Serapi Carpet.:

Late 19th/Early 20th Century. 118in x 166in.

Elephant and Monkey with Flowers:

Artist: Ira Yeager (1938-2022). Size: 95 1/2 in x 66 in (image). Note: VERY LARGE TO SHIP. Year Created: 1969 Signature: Lower Right.Medium/Ground: Oil and Acrylic on canvas.Condition: Good. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD “AS IS” IN ACCORDANCE WITH THE CONDITIONS OF SALE.

Dan Corbin (1947- ):

Artist: Dan Corbin (1947- ). Titled: California Sandstone. Signed and dated: (to back) Dan Corbin 95. Medium: Mixed media. Dimensions: 54 1/4 x 15 3/4 x 12 inches. Description: A nude female figure with no head or arms stands with feet together. The body is segmented geometrically, with varying materials making up each. Condition: Very good, soiling/dusty.

Roland Petersen (1926- ):

Artist: Roland Petersen (1926-). Untitled: Interior/Cityscape. Signed and dated LC: Roland Petersen 1998. Medium: Acrylic on paper Dimensions: (housing size) 30 1/8 x 37 1/2 inches; (image size) 22 1/4 x 30 inches. Housing: Wood frame with plexiglass. Description: A woman in a red and white swimsuit and straw brim boater hat gazes out the window to the left in the foreground, with another woman in swimming attire at a table with a red and purple checkered patterned tablecloth in the background. Condition: Very good. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD “AS IS” IN ACCORDANCE WITH THE CONDITIONS OF SALE.

 

Kyle Polzin (b. 1974) Keeper of the Plains, 2020:

Kyle Polzin (b. 1974)
Keeper of the Plains, 2020
oil on canvas
31 x 26 inches
40.25 x 34.75 inches (frame)
signed lower left: Polzin

For the last ten years, Kyle Polzin has been at the top of the list as one of the most coveted Western artists working today. His still life paintings are unlike any other and his ability to bring life to inanimate objects coupled with his mastery of lighting and reflection drives the demand by serious art collectors. “Keeper of the Plains” is a Native American head-dress painting completed by the artist in 2020. An interesting fact about this incredible painting is that the artist made the headdress himself which included staining white turkey feathers to create eagle feathers as well as hand sewing each individual bead onto the headdress band. Polzin headdress paintings are exceedingly rare with only three others known, two of which hold the artist’s top two auction sales records.

Condition
The painting appears to be in good condition. Under UV examination, there is no evidence of restoration or inpainting.

Rare Russian Cloisonne Enamel Gilded Silver Spoon:

Exquisitely made jam or honey spoon in gold wash silver with cobalt and Tiffany blue enamel with white and yellow details. Marked 916 and 3ЛЮ. Weight 56 grams.

Dimensions: 7″L x 1.75″W
Country of Origin: Russia
Condition
Age related wear.

Charles Schreyvogel (1861 – 1912) The Last Drop, 1903:

Charles Schreyvogel (1861 – 1912)
The Last Drop, 1903
bronze, No. 57
12 x 18.5 x 5 inches
inscribed: Copyrighted 1903 by Chas Schreyvogel with foundry mark No. 57 underneath

Condition
The sculpture appears to be in good condition with no apparent degradation in the metal. The surface of the sculpture has a slight green patina.

Joseph Henry Sharp (1859 – 1953) Evening Council:

Joseph Henry Sharp (1859 – 1953)
Evening Council
oil on canvas
25.25 x 30.25 inches
35.5 x 39.5 inches (frame)
signed lower right: J H Sharp Taos
verso: label, Owings Dewey Fine Art, Santa Fe, New Mexico; label, J.N. Bartfield Galleries, New York, New York

Condition
The painting appears to be in good condition. Under UV examination, there is no evidence of restoration or inpainting.

G. Harvey (1933 – 2017) Enough Till Spring, 1994:

G. Harvey (1933 – 2017)
Enough Till Spring, 1994
oil on canvas
30 x 50 inches
42 x 62 inches (frame)
signed lower right: G. Harvey
verso: titled, signed and dated

“Enough Till Spring” painted by the iconic Texas artist in 1994 is an impressive and especially moody example of his work portraying Western life in a small Texas town at the beginning of the 20th century. Cowboys riding down a snow covered Main Street just after sunset most likely headed back to the ranch stirs a feeling of the West in all of us. The artist’s trademark use of light is very well on display along with his inclusion of an early automobile signifying that change is coming.

Condition
The painting appears to be in good condition. Under UV examination, there is no evidence of restoration or inpainting.

Frank Tenney Johnson (1874 – 1939) The Lawless Frontier, 1930:

Frank Tenney Johnson (1874 – 1939)
The Lawless Frontier, 1930
oil on canvas
25 x 30.25 inches
31 x 36 inches (frame)
signed lower left: F Tenney Johnson A.N.A 1930
verso: titled and artist stamp (F. Tenney Johnson 22 Champion Place Alhambra, Calif.)

Considered a Master Painter of the Old West and the Father of Western Moonlight Painting, Frank Tenney Johnson was influenced by his artist peers of the time including Frederic Remington and Charles Marion Russell. Beginning in New York as an illustrator for numerous national magazines as well as for the Western novels of Zane Grey, Johnson eventually got a taste of the West joining Russell on a sketching expedition to the Blackfoot Reservation in Montana. Later in his career he moved to Alhambra, California where he shared a studio with Clyde Forsythe. At this point, his easel paintings became more popular than his illustrations so he concentrated on that medium, painting cowboys and Native Americans. Together, Johnson and Forsythe exhibited in the Biltmore Salon at the Biltmore Hotel in Los Angeles, California. Known mainly for his moonlight painting technique, he was also adept at painting compelling daytime scenes in a style utilizing knives, fingers, and brushes. “The Lawless Frontier” painted by the artist in 1930 is a testament to his remarkable skill as a painter. A rare daytime action scene by the artist, this incredible and new to the market painting, was purchased directly from the Biltmore Art Gallery circa 1930 and has been in the same family since that time.

Condition
The canvas has been lined to a linen support with an unknown adhesive. The surface is flat with no distortions. The canvas is stretched to its original wood stretcher that is in good condition. The title is inscribed in pencil on the top stretcher bar next to a stamp of the artist’s name and address. The surface is covered with an evenly applied layer of varnish with a semi-gloss sheen. Under UV light (ultraviolet light) the surface is clean and cleared of oxidized varnish. Lines of inpainting fluoresce in the sky area and around the edges near the frame. The inpainting is refined and meant to minimize crazing that was caused by the artist’s methods of adding siccative to the paint layers. The artist’s signature and date are painted in the lower left corner and are clearly visible and un-altered. There are no signs of damage to the surface.

This painting is in excellent condition with no visible condition issues.