Very Fine Greek Apulian Red Figure Hydria

Very Fine Greek Apulian Red Figure Hydria

Magna Graecia, South Italy, Apulian, ca. 4th century BCE. A beautiful and sizeable hydria of a classic form on a raised disc foot with twin handles emerging from the shoulder and one behind on the cylindrical neck as well as a wide flared rim with a convex-edged, slightly downturned rim. The impressive figural/decorative program is all delineated via the red-figure technique with fugitive white and yellow pigments. The body is decorated with an elegant seated draped Maenad holding a large palm frond in one hand and an open casket in the other, with a filet floating above it. She wears a radiate stephane, sakkos, pearl drop earrings, multi-stranded beaded necklace, and ribboned sash over flowing garments that accentuate her feminine form. The Maenad faces a standing Eros, nude save the drapery over his arms and decorative diadem. He holds a tambourine in one hand and a decorative staff in the other. On the reverse is a large, intricate palmette and tendril design. A stupendous example, finely rendered via the red-figure technique with wonderful fugitive paint details. Size: 10.375″ W handlespan x 14.875″ H (26.4 cm x 37.8 cm)

Contributing further to the painted decorative program are bands of frets on the neck and rim, a lower register of a Greek key variant beneath the figures, and several beaded strands and floating stylized flower motifs (these in added fugitive pigments). A stunning example from the Greek colonists of Apulia.

Provenance: private J.H. collection, Beaverton, Oregon, USA; ex private New Jersey, USA collection, acquired over 20 years ago

All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back.

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#149825
Condition
A few nicks/losses to rim and foot. There is a repaired probe hole near the central handle and several stable fissures radiating from it. Expected surface wear with minor pigment losses and areas of encrustation.

Chuck Close (b. 1940) Self Portrait-pulp

Chuck Close (b. 1940) SELF PORTRAIT-PULP

Colored, pressed handmade paper pulp consisting of eleven various grays, 2001, signed, dated and numbered 33/35 in pencil, published by Pace Editions, Inc., New York, the full sheet, framed.
Sheet 56 x 40 inches; 1422 x 1016 mm.

Emerald and Diamond Ring

Emerald and Diamond Ring

Item: # 03020 Setting: 18K W Color Weight: 7.26 ct. of Emerald Diamond Weight: 3.49 ct. of Diamonds

Nintendo Play Station Super NES CD-ROM Prototype

Nintendo Play Station Super NES CD-ROM Prototype

Nintendo Play Station Super NES CD-ROM Prototype – Sony and Nintendo c. 1992. At one point, this dual-branded prototype’s existence was mere myth, and this is the very first time it will ever be offered at public auction. It is said to be the last remaining prototype of the alleged 200 that were forged from the failed joint-venture between Sony and Nintendo, two of the biggest competitors in the home console video game market. Reportedly, the other prototypes have since been destroyed. We at Heritage can attest the prototype is working, as we’ve played a couple of rounds of Mortal Kombat on it using a Super Famicom cartridge.
The prototype does share some exterior similarities with both the Super Nintendo and the Sony PlayStation, but it has its own, unique characteristics as well. It has not only a slot for Super Famicom and Super Nintendo games, but a CD-ROM drive that was meant to play disc-based media and presumably video games as well. Though the CD-ROM drive was not currently working when it was found in 2009, it has since been repaired by Benjamin Heckendorn, a YouTube personality known for his console repair videos. It now has the ability to play music CDs like the commercially produced PlayStation, but there is no proprietary software that’s known to have been made during the prototype’s development.

The prototype’s small screen on the top of the console shows the user which music track is currently being played from the CD, allowing the user to listen to his or her own music and play a cartridge-based game at the same time. It also has a headphone port and independent volume dial on the front of the console, to the left of the two controller ports. Turning the console over to look at the bottom, it has a label with what appears to be a handwritten “2.” The meaning of this number is unclear. Looking at the back of the console, it has standard AV Out, S-Video, and the Super Nintendo’s Multi-out ports. However, it also has a mysterious port simply labeled “NEXT,” and its purpose is considered to be unknown.

