Exceptional Swimming Merganser Decoy

Exceptional Swimming Merganser Decoy

Exceptional Swimming Merganser Decoy:

Exceptional Swimming Merganser
North Shore, MA, c. 1890
17 1/2 in. long

This hollow swimming merganser is among the finest decoys discovered in decades. As this Massachusetts masterpiece makes its public debut, no other decoys from this rig are known to have surfaced in any auction to date. Like the goose, the red-breasted merganser has been a muse for many of the great known and unknown Atlantic carvers. A thorough review of the finest mergansers confirms that this carving stands on its own as one of the greatest extant, and it is certainly second to none among all hollow examples of this species.

The sleek body stretches forward to a raised neck seat topped by a highly refined reaching head, turned slightly to the left. The delicate bill is trimmed with incised mandible carving. Topping the head is a ridged crest running from the crown to the nape with a rasp finish capturing the texture of the wet shaggy feathers after a dive. The lightweight body features refined raised wing tip carving and a thin tail. A round beveled weight and thin bottom board complete the underside of the decoy and it appears to have had a wooden keel at one time. The surface is finished with softly blended paint and sharp wing patches. Given its fragile features, the decoy has survived in remarkably good condition. It is being offered here in its discovered state with no touch-up or repairs.

Bob Shaw demonstrates in the opening salvo to his Massachusetts chapter, one cannot discuss the unrivaled region’s great decoys without embracing the unknowns. As he makes clear, masterworks such as this easily rise above the trivia of attributions. That said, naturally this swimmer’s origin is being explored. Only two other decoys from this rig are known and all are in the same plumage. The other two are in upright positions, but no raised wing carving. One is in a prestigious private collection where it shares space with exceptional works from the North Shore, Massachusetts, rigs of Capt. Samuel A. Fabens, Fred M. Nichols, and Capt. Charles Osgood. The features of this lot place it firmly in region, and some believe it is in fact a Nichols decoy as the style relates closely to works identified from his rig. While more sleek and detailed than an Osgood or even a Fabens merganser, the form and construction appear to have a common origin with the latter. Gigi Hopkins reveals that Fabens and Nichols were both guests at the prestigious Ives Camp in Rowley, Massachusetts, which was co-founded in 1853 by none other than Capt. Charles C. Osgood (1820-1886).

“The Massachusetts region, which includes coastal New Hampshire, Cape Cod, the islands of Nantucket and Martha’s Vineyard, and the state of Rhode Island, arguably produced more first-quality decoys than any other area of the country and was home to a number of the decoy’s greatest artists, including such masters as Elmer Crowell, Joe Lincoln, Lothrop Holmes, and George Boyd.

“Massachusetts also produced several of the greatest as yet unidentified carvers. Many of the region’s most accomplished and inventive nineteenth-century shorebird carvers have never been identified, while a uniquely constructed group of geese and red-breasted mergansers is attributed by oral tradition to a Salem sea captain named Charles C. Osgood, although whether he actually made them or not may never be known. One unidentified master carved a rig of astonishing animated shorebirds for Dr. John C. Phillips, a wealthy sportsman and amateur ornithologist who was also one of Elmer Crowell’s most important patrons, while another made equally remarkable geese and shorebirds with tightly fitting, removable dovetailed heads.” – Bob Shaw, “Bird Decoys of North America”
Excellent original paint with light gunning wear, some chipping to tail edge, and head is slightly loose.

Provenance: Private Collection, Massachusetts

Literature: Gwladys Hopkins, “Massachusetts Masterpieces: The Decoy As Art,”Lincoln, MA, 2016, pp. 76-77, Osgood, Fabens and Nichols discussed and Osgood merganser illustrated. Robert Shaw, “Bird Decoys of North America,” New York, NY, 2010, pp. 150-151, lost Fabens merganser illustrated and Massachusetts discussed.
ConditionPlease email condition report requests to [email protected]. Any condition statement given is a courtesy to customers, Copley will not be held responsible for any errors or omissions. The absence of a condition statement does not imply that the lot is in perfect condition.

