A 1920’s Italian Three Piece Office Set. Walnut with carved figural detail. Original finish with some wear, bookcase disassembles for moving. Desk measures 65″ x 31″ x 31″ high, chair is 25″ x 26″ x 39″ high, the three door bookcase is 92″ x 20″ x 80″ high. ESTIMATE $2,000-4,000
CONDITION
Original finish with some wear, bookcase disassembles for moving.

Fitz Henry Lane (Massachusetts, 1804-1865)

Vessel Returning from Surinam
Signed and indistinctly inscribed or dated “F.H. Lane…” l.r., with a faint “FH” just above and to the left of the signature, identified on a typed label affixed to the stretcher.
Oil on canvas, 18 x 30 1/4 in. (45.5 x 76.5 cm), framed.
Condition: Minor retouch to fill craquelure in sky and stretcher bar mark along right vertical edge, signature reinforced, craquelure, minor surface grime.

Provenance: Probably Dr. Greenleaf, Gloucester, Massachusetts; to his daughter Harriet Greenleaf Whitman; to the parents of the current owner, by family descent.

Literature: John Wilmerding, Fitz Hugh Lane (1804-1865), American Marine Painter (Salem, Massachusetts: Essex Institute, 1964), p. 83, #370.

N.B. This work will be included in the Fitz Henry Lane online catalogue raisonné, www.fitzhenrylaneonline.org, managed by the Cape Ann Museum, Gloucester, Massachusetts. We would like to thank Sam Holdsworth and the Cape Ann Museum for their kind assistance with this lot.
Estimate $80,000-120,000

When the work was examined during cataloging, a small paper fragment torn from a pocket calendar was found behind stretcher with pencil inscription, “Mrs. John Wald (?), Main Street, Marston Mills, bought Fitz Hugh Lane, 11/2/58.” The reference is open to conjecture and does not apply to the provenance of the work at hand. However, in theory, it might possibly refer to the purchaser of a companion painting, Vessel Heading to Surinam. It is hoped that further research undertaken for the catalogue raisonne might some day yield an answer.

Framed dimensions are 25 x 36 3/4 in.

Small areas of transfer of gilding from frame to l.l. corner.

Items may have wear and tear, imperfections, or the effects of aging. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Skinner shall have no responsibility for any error or omission.

Gelatin silver print from the archives of Bruce Bellas.

Designer & Manufacturer: Bruce Bellas (1909-1974), aka Bruce of Los Angeles
Markings: No marking(s) apparent. Some lots in this auction have various handwritten notations on the photos/packaging. Those with apparent significance have been noted and/or photographed.
Country of Origin & Materials: American; gelatin silver print on fiber-based paper
Dimensions(H,W,D): 14″h, 11″w
Condition: Photos from the archives of Bruce Bellas were held in storage for years with minimal handling, and overall condition reflects that. We would consider them all to be in very good to good condition. Condition issues we noted, primarily among prints on fiber-based paper, were minor edge wear and corner bends, and some with some undulation to the paper. Please refer to the detail photos in the listing, and do not hesitate to inquire with any questions you may have pertaining to a specific lot or items within a lot.

“In New York back in the 80s, I would go to a little shop, a loft in the East Village called Physique Memorabilia. It was discreet; you had to be buzzed in. They had so many photographs by all the many different ‘Guild’ photographers, but I quickly recognized that Bruce’s work was of the highest quality, technically as well as compositionally. I tried to collect as many images as I could that I thought were worthy of framing! He could have had a career as a legitimate” photographer had he not chosen the nude male physique as his subject matter – an illegal practice in his time. His photographs were the most inventive, often playful and at other times classical (the images I was personally most drawn to). I would visit the loft and buy as many photographs as I could afford at the time. This was around the time I met Jimmy D, who held around half to three fourths of the Bruce Bellas estate. He left me the collection after his death from AIDS at a very young age.” ~ Dimitri Levas, on his introduction to Bruce of Los Angeles and acquisition of the Archive photos offered in this auction

Dimitri Levas is best known for his work as Art Director and stylist for Robert Mapplethorpe, and as Set Designer for Bruce Weber. He co-authored the 2016 book “Flora: Les fleurs de Mapplethorpe” and is a noted collector of 20th century glass and design.

Urban Culture Auctions in association with Palm Beach Modern Auctions is pleased to represent a historically significant collection of photographs and ephemera from the archives of Bruce of Los Angeles.