One of the most interesting aspects of the prototype is the controller, whose casing sports the design of a Super Nintendo controller with Super Famicom colors. However, this is no ordinary Super Nintendo controller! Though the design itself is familiar to many, the branding is what sets it apart. Instead of Nintendo, “Sony PlayStation” is boldly emblazoned on the front of the controller, though “Nintendo” is raised in plastic on the back.

Both the console and the controller show some signs of aging that were characteristic of the Super Nintendo. Presumably, these pieces are made from the same type of plastic that the Super Nintendo was made from: acrylonitrile butadiene styrene, or ABS for short. This plastic is naturally flammable, so it was often treated with flame retardants, Bromine being the most common. As bromine is exposed to ultraviolet radiation, it oxidizes and causes the yellowing color. Since the shell of the console is made up of different pieces, it’s possible the ratio of ABS to flame retardant was mixed more accurately for some pieces of the shell than it was others.

Also included with the lot is what is often referred to as either the “boot cart” or “debugging cart” which allows the system to activate the CD-ROM port as well as access the console’s Super Disc operating system. The casing is in the shape of a Super Famicom cartridge, and does have the “Nintendo Super Famicom Cassette” text impressed into the back portion of the shell. A handwritten label adorns the front where a commercially produced label would typically go. It shows a date of either October 6th, 1992 or June 10th, 1992. The date is unconfirmed.

At one time, this particular unit was owned by the founder, first president, and first chief executive officer of Sony Computer Entertainment, Inc. Olaf Olafsson. Olaf eventually left Sony to join Advanta Corporation, and became its president in 1998. A little over a year later, Olaf left Advanta to join Time Warner — but he left his Nintendo PlayStation prototype behind at Advanta. Roughly around this time, Advanta filed for bankruptcy and began gathering up everything in their corporate office to sell at auction. As the story goes, the Nintendo Play Station prototype was grouped together with some miscellaneous items that was boxed up with a group lot, the contents of which were veiled. A nice Easter egg for the winning bidder, indeed!

By far, this is arguably one of the most notorious, mysterious, and controversial artifacts of the video game industry. This prototype has been around the world and back again, admired and appreciated by video game enthusiasts from all over. Even though this is the closing of this portion of its narrative, it will continue to remain a pivotal piece of video game history no matter where it ends up.

Pablo Picasso, La Femme A La Collerette 1963

Pablo Picasso, La Femme A La Collerette 1963

Pablo Picasso (Spanish, 1881-1973) “La Dame a la Collerette” (Lady with a Ruff) – 1963, linocut in colors on Arches paper, signed and numbered 22/50 on lower margin. Approx. 24.5″ x 17.5″ (sheet), 36.325″ x 30.25″ (frame).Provenance: From thePrivate Collection of Mr. Barry Griswell of Amelia Island, Florida; acquired from the Martin Lawrence Galleries. Note: Lot accompanied with a certificate of authenticity.
Condition
Examined out of frame. Hinged to mat, deckled bottom edge, minor toning to edges under mat- not distracting. No apparent foxing.

H.P. Hood & Sons Milk Sign

H.P. Hood & Sons Milk Sign

H.P. Hood & Sons Milk porcelain sign is a good example with vibrant, unfaded colors; signed on the bottom, “American Valve & Enameling Corp.” Chips at the mounting holes around the perimeter. Dimensions: 30 in. diameter.

Chinese Yellow Ground Taoist Priest Dragon Robe

Chinese Yellow Ground Taoist Priest Dragon Robe

Of rectangular form with a central opening at the front, the two front panels with cranes amidst clouds, with band of black silk collar detailed with dragons and floral motif. The back of the robe elaborately decorated with a cosmic diagram featuring a sun, moon, constellations and central pagoda paradise scene, the pagoda flanked by two writhing dragons, surrounded by nine dragons in the roundels and Buddhist treasure symbols, all among cloud scrolls,and other symbols within borders incorporating alternating flaming trigrams and auspicious emblems, and front sleeve openings, with metallic gold-wrapped threads on yellow silk ground.
Overall width: 70 inches (177.8 cm).