th century CE. A stunning forged-steel pot helmet used by the legendary winged hussars known as a zischagge (‘szyszak’ in Polish). The hemispherical dome is topped with a petite spike and has a spade-shaped brim riveted to the front with an adjustable nose guard centered against the backside. A pair of inverted triangular ear flaps are suspended from the interior lateral peripheries and have dozens of petite perforations and several thick rivets, and an articulating lobster tail drapes from the verso. The signature characteristic of this helmet are the two intimidating ‘wings’ attached above the ear flaps that have a scalloped design adorned with dozens of ovoid and heart-shaped punch-outs and mimic the winged Valkyrie of old Norse mythology. A fantastic example of the zischagge that is ready to complement any discerning collection! Size: 11.125″ W x 17.7″ H (28.3 cm x 45 cm); 22.875″ H (58.1 cm) on included custom stand.

One of several production-made fighter pilot helmets created for use in filming by Tom Cruise as Pete “Maverick” Mitchell in Tony Scott’s film Top Gun (Paramount, 1986). Cruise is seen wearing this style of helmet in scenes throughout the film. The helmet, made by Flight Suits, LTD, was customized by the production with eagle insignia stickers and red and white striping with the letters “MAVERICK” across the front. It is believed that these decals were replaced regularly during production. Inside the helmet, hidden under padding and partially obscured by Velcro, is production writing: “MAVERICK #2 // TOPGUN // 44430.” An important and rare production artifact from one of the most popular action films of the 1980s; the sequel, Top Gun: Maverick, is due out from Paramount Pictures in 2021. Accompanied by a copy of the film. NOTE: missing knob that controls up and down movement of visor

Description: IMPORTANT NOTICE: As a formal appreciation we are offering a special discount of 10% and free delivery (within the US) if you win more than 5 lots, and a special discount of 20% and free delivery (within the US) if you win more than 10 lots. All discounts will be calculated on the value of the hammer price (not on sale tax or buyers premiums).

Provenance: a 29 years old collector in Palm Beach. This lot is located in Boca Raton, Fl and its shipment will be made directly by Artelisted. Shipping insurance is the responsibility of the buyer. Ask us if you want to add insurance cost. Note that if there is loss or damage due to bad handling by the transporter, this loss will be assumed only by the buyer. Enquires are welcome, do not hesitate to contact us at your convenience, we are looking to providing you with an excellent service.

Condition: The lots offered in this sale have been selected among many options and always thinking of offering excellent opportunities to the customers. The vast majority are original of the time (unless otherwise indicated). Due to its originality and age, some items may accept a restoration/conservation (at the option of the buyer). We have included images showing its current condition. Do not hesitate to contact us if you have any questions.

Description: IMPORTANT NOTICE: As a formal appreciation we are offering a special discount of 10% and free delivery (within the US) if you win more than 5 lots, and a special discount of 20% and free delivery (within the US) if you win more than 10 lots. All discounts will be calculated on the value of the hammer price (not on sale tax or buyers premiums).

This is an auction with a low starting bids and without reserves.

The dimensions are Approx. 5.5″x 3.5″ (small variances can occur). This lot is located in Boca Raton, Fl and its shipment will be made directly by Artelisted. Shipping insurance is the responsibility of the buyer. Ask us if you want to add insurance cost. Note that if there is loss or damage due to bad handling by the transporter, this loss will be assumed only by the buyer. Enquires are welcome, do not hesitate to contact us at your convenience, we are looking to providing you with an excellent service.

Condition: The lots offered in this sale have been selected among many options and always thinking of offering excellent opportunities to the customers. The vast majority are original of the time (unless otherwise indicated). Due to its originality and age, some items may accept a restoration/conservation (at the option of the buyer). We have included images showing its current condition. Do not hesitate to contact us if you have any questions.

Ancient Greece, ca. 2nd century BCE to 2nd century CE. A breathtaking 82.6 to 85.1% gold (equivalent to ~20K) necklace comprised of a finely woven gold chain from which 7 winged figural pendants (perhaps representing Nike given that one holds a flaming torch) of nearly identical form (save hand gestures and attributes – see extended description below) and 6 elongated, fluted, piriform pendants (perhaps representing seeds or urns) with floral pendants above are suspended from a loop in lop construction chain that is further adorned by 7 equidistantly placed rosette appliques. Beyond impressive for the repousse work, chasing, and stamping of the pendants and appliques as well as the exquisite chain, this piece is truly a work of art! Precious metal: 82.6-85.1% gold (equivalent to ~ 20K) and 14-15.7% silver. Size: chain measures 12.625″ L x .375″ W (32.1 cm x 1 cm); largest pendants (winged + floral above) measure 2.125″ L x .875″ W (5.4 cm x 2.2 cm); weight: 62.7 grams

As mentioned above, the winged figural pendants are nearly identical. All are cloaked in lavish drapery folds, present lovely visages with delicate features and combed back coiffures as well as grand wings delineated via repousse. However, they differentiate themselves with distinct hand gestures and attributes. From left to right the respective figures display: right hand to chest; left hand holding a scepter; right hand holding a small offering; both hands holding a bowl or shell; left hand holding an offering; both hands holding what appears to be a flaming torch representing victory (consistent with Nike attributes) across the chest; and finally, both hands pressed together as if expressing gratitude or prayer. Certainly a mesmerizing ensemble of figural pendants sure to delight many an admirer!

Accompanied by Stoetzer examination report #112712.1 (signed and dated November 26, 2012) that confirms the authenticity of this piece.

Romain de Tirtoff “Erte” figural bronze statue. Titled: “French Rooster” Features an original limited-edition gilded and cold painted cast bronze sculpture with hand applied patination and embellishments. Bronze depicts a partial nude women on a coral and seaweed bed. Impressed at bottom edge “Copyright 1987 Chalk & Vermilion and Seven Arts, 144/375″ with stamped mark.
CIRCA: 1987
ORIGIN: France
DIMENSIONS: H: 15.5″ x W: 11.5″ x D: 5″

Thomas Buttersworth (British, 1768–1842) “The Gale of Plymouth” Oil on Canvas. Features a rendering of a large ship sailing through rough seas with smaller boats seen off in the distance. Signed lower right and dated on the back “Thomas Buttersworth “The Gale of Plymouth” November 23 1824″

Thomas Buttersworth (British, 1768–1842) was born on the Isle of Wight, and joined the Royal Navy in London in 1780. He began his painting career while at sea, and the accuracy of many of his late 18th-century Mediterranean subjects, and his paintings of the Battle of St. Vincent and the Blockade of Cadiz, would indicate that they were painted on location. On his return to England, he established himself as a painter of marine scenes, executing ship portraits of larger naval and merchant vessels and important naval engagements. These included his famous Battle of Trafalgar, which was exhibited at the British Institution in 1825, and is now a part of the National Maritime Museum collection in Greenwich.He exhibited only one painting each at the Royal Academy, the British Institution, and Suffolk Street, but he was a prolific artist whose works were and still are very popular with collectors.

PROVENANCE: Private Palm Beach, FL Estate
CIRCA:1825
ORIGIN: England
DIMENSIONS:H:25″ W:29″ (Framed), H:24″ W:20″