LOTE DE EMPEÑOS CON PRECIOS DE RECUPERACIÓN. Sergio Hernández. (Huajuapan de León, Oaxaca, 1957 – ) “Ojo turquesa”. Escultura en bronce a la cera perdida 10/100. Con certificado de autenticidad. Detalles de conservación. 62 x 15 x 15 cm. **”Sergio se enfrenta, con la emoción de unificar retazos de estímulos visuales, literarios y acústicos que van desde la prehistoria hasta la actualidad […] Lo mueve el ímpetu de abarcar mucho, de ir más allá, trascendiendo el imaginario de su región natal que, a querer o no, en todas formas emerge. Porque en él pueden convivir, transformados, rasgos de Edvard Munch, de Miró, de Dubuffet, del románico catalán y de la cerámica pintada maya”. Teresa del Conde. Fuente consultada: SULLIVAN, Edward et ál. Sergio Hernández. México. Fomento Cultural Banamex, 2008, pp. 25-29, 31-33.
KAWS (b.1974) Imaginary Friends
signed and dated ‘KAWS..12’ (on the reverse of the upper element)
acrylic on canvas over panel, in two parts
i: 105 x 79 ½ in. (267 x 202 cm.)
ii: 10 ½ x 35 in. (26.5 x 89 cm.)
Executed in 2012.
Eugenio Zampighi painting
Eugenio Zampighi
(Italian, 1859-1944)
The Storyteller
oil on canvas
signed
image: 28.5″h x 41.5″w
frame: 35.5″h x 48″w
Provenance: June and Larry Greenwald collection
Condition:
Frame has a few minor chips throughout and one three inch section of loss on left edge of frame. Stretcher bar mark down through center of painting. Light craquelure localized in darker areas. Overall good condition. Guenther’s Gallery label on verso.
PETER HALLEY – Nowhere
Description
PETER HALLEY – Nowhere
Dimensions
87 x 157 in. (221 x 398.8 cm.)
Medium
acrylic, DayGlo acrylic and Roll-A-Tex on canvas, in 2 parts
Condition Report
Request to receive a Condition Report for this item or any items in this auction by contacting the seller.
Exhibited
New York, Gagosian Gallery, Peter Halley, May 1992 Forum Contemporary Art, The Exuberant Eighties, September 22 – October 30, 1992
Literature
Cory Reynolds ed., Peter Halley: Maintain Speed, New York, 2000, p. 204 (illustrated)
Provenance
Gagosian Gallery, New York Acquired from the above by the present owner in May 1992
Notes
Executed in 1992.
ANDY WARHOL (1928-1987) $ (1): one plate
unique screenprint in colors, on Lenox Museum Board, 1982, signed in pencil, numbered 29/60 (from the edition of 60 unique variants, there were also ten artist’s proofs), published by the artist, New York, the full sheet, in very good condition, framed
Sheet: 19 ½ x 15 5/8 in. (495 x 397 mm.)
[Alexander Hamilton, James Madison, and John Jay]. The Federalist
A Collection of Essays, Written in Favour of the New Constitution, as Agreed Upon by the Federal Convention, September 17, 1787. New York: Printed and Sold by J. and A. M’Lean, 1788. First edition in book form of the collected essays, one of the scarce “thick paper” copies. This copy personally gifted by James Madison to early United States diplomat and overseas consul James Maury. Both volumes with holograph note in Maury’s hand at recto of front flyleaf, “James Maury / From Mr Madison / one of the supposed / authors.” Two volumes. Twelvemo in sixes (6.5 x 3.875 inches; 164 x 100 mm.). vi, 227, [1, blank]; vi, 384 pages. Contemporary diced russia leather, boards with gilt triple-ruled border; all text block edges trimmed and sprinkled brown; marbled endpapers. Both volumes completely lacking spines, exposed backstrips nicked at ends with hairline creases and cracks running parallel to gatherings, a tiny amount of flaking and loss along cracks and over bands. Boards expertly reattached, with subtle evidence of these repairs along joints and hinges. Bands visible near joints; boards worn, with loss to majority of gilt border and some of diced surface; calf darkened and chipped along board edges. Endpapers darkened at edges from exposure to leather turn-ins; previous owner book labels at front pastedowns; nicking and a couple of small chips at edges of free endpapers; front free endpaper of first volume just starting to split at head and foot parallel to hinge. Some mild foxing to flyleaves; fainter, sparser foxing scattered throughout interiors, along with some mild, marginal thumbsoiling; drip stain at fore-edge margin of leaf A3; some dark rubbing to last leaf of second volume, possibly occurred during printing. Stunning, very nearly fine text block in remarkably clear, bright condition, in good boards. Each volume in its own custom black cloth chemise, housed together in black leather clamshell, decorated in gilt.