The Harmon Running Cobb Curlew Decoy by Nathan F. Cobb Jr. (1825-1905)

The Harmon Running Cobb Curlew Decoy by Nathan F. Cobb Jr. (1825-1905)

The Harmon Running Cobb Curlew Decoy by Nathan F. Cobb Jr. (1825-1905):

The Harmon Running Cobb Curlew
Nathan F. Cobb Jr. (1825-1905)
Cobb Island, VA, c. 1880
15 1/2 in. long

“Every Nathan Cobb decoy had its own natural pose. Even his Hudsonian Curlews seemed to run, feed, and walk.” – William J. Mackey Jr., discussing a Cobb curlew in “American Bird Decoys,” plate VII

“An original box of goose eyes found in Nathan’s shed shows that he sent to Germany for them and obtained the finest.” – William J. Mackey Jr., “American Bird Decoys”

Nathan Cobb Sr. sailed his family south from Eastham on Cape Cod to the Eastern Shore of Virginia where they began to settle around 1837. The family brought with them their native Massachusetts decoy concepts, including German bead-glass eyes and the refined split-tail carving style adopted by Lothrop Holmes, A. Elmer Crowell, and Joseph Lincoln. Over time, the Cobbs evolved this style into one of their own with robust elements and their signature ridged backs.

A dynamic, yet well-balanced decoy, this curlew exhibits pleasing proportions. The reaching and gracefully rounded head is cocked ever so slightly to the right with an inquisitive gaze and is finished with full cheeks topped by deep eye grooves and German bead-glass eyes. Under the thin neck, the grand body resolves with a precise Cobb Island tail cut. This confident carving, featuring the Cobb’s laconic feathering, represents the pinnacle of the Southern standard.

This curlew, with its original paint, crisp clean lines, and original bill, is among the very finest shorebirds that survived the remote island’s storm-wrecked history. Cobb curlews in any pose are highly sought after, and the running models have been among the most coveted decoys of all time. Indeed, on three occasions they have posted auction results over $200,000, more showings than any other maker’s curlew. The closest known comparable to this lot was acquired by Dr. Lloyd T. Griffith at auction in 2006 for $390,000, a record for any Southern decoy at the time. This lot is surfacing for the first time in the modern collecting era after residing quietly in private collections, including most recently the distinguished collection of Ted and Judy Harmon, who are heralded for collecting some of the finest Massachusetts shorebird decoys.
Excellent original paint with even gunning wear. Original bill has minute traces of black overpaint.

Provenance: Ted and Judy Harmon Collection

Literature: Dr. S. Lloyd Newberry, “Wings of Wonder: The Remarkable Story of the Cobb Family and the Priceless Decoys They Created on Their Island Paradise,” Columbia, SC, 2020, p. 166, initials discussed, p. 168, closely related record-setting decoy illustrated, pp. 248-249, related curlew illustrated. William J. Mackey Jr., “American Bird Decoys,” New York, NY, 1965, color pl. VII, curlew with plover bill illustrated. Robert Shaw, “Bird Decoys of North America,” New York, NY, 2010, p. 214, McCleery’s Cobb curlew illustrated. Henry A. Fleckenstein Jr., “Southern Decoys of Virginia and The Carolinas,” Exton, PA, 1983, pp. 206-211, Cobb curlews illustrated. Kory W. Rogers, “Birds of a Feather,”Shelburne, VT, 2017, p. 130, related examples illustrated.
ConditionPlease email condition report requests to [email protected]. Any condition statement given is a courtesy to customers, Copley will not be held responsible for any errors or omissions. The absence of a condition statement does not imply that the lot is in perfect condition.

Leroy Neiman – Cal Ripken

Leroy Neiman - Cal Ripken

Leroy Neiman – Cal Ripken:

Artist: Leroy Neiman
Title: Cal Ripken
Year: 2000
Dimensions: 35in. by 28 1/4in.
Edition: Numbered from the Rare Limited Edition
Medium: Original Serigraph in Colors on Paper
Condition: Excellent
Signature Details: Hand Higned by Neiman and Ripken
Comes with Letter of authenticity and guaranteed in perpetuity
ConditionExcellent

BAMBI Street Artist – Lie Lie Land (Blue)

BAMBI Street Artist - Lie Lie Land (Blue)

BAMBI Street Artist – Lie Lie Land (Blue):

Artist: BAMBI Street Artist
Title: Lie Lie Land (Blue)
Year: 2017
Dimensions: 15 3/4in. by 19 3/4in.
Edition: From the Rare Limited Edition
Medium: Hand Pulled Spray Paint Stencil on Canvas with Cement Effect
Condition: Excellent
Signature Details: Hand Signed en Verso by BAMBI
Comes with Letter of authenticity and guaranteed in perpetuity
ConditionExcellent

Mid Century Pedro Friedeberg Style Wood Hand Chair

Mid Century Pedro Friedeberg Style Wood Hand Chair

Mid Century Pedro Friedeberg Style Wood Hand Chair:

Mid Century Pedro Friedeberg style carved and lacquered wood right hand chair with details of knuckles and fingernails. Mounted atop a gilt round wood base.
CIRCA: Mid 20th Century
ORIGIN: Continental
DIMENSIONS: H: 39″ W: 24″ D: 22″

Have a similar item to sell? Contact: [email protected].

