Gene Cernan’s Apollo 17 Flown Lunar Surface-Used EVA-1 Cuff Checklist

Gene Cernan's Apollo 17 Flown Lunar Surface-Used EVA-1 Cuff Checklist

Gene Cernan's Apollo 17 Flown Lunar Surface-Used EVA-1 Cuff Checklist:

Commander Gene Cernan’s Apollo 17 EVA-1 cuff checklist, carried and used extensively on the lunar surface during the first extravehicular activity of the last Apollo moon mission. Just before taking his first step onto the moon, with this checklist strapped to his left wrist, Cernan remarked: ‘I’m on the footpad. And, Houston, as I step off at the surface at Taurus-Littrow, we’d like to dedicate the first step of Apollo 17 to all those who made it possible.’

Cernan wore this cuff checklist on his wrist for the duration of the first EVA of Apollo 17, exposing it to the lunar environment for 7 hours and 12 minutes—as such, its pages are still streaked with lunar dust. This checklist can be seen on his wrist in both film footage and photographic stills taken during the EVA, most evidently in images of him saluting the American flag after its deployment.

The cuff checklist is a comprehensive guide for the entire extravehicular activity, offering preparation procedures, simplified maps, and task lists: the principal goals of EVA-1 were offloading the Lunar Roving Vehicle (LRV), deploying the American flag, setting up experiment packages, and collecting samples of moon rocks and lunar soil. Interspersed are cartoons of astronaut-dogs exploring the lunar surface, playfully inserted by the backup crew—an Apollo tradition. The first shows Snoopy bounding over the lunar terrain. Captioned “The Beginning Not The End,” the cartoon acknowledges Apollo 17’s place as the ultimate Apollo mission and looks toward the future.

The checklist consists of 25 spiral-bound double-sided pages, each measuring 3.5″ x 2.5″, attached to an aluminum wrist brace marked with part numbers, “P/N SEB 33100302-302, S/N 1028.” The original black Velcro wristband remains attached. The checklist’s pages are smudged with gray lunar dust, making its extensive use on the moon’s surface self-evident. These moon dust deposits were extensively analyzed by Prof. Dr. Stephen J. Mojzsis, Research Professor and Senior Advisor Director, Origins Research Institute Research Centre for Astronomy & Earth Sciences. His 99-page report, which includes many electron microscope photos and spectrographic displays of the individual elements present in the samples, is included. Mojzsis concluded that the material “is indeed consistent with descriptions of dusts and other samples reported in the Apollo 17 Lunar Sample Information Catalogue, as well as in other published reports of lunar material. The items together are a national treasure, and whomever acquires this collection would be truly blessed with a piece of history unique to humanity.”

Accompanied by a detailed letter of provenance signed by Gene Cernan, as well as two pages signed by Cernan featuring images of him with the checklist (one on the moon in 1971, and one circa 2013). Cernan’s letter, in small part: “EVA1 was a high level work period. The cuff checklist reflects that by being completely smothered with lunar dust. The dust, more correctly named ‘Lunar Regolith,’ is the top soil of the Moon. The dust was very abrasive and clung to everything it came in contact with during our time on the Moon’s surface. I have kept this cuff checklist as a memento of my time on the Moon at the Valley of Taurus-Littrow after NASA returned it to me in 1973. On September 25, 2012, Congress passed bill HR 4158 that officially gave us possession of the mementos from our flights that had been in our collections for the past 40 years. This cuff checklist represents one of the rarest of Apollo artifacts as a piece of vital equipment that I used during my excursions on the lunar surface in the Valley of Taurus-Littrow.”

Further enhancing the flown checklist is its remarkable, museum-quality display. This includes: a highly accurate replica of Cernan’s left-handed Apollo A7-LB EVA glove fabricated by renowned artist Ryan Nagata, whose work has appeared in Hollywood movies including the Neil Armstrong biopic First Man; a display case consisting of a custom-machined aluminum platform, engraved on the front, “Apollo 17 EVA1 Checklist, Worn by Commander Gene Cernan, 7 Hrs 12 Mins on the Lunar Surface, December 11, 1972,” with clear acrylic cover to protect the glove and checklist from contaminants; a laser-engraved aluminum presentation box displaying the Apollo 17 mission insignia, containing Cernan’s signed provenance documents and Dr. Mojzsis’s report on the lunar dust, which slides into a felt-lined slot in the rear of the base. Also included in the presentation box are photos of the checklist and copies of selected photos from EVA-1.

Royal Doulton Kingsware Lidded Sugar Bowl, Don Quixote

Royal Doulton Kingsware Lidded Sugar Bowl, Don Quixote

Royal Doulton Kingsware Lidded Sugar Bowl, Don Quixote:

Dark brown glaze sugar bowl with silver rim accent. Relief of Don Quixote and Sancho Panza on the face.
Royal Doulton backstamp. Relief of horse and donkey on reverse. “Don Quixote” inscribed along the base. Hallmark stamped on rim. #kingsware #coffee #tea #DonQuixote

Issued: Early 20th c.
Dimensions: 6″W x 4.25″H
Manufacturer: Royal Doulton
Country of Origin: England
Condition
Hairline crack and chip on the handle. Small chip on the lip of bowl.

Beswick Figurine, Lifeguard on Horse

Beswick Figurine, Lifeguard on Horse

Beswick Figurine, Lifeguard on Horse:

Modeled as a lifeguard solider seated on his dappled grey horse; model no. 1624. Beswick backstamp.