This compilation includes over 200 lots of original vintage photographs and negatives. Ten+ lots feature Joe Dallesandro (Joe Davis), American actor and Andy Warhol superstar. Dallesandro is generally considered to be the most famous male sex symbol of American underground films of the 20th century, as well as a sex symbol of gay subculture.

In “Bruce of Los Angeles,” Jim Dolinsky describes Bruce Bellas as a pioneer of modern nude photography: a master artist and technician dedicated to depicting the male figure. Historically, his body of work is a chronicle of the men of his generation, and his images inform us of the way they looked, dressed and lived in that era. Jim Dolinsky was the executor of the Bruce Bellas Estate, himself a noteworthy writer, photographer, dealer and collector of physique photography.

Kensington Road: physique magazines in LGBTQ history

For many young men of the 1950s, physique magazines were an introduction and portal to the gay community. They represented a sexual awakening and self-identification and fostered a community of men attracted to men. F. Valentine Hooven, author of “Beefcake: The Muscle Magazines of America 1950-1970,” wrote “those little physique magazines were not just an aspect of gay culture; they virtually were gay culture.” He further went on to explain that for many gay men, “it was their first awareness that they were not alone, the first contact with others of their own kind.”

Censorship laws of the time also placed physique magazines front and center in the gay rights movement, inspiring the readers who found such meaning in the magazines to activism in the ongoing fight for open expression. Personally, as well as politically, they exemplified what it was to be gay at this time in U.S. history.

Bruce Bellas – better known as Bruce of Los Angeles – was a key figure in this community. He had been taking candid photos of men for some time in his home state of Nebraska when, like other photographers of this genre, legal trouble propelled his permanent move to the West Coast. Bellas rose to prominence in the 1940s as a photographer in California’s bodybuilding scene. He relocated permanently to California in 1947, opened a studio the following year, and in 1956 launched beefcake magazine “The Male Figure.”

Bruce of Los Angeles was noteworthy in the art world as well as the gay rights movement, and influenced such photographers as Herb Ritts, Bruce Weber, and Robert Mapplethorpe. Several books document his life and work including Kevin Bentley’s “The Naked Heartland- the Itinerant Photography of Bruce of Los Angeles,” Vince Aletti’s “Bruce of Los Angeles: Inside/Outside,” and Janssen’s “Bruce of Los Angeles: American Photography of the Male Nude 1940–1970.”

Following Bellas’ death in 1974, photographer Kurt Deitrick continued distributing his work under the name Kensington Road. Many of the lots in this auction include or reference one of the Kensington Road catalogues, from which buyers could order prints of their favorite models by series number.

{sources: Bentley, Kevin. “The Naked Heartland- the Itinerant Photography of Bruce of Los Angeles.” Janssen Verlag, 2000. Simon’s Town, South Africa; Dolinsky, Jim. “Bruce of Los Angeles.” Bruno Gmunder, 1990. Berlin, Germany; ONE National Gay & Lesbian Archives, USC Libraries, University of Southern California via OAC Online Archive of California; Sam Shahid, New York, New York; wikipedia.org/wiki/Joe_Dallesandro}

General notations:

Shipping: We will be pleased to offer in-house shipping within the Continental US on pieces purchased in this auction. Up to three flat lots $25; for purchases of greater than three drawings, please inquire. Lots including three-dimensional objects with weight (such as props, packs of cards, and equipment) not included; please inquire for assistance.

Negatives: Lots presented with 2.25″ and 4″x5″ negatives give the buyer the ability to enlarge prints to a greater scale than the traditional 35mm negatives.

Copyright: The consignor, as owner of the collection, makes no claim to copyright of the images nor are they aware of any copyright claims. Although the consignor and Palm Beach Modern Auctions is not aware of any copyrights on the lots, the potential purchaser/successful bidder of a lot(s) should perform their own due diligence with respect to copyright. Please note the following exceptions which are from the Estate rather than the Archive: lots 4-8, 39, 58, 59, 137, 141

Relevant terms: Bob Mizer, lgbt, bodybuilding, weightlifting, muscle beach, Tom of Finland, photographs, black and white, IFBB, NABBA, Olympia, athletic, pride, Stonewall

Man with monkey.
A magnificent large example of this famous Swiss Bronze Sculptor, the Duchess Adele D’Affry MARCELLO (1836-1879). The detailed face of the man and the monkey on his shoulder make this bronze especially desirable to any collector. A beautiful and whimsical example created by this artist of the 19th century. Signed . The Duchess was married to Carlo Colonna, Duke of Castiglione-Altibrandi. She created her first successful composition, La Belle Helene in 1860.

