Rare Historic Georgia Federal Desk and Bookcase

Rare Historic Georgia Federal Desk and Bookcase

probably Albany area, Georgia, circa 1815, finely constructed, with plum pudding mahogany veneers, yellow pine and poplar secondary, removable inlaid shaped pediment with original ball finials, the upper case with glazed doors opening to an adjustable shelved interior, lower case with finely fitted butler’s desk with figured lightwood veneers, six drawers and eight cubby holes centering a removable prospect door centering a fine inlaid federal eagle with sixteen stars, opening to three additional drawers, on original turned legs, original brasses, 106-1/2 x 46-3/4 x 22 in.Note: This fine desk and bookcase is remarkably well documented through several generations of a Georgia family. The desk is accompanied by the original inventory of the estate of Benjamin Leigh from 1830 that lists the holdings of this prosperous estate, including 34 slaves, individually noted, furnishings, horses, and other possessions. This desk and bookcase is specifically listed on the inventory as a “secretary & book case” at $137.50. The desk is also accompanied by the original will of Benjamin Leigh from 1826 that specifically mentions the desk: “…except my secretary and book case and books, which I give to Benjamin Leigh, son of my nephew Anselm B. Leigh…” The path of this desk and bookcase through the Leigh family is again documented in the will of Anselm Bugg Leigh (taken April 1853), wherein he notes “I give and devise to my son Anselm Leigh the following… my secretary and book case, and after the death or marriage of his mother, Eleanor Leigh, my silver teapot, creamer pot, and sugar dish.” The desk and bookcase appears again in the May 16, 1926 edition of the Atlanta Journal, where it is pictured as a notable heirloom of Mrs. Nelly Leigh Cook of Newnan. The desk is further accompanied by the engraved silver pocket watch with the engraved monogram “A.B.L” and British hallmarks dating it to 1817, and two embossed leather pocketbooks, the first inscribed “Benjamin Leigh’s pocketbook February 20th, 1849, Coweta County, Georgia” and containing three Confederate notes, and the second similar pocketbook still retaining a receipt from the Georgia Salt Manufacturing Company dated May 4, 1862 to Benjamin Leigh. In a fine state of preservation, this rare desk and bookcase is among the best documented examples from Federal period Georgia. , Provenance: by direct descent in the family of Benjamin Leigh (1761-1830, married 1799) of Augusta, Georgia. Passed to nephew Anselm Bugg Leigh, Jr. (nephew of Benjamin Leigh, 1794-1853, moved to Coweta County in 1835), to Anselm Benjamin Leigh (1818-1848), to Mary Ellen (Nelly) Leigh (1856-1927), to Samuel Leigh Cook (1883-1973), to Francis Margaret (Polly) Cook (1923-2020)

Cynthia Packard, A Symphony

Cynthia Packard, A Symphony

Oil on wood. 2020 Pops by the Sea Commemorative Artist. Cynthia Packard uses her art as an expression of who she is. Packard grew up in Princeton, New Jersey, and comes from a long lineage of artists. Her great-grandfather was the noted impressionist Max Bohm, who played a significant role in establishing the Provincetown’s art colony. Her mother, Anne Packard, is renowned for her sea and landscape paintings. Cynthia graduated from the Massachusetts College of Art in 1981 with a Masters of Fine Arts degree in sculpture and moved to Provincetown to pursue a career as an artist. Now, she shares her knowledge of her craft with emerging artists, teaching at the Fine Arts Work Center in Provincetown, the Truro Center for the Arts at Castle Hill, and the Scottsdale Artists’ School in Arizona, as well as leading in-studio workshops. Even after a career that has spanned more than 40 years, the work still excites her. “This is why I wake up in the morning, ” she says of painting. “It’s really what makes me feel alive.”