CONDITION: Mild scuffing and scratching. See lot description for details on item condition. More detailed condition requests can be obtained via email ([email protected]) or SMS (305)-332-9274. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.

Jim Dine – Details from Nancys Garden (from The Temple of Flora)

Jim Dine - Details from Nancys Garden (from The Temple of Flora)

Jim Dine – Details from Nancys Garden (from The Temple of Flora):

Artist: Jim Dine
Title: Details from Nancys Garden (from The Temple of Flora)
Year: 1984
Dimensions: 18in. by 12 1/4in.
Edition: From the Rare Limited Edition
Publisher: The Arion Press San Francisco
Medium: Drypoint Engraving and Electric Tool with Hand-Coloring on Rives BFK
Condition: Excellent
Signature Details: Hand Signed by Dine with Inscription Reading “Happy Birthday 3.7.84 JD”
ConditionExcellent

Givenchy Antigona Calfskin Leather Shoulder Bag

Givenchy Antigona Calfskin Leather Shoulder Bag

Givenchy Antigona Calfskin Leather Shoulder Bag:

Givenchy Antigona calfskin leather bag featuring an oxblood red tone, rolled-leather top handles, two leather feet, a pentagonal patch at the side, and a flat leather shoulder strap with gold toned hardware. The top zipper opens to a black fabric interior with zipper and patch pockets.
Embossed tag at the interior “Givenchy Made in Italy”.
Raised gold toned metal at the side “Givenchy”.
CIRCA: 21st Century
ORIGIN: Italy
DIMENSIONS: H: 11″ W: 7.5″ L: 16.5″

Have a similar item to sell? Contact: [email protected].

CONDITION: Great condition. Pre-Owned. See lot description for details on item condition. More detailed condition requests can be obtained via email ([email protected]) or SMS (305)-332-9274. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.

Pair of Mid Century Patinated Bronze Torso Sculptures

Pair of Mid Century Patinated Bronze Torso Sculptures

Pair of Mid Century Patinated Bronze Torso Sculptures:

Pair of Mid Century bronze sculptures depicting exaggerated forms of a man and woman’s torso with parcel gilt details of muscles and a bikini completed by a blue patinated tone throughout.
CIRCA: 20th Century
ORIGIN: Continental
DIMENSIONS: Man H: 47.5″ W: 30″ L: 15.5″, Woman H: 47.87″ W: 23″ L: 20.5″

Have a similar item to sell? Contact: [email protected].

CONDITION: Great condition. See lot description for details on item condition. More detailed condition requests can be obtained via email ([email protected]) or SMS (305)-332-9274. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.

 

Michael Sutty Porcelain Sculpture, Duke Of Wellington 1805

Michael Sutty Porcelain Sculpture, Duke Of Wellington 1805

Michael Sutty Porcelain Sculpture, Duke Of Wellington 1805:

A marvelous sculpture of the Duke in his scarlet and gilded uniform. Mounted on a gray mare adorn with a leopard saddle.
Includes a custom oval wooden base decorated with a “The Duck of Wellington on Diomed” plaque. Michael Sutty backstamp.

Dimensions: 7.75″ L x 13.75″ W x 18.5″ H
Edition Number: 8 of 10 Manufacturer: Michael Sutty
Country of Origin: England
Condition
Age related wear.

Antique Mark Marshall Royal Doulton Dragon Vase

Antique Mark Marshall Royal Doulton Dragon Vase

Antique Mark Marshall Royal Doulton Dragon Vase:

Glazed stoneware with a molded of a dragon on the scalloped rim and raised white lotuses on the body.
Blue, cream, and tan coloration. Royal Doulton impressed stamp. Artists? initials on the base.

Artist: Mark V. Marshall and John Broad
Issued: Circa 1890
Dimensions: 9.5″ H x 5.75″ Diameter
Manufacturer: Royal Doulton
Country of Origin: England
Condition
Age related wear.