Artist: Marcello
Dimensions: 30″ X 13.5″
Country of Origin: Swiss
Condition
Excellent-Only minor age related wear

Ancient Egypt, New Kingdom, 18th Dynasty, reign of Amenhotep III, ca. 1391 to 1353 BCE. A stunning block statue of paramount rarity depicting a seated astronomer, expertly carved from glinting red-brown quartzite. Crossed arms are placed atop bent legs covered with a short skirt, pleated sporran, and hanging astronomer’s tool, with one remaining hand holding a stalk of lettuce. A leopard-headed pelt knotted beneath one arm drapes across the shoulders down to the belted waist, and dozens of chiseled ‘stars’ double as the feline’s spots. Almond-shaped eyes peer out from beneath heavy lids and arching brows, with a projecting mouth and delineated philtrum, and veristic ears, all beneath a wavy wig. Two rear columns of inscribed hieroglyphic text – usurped and re-inscribed during later dynasties – deem this statue as an offering to Amen-Re from the king. Of roughly ten known astronomer statues, this example is one of only two that is hewn from brown quartzite. Size: 9.05″ L x 8.125″ W x 13.25″ H (23 cm x 20.6 cm x 33.7 cm); 14.4″ H (36.6 cm) on included custom stand.

Provenance: private East Coast, USA collection; ex-Dr. Jur Herbert Gohlich collection, Germany, acquired 2017; collection; exhibited in “Am Hofe Des Pharao von Amenophis I. Bis Tutanchamun” (“At the Court of the Pharaoh from Amenhotep I to Tutankhamun”), Palais Del Arte, Paris, France, May 4 – October 27, 2002; ex-private Resandro collection, Germany, owned from 1965 to 2017; ex-Fernando Calico collection, Barcelona, Spain, acquired in 1964; accompanied by an Art Loss Register certificate, reference number S00129102

All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back.

A Certificate of Authenticity will accompany all winning bids.

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#149156
Condition
Repaired from three large pieces with chips along break lines, with restoration to front part of face. Losses to areas of base, lower body, shoulder, nose, hieroglyphic columns, and verso as shown. Minor abrasions and nicks to astronomer’s tool, hands, lettuce stalk, leopard head, and face, with softening to some finer incised details commensurate with age. Beautiful detailing visible on remaining original surfaces.

Description: Leaded glass & patinated bronze. Shade designed by Clara Driscoll in 1899. “Dragonfly Cone” shade: model no. 353.
Dimensions: Ht. 23″ Shade Dia. 17″
Provenance: ex. Sotheby’s 20th Century Design, March 2009. Private Collection, Pennsylvania.

The spirit in any condition does not burn, 2011

chromogenic print

67 x 55 in.
170.2 x 139.7 cm.

This work was executed in 2011, and is number three from an edition of twelve plus two artist’s proofs.
Footnotes
Provenance
Collection of the Artist, Belgrade
Sale: Sotheby’s, New York, Contemporary Art Day Sale, 14 November 2013, Lot 495
Acquired directly from the above by the present owner

brass wire

24 x 16 x 16 in.
61 x 40.6 x 40.6 cm.
Footnotes
Provenance
Rena Bransten Gallery, San Francisco
Acquired directly from the above by the present owner in 2006

Exhibited
San Francisco, Rena Bransten Gallery, Ruth Asawa: 2005 Exhibition, 1 December 2005 – 14 January 2006

This work is registered in the Asawa records under S.165.

18kt White Gold, South Sea Pearl, and Diamond Earrings, each suspending a pearl measuring approx. 11.20 mm, with diamond melee, total diamond wt. 0.54 cts., lg. 1 in.
Estimate $1,500-2,000

Items may have wear and tear, imperfections, or the effects of aging. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Skinner shall have no responsibility for any error or omission.

Handpainted in soft green, lavender, brown and red colorway.
Royal Doulton backstamp.

Artist: Leslie Harradine
Issued: c. 1929
Dimensions: 7.25″H
Manufacturer: Royal Doulton
Country of Origin: England
Condition
Age related wear