The Federalist was undertaken “to meet the immediate need of convincing the reluctant New York State electorate of the necessity of ratifying the newly proposed Constitution of the United States,” with the first of what would become a collection of eighty-five anonymous essays, submitted under the pseudonym “Publius,” appearing on October 27, 1787 in the The Independent Journal, or The General Advertiser (PMM). The essays, authored largely by Hamilton and Madison, began appearing regularly at the rate of about four numbers each week in The Independent Journal and three other papers — The New York Packet, The Daily Advertiser, and The New York Journal and Daily Patriotic Registe — until the appearance of number 77 on April 2, 1788. The first thirty-six essays were published in book form on March 22, 1788, followed by a second volume containing essays 37-85 on May 28, marking the first appearance of numbers 78-85 ahead of their release in the popular press, which concluded on October 16, 1788 (Church). The Federalist would go on to be reprinted and issued in new editions several times in the following years, though according to Sabin, “Mr. Madison’s papers were much changed in the subsequent editions.” It was not until 1818 that Jacob Gideon, with Madison’s assistance, published the essays with attribution to their original authors. Printing and the Mind of Man expounds upon the continued importance of the text since its original publication: “As a commentary on the Constitution by men included among its principal architects The Federalist has been used from the beginning of the nineteenth century to modern times as an interpreter of the Constitution not only by laymen but by lawyers and Justices of the U. S. Supreme Court.” Church writes, “The true principles of a republican form of government are here unfolded with great clearness and simplicity.”
Louis Comfort Tiffany vase
Paperweight vase
New York, NY
Favrile glass
both vase and insert signed
8.5″h x 5″dia
insert: 5″h x 3.25″dia
Provenance: June and Larry Greenwald collection
Condition:
Excellent original condition, beautifully executed. A fine example of Tiffany Paperweight. Includes the original liner which is quite rare. Signed L.C.T. N3075. Exhibited at the Cleveland Museum of Art 2009.
A Pair Of Victorian Splatter Glass Vases
A PAIR OF VICTORIAN SPLATTER GLASS VASES, the marbled pedestal bodies with crimped clear glass handles. 16cm
Tiffany Studios Elaborate Peony table lamp
Peony table lamp
New York, NY
Leaded glass and bronze
base and shade signed
31″h x 23″w
Provenance: June and Larry Greenwald collection
Condition:
The large and elaborate shade with a wonderful combination of rippled and confetti glass. Many of the segments comprised by large chunks of glass. Shade leadwork with an excellent original patina. Shade is signed Tiffany Studios New York. The telescoping bronze bamboo base with excellent original patina. Base is signed Tiffany Studios New York. The six light cluster with Leviton and Bryant paddle switches. All parts and heat cap appear to be original. Overall excellent original condition. A similar lamp shade is shown on page 155, and a similar lamp base is shown on page 99 in “Tiffany Lamps and Metalware” by Alastair Duncan. A similar lamp base & shade is shown on page 155 in “The Lamps of Louis Comfort Tiffany” by Martin Eidelberg, Alice Cooney Frelinghuysen, Nancy A. McClelland, and Lars Rachen, and a similar lamp shade is shown on page 301 in “Louis C. Tiffany The Garden Museum Collection” by Alastair Duncan.
Laurence Stephen Lowry (1887-1976)
LAURENCE STEPHEN LOWRY (1887-1976), MRS SWINDELLS’ PICTURE, signed in pencil, FATG blindstamp, print, framed. 42.5cm by 31.5cm