Ubald Klug + Ueli Berger, ‘Terrazza’ Sofa Set (2):
UBALD KLUG + UELI BERGER
Two-part ‘Terrazza’ sofa set, model no. DS-1025, 1970s
Leather. Manufactured by de Sede, Switzerland.
Each: 27″ H x 60″ W x 35″ D
Seat height: 14″
Condition
Very good overall condition. Some light cat scratches to one arm. very light signs of wear and use.
Dudley Masonic Pocket Watch in Dueber Watch Co. Glass Dome Display:
This exquisite timepiece is a Dudley Masonic Pocket Watch, renowned for its unique incorporation of Masonic symbols within its movement design. Crafted circa 1925 by the Dudley Watch Company of Lancaster, Pennsylvania, this watch is a Model No. 2, featuring a 12-size, 19-jewel movement. The movement’s bridge plates are artistically shaped into various Masonic symbols, including the slipper, plumb, trowel, level, square, compass, the letter “G,” and a Bible, reflecting the deep Masonic heritage associated with these watches. The watch is encased in a 14K white gold-filled open-face case, measuring approximately 45mm in diameter. The silvered dial showcases Arabic numerals with a subsidiary seconds dial, maintaining the classic aesthetic of the period. This Dudley Masonic Pocket Watch is elegantly presented in a glass dome display with a wooden base, manufactured by the Dueber Watch Co. The glass dome, suspended by a brass finial, offers a sophisticated presentation, making it an excellent addition to any horological collection or Masonic memorabilia.
Issued: 20th century
Dimensions: 5.5″H
Country of Origin: United States
Condition
Age related wear.
Doulton Lambeth George Tinworth Fiddle Player Menu Holder:
Presenting a rare Doulton Lambeth stoneware menu holder, masterfully designed by the esteemed artist George Tinworth. This exquisite piece features a seated figure playing a a string insturment, showcasing Tinworth’s signature attention to detail and whimsical charm. The stoneware is adorned with rich brown, blue, and green glazes, highlighting the intricate craftsmanship characteristic of Tinworth’s work. Doulton Lambeth impressed stamp. Artist marked.
Artist: George Tinworth
Issued: c. 1880 – 1891
Dimensions: 4″H
Country of Origin: England
Condition
Age related wear.
Royal Doulton Mark V. Marshall Jug, Fabulous Fish:
This exceptional antique stoneware pitcher showcases the distinctive work of Mark V. Marshall. The design features a grotesque fish-like creature rendered with intricate detail, reflecting Marshall’s unique artistic style and fascination with fantastical forms. The rich, multi-tonal glaze enhances the textural elements, making this piece a striking example of late 19th to early 20th-century Doulton craftsmanship. Royal Doulton, and Doulton Lambeth stamps. Artist marked.
Artist: Mark V. Marshall, and Ethel Beard
Issued: c. 1885
Dimensions: 8.75″H
Country of Origin: England
Condition
Age related wear.
Wedgwood Fairyland Luster Round Plate, Imps on a Bridge:
An exceptional Wedgwood Fairyland Lustre round dish designed by Daisy Makeig-Jones in the 1920s. The central scene features ‘Imps on a Bridge’, where violet and crimson imps cross an enchanted bridge, while three additional imps paddle canoes beneath in deep blue water. Unlike other variations, this design does not include the Roc bird. The elaborate border is richly decorated in gold lustre, embellished with colorful flowers and leaves, creating a striking visual contrast to the central scene. The underside bears the Wedgwood Portland Vase backstamp, confirming its authenticity. A highly collectible example of Wedgwood’s Fairyland Lustre series, revered for its vivid colors, whimsical themes, and masterful detailing.
Artist: Daisy Makeig-Jones
Issued: c. 1920s
Dimensions: 0.75″H x 10.75″ dia. Country of Origin: England
Condition
Age related wear.
Jeremy Winborg, My Sister and Me:
Jeremy Winborg, “My Sister and Me”
Oil on board. 30 x 45 in.
