Printed & Manuscript Americana at Swann April 15 Featuring a Noteworthy Collection of American Historical Prints

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Bernard Romans, An Exact View of the Late Battle at Charlestown, June 17th, 1775, engraving, 1776. Estimate $40,000 to $60,000.
Bernard Romans, An Exact View of the Late Battle at Charlestown, June 17th, 1775, engraving, 1776. Estimate $40,000 to $60,000.

New York—Printed & Manuscript Americana is at Swann Galleries on April 15 with a selection of American historical prints from a private collection, material from the Revolutionary and Civil Wars, religious ephemera and publications, and more.

The sale opens with 121 lots from a noteworthy collection of American historical prints; which encompass the colonial era, the American Revolution, Washington and the “founding fathers,” allegorical prints and the early American engravers, the War of 1812, commerce, and expansion. Highlights include a 1776 engraving of the Late Battle at Charlestown on June 17, 1775, by Bernard Romans ($40,000-60,000); an English edition of A Short Narrative of the Horrid Massacre in Boston, London, 1770 ($12,000-18,000); a 1781 engraving by Joseph Strutt, after Robert Edge Pine, depicting the allegorical figure of America mourning at a monument to four martyred American generals amid the ruins and desolation of war ($7,000-10,000); and Battle of Buena Vista: View of the Battle-Ground and Battle of ‘The Angostura,’ a 1847 chromolithograph by Frances Palmer ($4,000-6,000). 

Manuscript document to enforce New York’s “Agreement of Non-Importation” during the heyday of the Sons of Liberty, New York, 1769. Estimate $10,000 to $15,000.
Manuscript document to enforce New York’s “Agreement of Non-Importation” during the heyday of the Sons of Liberty, New York, 1769. Estimate $10,000 to $15,000.

Americana from throughout the Revolution includes a manuscript document to enforce New York’s “Agreement of Non-Importation” during the heyday of the Sons of Liberty in New York, 1769 ($10,000-15,000). Also of note is a 1836 previously unknown printing of the disastrous Treaty of New Echota of December 29, 1835, in which an unauthorized minority faction of the Cherokee Nation agreed upon removal west Indian Territory and cleared the path for the Trail of Tears ($4,000-6,000); a first edition of The Trial of William Wemms. . . for the Murder of Crispus Attucks, Boston, 1770, by reporter John Hodgson ($4,000-6,000); a manuscript account of a French ship’s naval battle with the British off Pensacola covering the events of April 16 to 19 of 1718 ($3,000-4,000); and a list of expenses incurred by Colonel Philip Van Cortlandt at Valley Forge from 1779 ($2,500-3,500).

The Civil War era is represented with an album of cartes-de-visite, including one of spymaster Lafayette Baker with images from 1863 to 1865 ($600-900); a yearlong diary of a naval officer in pursuit of Merrimac from March of 1862 to March of 1863 ($4,000-6,000); and a mammoth salt print of Alexander Shaler and the seventh New York Militia Regiment ($3,000-4,000); and a 1861 salt print Clarence Mackenzie, drummer boy of the 13th Regiment of Brooklyn ($3,000-4,000).

Items throughout reference major religions, with a significant section of Judaica that features the second book published for a Jewish audience in America, and the first Jewish calendar from 1806 ($3,000-4,000); and a small run of material relating to Mormonism in America, including a first edition of The Book of Mormon, Palmyra, 1830 ($30,000-40,000). 

Another chapter of the sale covers ephemera, letters, books and photographs from the fabled Western frontier with a first edition of The Adventures of Big-Foot Wallace, the Texas Rangers and Hunter, Philadelphia, 1871 ($2,500-3,500); extensive papers from 1872–81 of William McKay, who went west from Iowa to Colorado as a mining agent ($2,000-3,000); silver prints from 1885 and 1890 by F. Hay Haynes of Montana cowboys ($2,000-3,000); and more.  

A rich selection that features the earliest publication concerned solely with chocolate from 1631 ($10,000-15,000), early Mexican imprints and manuscript cookbooks, as well as items covering Peru, Guatemala, the Dominican Republic, and elsewhere. An offering of material relative to Native peoples and First Nations in America, including photographs, letters rounds out the sale.

Limited previewing (by appointment only) will be available through April 14, to be scheduled directly with a specialist in advance and conforming to strict safety guidelines. Swann Galleries staff will prepare condition reports and provide additional photographs of material on request. Advance order bids can be placed with a specialist for the sale or on Swann’s website, and phone bidding will be available. Live online bidding platforms will be the Swann Galleries App, Invaluable, and Live Auctioneers. The complete catalogue and bidding information is available at www.swanngalleries.com and on the Swann Galleries App.

Additional highlights can be found here.

Captions:

Lot 22: Bernard Romans, An Exact View of the Late Battle at Charlestown, June 17th, 1775, engraving, 1776. Estimate $40,000 to $60,000.

Lot 141: Manuscript document to enforce New York’s “Agreement of Non-Importation” during the heyday of the Sons of Liberty, New York, 1769. Estimate $10,000 to $15,000.

Auction date: Thursday, April 15, at 10:30 am 

Specialist: Rick Stattler • [email protected] • 212-254-4710 x 27

CMO: Alexandra Nelson • [email protected] • 212-254-4710 x 19

Public Relations Associate: Kelsie Jankowski • [email protected] • 212-254-4710 x 23

Social media: @swanngalleries  

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PRINTED CATALOGUE & ADDL. DIGITAL IMAGES AVAILABLE ON REQUEST

Swann Auction Galleries is a third-generation family business as well as the world’s largest auction house for works on paper. In the last 75 years, Swann has repeatedly revolutionized the trade with such innovations as the first U.S. auction dedicated to photographs and the world’s only department of African-American Fine Art. More than 30 auctions and previews are held annually in Swann Galleries’ two-floor exhibition space in Midtown Manhattan, and online worldwide. Visit swanngalleries.com for more information.

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James Ardis
James Ardis
Senior Writer and Editor

James Ardis is a writer, editor, and content strategist focused on the auction industry. His company, James Ardis Writing, has partnered with auction houses, galleries, and many clients outside the art world.

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