Chancay Pottery Palanquin Figures

Chancay Pottery Palanquin Figures https://www.bidsquare.com/online-auctions/artemis-gallery/chancay-pottery-palanquin-figures-1858253

Pre-Columbian, central coast Peru, Chancay, ca. 1200 to 1450 CE. An intriguing, hand-built pottery sculpture depicting a pair of figures supporting a palanquin and its rider atop their shoulders. Each figure peers forward with ovoid eyes beneath a headdress adorned with serrated columns and presents wearing discoid ear spools, a stippled collar wrap, and a rectangular apron. The regal figure atop the palanquin reclines against an integral backrest and postulates with arms resting atop bent knees, and both palanquin carriers bear lattice-patterned panels across their cheeks. Size: 9″ L x 3.7″ W x 7.125″ H (22.9 cm x 9.4 cm x 18.1 cm)

Provenance: ex-private Lehr collection, Frankfurt, Hesse, Germany, acquired around 1980

Early 20th C. Kuba Wood Box – ex Christie’s

Early 20th C. Kuba Wood Box - ex Christie's

Central Africa, Democratic Republic of the Congo, Kuba culture, early 20th century CE. A hand-carved wooden box of a truncated oval form, its lid finely carved with a stylized human face or mask that presents bold features and a guilloche pattern. Such intricately carved Kuba boxes were traditionally used to store a cosmetic called twool, a red powder made out of the Pterocarpus tree, or cherished valuables. An excellent example with remains of pigment within and a lustrous patina. Size: 6″ W x 9.5″ H (15.2 cm x 24.1 cm)

Cf. Krieger (1969, pl.229) for a Kuba box sold by Leo Viktor Frobenius (1873-1938) to the Museum für Völkerkunde, Berlin, in 1904 (inv.III C 19833a.b).

Provenance: private New York, New York, USA collection, acquired at Christie’s, London, Lot 70 of July 4, 1989 sale

All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back.

A Certificate of Authenticity will accompany all winning bids.

We ship worldwide and handle all shipping in-house for your convenience.

Tiffany & Co. Sterling Silver and Enamel Coffeepot from the World’s Columbian Exposition of 1893

Tiffany & Co. Sterling Silver and Enamel Coffeepot from the World's Columbian Exposition of 1893

Tiffany & Co. Sterling Silver and Enamel Coffeepot from the World’s Columbian Exposition of 1893, New York, c. 1893, monogram to neck and underside, with shaded enamel offset by lapis lazuli and acid-etched arabesques, ht. 10 1/4 in., approx. 18.7 troy oz.

N.B. This example is one of eight “after-dinner” coffeepots exhibited at the Columbian Exposition in Chicago, in 1893. (John Loring, Magnificent Tiffany Silver, 2001, p. 193).

Greek Attic Oinochoe – Satyr & Drinking Horn

Greek Attic Oinochoe - Satyr & Drinking Horn

Greece, Athens (Attic), ca. 5th century BCE. A wonderful wheel-thrown pottery oinochoe with a trefoil spout, an ample body, and an attached handle joining neck to shoulder. The red-figured scene depicts a satyr, nude save the grapevine wreath adorning his head, standing in profile, striding forward, holding a garland in on hand and reaching for a drinking horn with the other. Details such as his wreath, garland, and pubic hair are delineated in red and white fugitive paint. In addition to this iconography, the shoulder is handsomely decorated with a nice egg-and-dart motif. Size: 3.8″ W x 5.875″ H (9.7 cm x 14.9 cm)

Provenance: private Orange County, California, USA collection acquired before 2000

All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back.

A Certificate of Authenticity will accompany all winning bids.

We ship worldwide and handle all shipping in-house for your convenience.

Rosalba Carriera (Venice 1675-1757)

ROSALBA CARRIERA (VENICE 1675-1757)
Portrait of a young lady, bust-length, turned to the right (An allegory of Spring)
pastel on paper, laid down on canvas
173⁄8 x 131⁄8 in. (44.1 x 33.3 cm)