“My Sister and Me” was inspired by the summers I’ve spent with my kids running through the fields near our house. Every year, those fields become a sea of tall, dandelion-like flowers that glow in the evening light—warm and almost magical. I wanted this painting to feel like a window into the past, taking you back to the 1800s, where two native sisters sit together in a quiet moment, dressed in traditional clothing of their time. You can see the connection in the way they sit—completely at ease with each other. Watching my own daughters out there, I kept thinking about how special that sibling bond is. This piece is about that simple closeness and the beauty of being present in nature, just as it might have been centuries ago.
Jeremy Winborg is best known for his figurative work of Indigenous subjects that blend realism with abstract backgrounds. He has won numerous awards, including the 2019 Sam Houston award, and has been featured in all of the leading Western art magazines.
Winborg focuses on creating art that preserves a bit of history on each canvas.
Winborg is well-known for his bold brushwork and palette knife work on his colorful backgrounds. He enjoys the juxtaposition of realism and abstraction.
“I love to paint empowered women. I want the viewer to be drawn in and feel the emotion of the figure—whether it’s happiness, sorrow, or whatever that emotion may be. I want the subject to draw the viewer in and the brushstrokes and design to be the reason they want to stop and look for a while, or to enjoy that painting for a lifetime. A painting is a success to me if it conveys emotion and is interesting in small pieces as well as a whole.”
Winborg, his wife, Danielle, and their five kids and two dogs call Utah home while not traveling across the United States in their motor home looking for inspiration for his next painting.
Bonnie Marris, The Best Stick Ever:
Bonnie Marris, “The Best Stick Ever”
Oil on canvas. 36 x 48 in.
Since childhood I have nurtured a passion for wolves. My positive addiction, my parents called it. Once, camping in Canada near a pack of several wolves, I watched one searching so intently for something in the grass. He came up with a long heavy branch and soon dropped it. A second wolf selected a skinny little stick , ran and tossed it. It broke. Later in the day I saw them running with another stick. Two others began a chase for the stick. It was pure joy, love of the game, and even the ravens joined in. I’ve been lucky enough to have witnessed and experienced many jaw-dropping incidents with wolves; this was a special one. An Autumn evening, a pack of happy wolves and the best stick ever.
While a student at Michigan State University, Bonnie Marris illustrated several books, including a mammalogy text by a leading expert in the field. The book attracted the attention of noted zoologist George Schaller, who invited Marris to prepare the art for posters to support his worldwide rare-animal relief programs. Each year, Marris makes several field trips to study her animal subjects, and this close proximity gives her the confidence to paint them in their natural surroundings.
Marris’ work can be found in many major collections throughout the country. She has won numerous awards, including the Patrons’ Choice Award in 2010 and the People’s Choice Award in 2011 at the Coeur d’Alene Art Auction; and the 2012 Patrons’ Choice Award for Social Viewpoints, the Bob Kuhn Wildlife Award, the Ross and Billie McKnight Artists’ Choice Award, the Marjorie and Frank Sands Patrons’ Choice Award in 2014 for Ice Princess, and the Patrons’ Choice Award for her painting Trouble in 2016 at the Masters of the American West at the Autry Museum of the American West in Los Angeles.
She and her husband, Woody, live on a farm in Ada, Michigan, with two dogs and three horses. Marris is represented by Broadmoor Galleries, Colorado Springs, Colorado and Trailside Galleries, Jackson, Wyoming, and Scottsdale, Arizona.
John Coleman, Of Heaven and Earth:
John Coleman, “Of Heaven and Earth”
Oil on board. 20 x 16 in.
A Sioux chief wears is a symbol the buffalo and eagle, both symbols of his power …. both symbols of heaven and earth.
Scandinavian Folk Art Dovecoat Architectural Doorway:
Scandinavian folk artarchitectural doorway, featuring pitched roof with wooden shingles and pair of cross finials, over dovecoat entrance with five circular openings,painted wooden door frame with elaborately carved scroll and heart motifs, and arched entryway with metal hardware, includes matching post with wooden shingles andcross finial
height 100in. x width 70in. x depth 28in.
Pair of Dionicio Rodriguez Faux Bois Planters:
Pair of Dionicio Rodriguez (Mexico / Texas, 1891-1955), faux bois planters, textured reinforced concrete
height 32 in. x width 26 in. x depth 25.5 in.
Provenance: Gifted from the artist, from the collection of the family that ran the Alamo Cement Company in San Antonio, Texas