Artist: Arthur Gredington
Issued: 1959-1977
Dimensions: 8.5″L x 2.75″W x 9.75″H
Manufacturer: Beswick
Country of Origin: England
Condition
Age related wear. Missing rein on horse.

Dante HN4503 – Royal Doulton Figurine

Dante HN4503 - Royal Doulton Figurine

Dante HN4503 – Royal Doulton Figurine:

Figural dressed in black, white, and gold, from The Prestige Carnival Collection, The Venetian Masquerade Ball. Serially numbered edition, 85. Royal Doulton backstamp. This item has its original box: 14″L x 16″W x 10″H. Certificate of Authenticity included.

Artist: Shane Ridge
Issued: 2005 – 2009
Dimensions: 8.5″L x 4.5″W x 12″H
Edition Number: No. 85 Manufacturer: Royal Doulton
Country of Origin: England
Condition
Age related wear.

Rougier, Large Wall Sconces (2)

Rougier, Large Wall Sconces (2)

Rougier, Large Wall Sconces (2):

ROUGIER
Pair of Large wall sconces, ca. 1975
PVC tube, acrylic. Manufactured by Rougier, Canada.

Each: 28″ H x 13″ W x 8″ D

Condition
Overall very good vintage condition. In working order when tested. Occasional scratches or scuffing. One acrylic back panel has a chip near the screw hole which is not see when sconces are on the wall. US plugs.

David Cressey, Large Flame-Glazed Pro/Artisan Planters (2)

David Cressey, Large Flame-Glazed ProArtisan Planters (2)

David Cressey, Large Flame-Glazed Pro/Artisan Planters (2):

DAVID CRESSEY
Pair of flame-glazed planters, ca. 1966
Glazed stoneware. Manufactured by Architectural Pottery for their Pro/Artisan series.

Each: 14.25″ H x 18″ Diameter

Condition
Very good vintage condition. Each with light surface scuffing or scratches. One planter with six shallow chips to the rim; the other is chip-free. Each with one drilled drainage hole. Both are slightly oblong.

Goyard, Steamer Trunk

Goyard, Steamer Trunk

Goyard, Steamer Trunk:

GOYARD
Steamer trunk, 1920s
Vinyilized canvas, wood, leather, brass, fabric. Produced by Goyard Aine, France.
Buckle impressed with brand logo.

40″ H x 21″ W x 20″ D

Condition
Overall good vintage condition. Moderate wear including scratches, surface accretions, abrasions and surface debris throughout consistent with age and use. The vinylized canvas shows buckling, flaked and rubbed losses, and tears. Assorted dents, rubbed losses, and scratches to brass hardware. Cracks and rich patina to leather edging. A few areas of repair to the leather. Soiling to canvas-lined interior. Presents well.

Richard Prince, ‘Third Place (Family Tweets)’ (5)

Richard Prince, 'Third Place (Family Tweets)' (5)

Richard Prince, ‘Third Place (Family Tweets)’ (5):

RICHARD PRINCE (American, b. 1949)
‘Third Place (Family Tweets),’ 2017
Set of five prints on newspaper.
Each signed lower right.
From the edition of three signed sets made in conjunction with Prince’s 2017 Desert X site-specific installation ‘Third Place.’

Each, framed: 26.5″ H x 20.25″ W x 1″ D
Sheet: 22.5″ H x 16.25″ W

Provenance: Gifted to the current owner by the artist

Condition
Each artwork in exellent condition. Due to the nature of the print, they have a crease through the center which is not noticeable or distracting. Artworks have not been examined out of the frame. Newly framed.

Tony Marsh, Large ‘Crucible’ Vessel

Tony Marsh, Large 'Crucible' Vessel

Tony Marsh, Large ‘Crucible’ Vessel:

TONY MARSH
Large ‘crucible’ vessel, 2019
Glazed ceramic. Studio-made in Long Beach, CA.

15.5″ H x 15.5″ W x 14″ D

Provenance: Acquired directly from the artist by Los Angeles interior designer Ani Albers; The Estate of Ani Albers, Los Angeles, CA

Condition
Excellent condition with no damage or repairs.

Rene Lalique (French, 1860-1945) Original Drawings, Ouroboros Fishes

Rene Lalique (French, 1860-1945) Original Drawings, Ouroboros Fishes

Rene Lalique (French, 1860-1945) Original Drawings, Ouroboros Fishes:

This exceptional study in graphite, ink, and gouache on BFK Rives brown paper were made by Art Nouveau and Art Deco designer and craftsman Rene Lalique. They include two painted circular drawings and a side view of a design for a watch left in graphite. The upper drawing of entwined foliage pattern is framed by warm brown washes. Underneath, Lalique designed three ouroboros fishes that symbolize eternity. Their bodies and fins are painted in a yellow gold tone above coral red washes. The washes of dark brown and washed black form the background that is enhanced with foliage. These Asian influenced motifs became part of the artistic symbols of Lalique, These extraordinary final stage studies are of museum quality and were acquired directly from the private collection of the descendants of Rene Lalique. The drawings are speculated to be preliminary sketches for the Poissons round box, which had double sided pressed glass designs and a nickel interior. Housed in a natural color wooden frame. Frame size: 9.80″L x 13.40″H x 0.75″W. Artwork dimensions: 8.50″L x 12″H

Artist: Rene Jules Lalique (French, 1860-1945)
Issued: c. 1895
Country of Origin: France
Provenance: Collection of Marie-Claude Lalique
Condition
Age related wear.