Also featured: 15th C. Nepalese gilt copper Amogshapasa, 16th C. Tibetan gilt brass White Tara bodhisattva, Roman marble herm portrait of Apollo, Rembrandt etching, 17th C. Stuart armorial chest
BOULDER, Colo. – Artemis Fine Arts, the Colorado auction house known internationally as a premier authority in the field of ancient and ethnographic art, will host a November 6 online auction featuring 284 lots of museum-level antiquities, cultural artworks and relics from many of the world’s greatest and most influential civilizations. A Certificate of Authenticity will convey to the new owner of each and every auction item.
Important Early Cycladic II marble idol, Spedos Type, Keros-Syros Culture, ancient Greece, circa 1700-2300 BCE. Abstracted figure carved from fine-grained island marble with elongated neck, gently tilted head, arms folded across the chest and right arm beneath the left, a hallmark of Cycladic sculpture conventions. Similar in style to a female Late Spedos Type figure at Getty Museum. Size: 9.75in high (10.35in inclusive of stand) x 2.4in wide. Accompanied by Art Loss Register Report; CIRAM Scientific report (no. 0717-OA-52N-8) and analysis performed by Dr. Olivier Bobin, New York, September 25, 2017. Provenance: Dr. Charles Alexander Best, a Member of the Canadian Parliament; Sotheby’s London. Estimate: $450,000-$600,000
An eclectic, high-end sale known as “Connoisseur’s Delight,” the event is led by a highly important Early Cycladic II Spedos Type marble idol of the ancient Greek Keros-Syros Culture, circa 1700-2300 BCE. The distinctive abstracted figure was carved from fine-grained island marble and is beautifully proportioned with an elongated neck and arms folded across the chest with the right arm beneath the left, a hallmark of Cycladic sculpture conventions. The surface shows weathering and granular texture typical of long-term burial or exposure, yet the contours remain crisp and balanced. It is similar in style to a female Late Spedos Type figure in the Getty Museum’s collection. It is mounted on a modern museum display base and stands 10.35 inches high (inclusive of stand) by 2.4 inches wide. It is accompanied by a CIRAM Scientific Report (No. 0717-OA-52N-8) and analysis performed by Dr Olivier Bobin, New York, dated September 25, 2017. Its line of past provenance includes Dr Charles Alexander Best, a Member of the Canadian Parliament and son of Dr Charles Herbert Best, co-discoverer of insulin. The auction estimate is $450,000-$600,000.
Many premium-quality Asian treasures will be up for bid, including a circa-15th century CE Nepalese gilt copper figure of Amogshapasa – the bodhisattva form of Avalokiteshvara – depicted with an elaborately repousse and engraved mandorla. The bodhisattva’s princely adornment glimmers with inlaid gemstones: a turquoise cabochon crowning the headdress, with further turquoise accents on his armband and belt, and a single deep red garnet set at the heart of the lotus flower in one of his left hands. The artwork’s full height, inclusive of stand, is 15.5 inches. Provenance can be traced back to an auction in Radevormwald, Germany, prior to joining a private collection in Colorado. Estimate: $130,000-$195,000
Of Tibetan origin, a superb 15th- to early 16th-century CE gilt brass White Tara (Sitatara) is seated serenely in the lotus posture upon a double-lotus pedestal. Her right hand is extended in varada mudra, the gesture of offering and compassion, while her left hand is raised in vitarka mudra, symbolizing teaching and wisdom, and delicately holds a lotus stem rising at her shoulder. Its height is 8.5 inches and the gold quality is assessed at 47% to 81% (equivalent to 11K to 19K+). Estimate: $70,000-$105,000
Distinguished provenance backs a fine marble herm portrait of Apollo from the Roman Imperial period, circa 1st-2nd century CE. Carved in the round with the god’s characteristic youthful idealism tempered by Roman veristic subtlety, the subject’s luxuriant “hair” is arranged in three rows of coiled locks crowning the head, with long wavy tresses cascading to shoulders, framing a tranquil, divine face. Measuring 7.3 inches high, this sculpture was published in the Royal Athena catalogs by J. Eisenberg: “Art of the Ancient World,” Vol. XXI, 2010, No. 13 and Vol. XXVII, 2016, No. 15. Formerly, the artwork was with Royal Athena Galleries, New York; Drouot auction house in Paris, May 2008; and a French collection. Estimate: $20,000-$30,000
A fine Apulian (Southern Italy) red-figure bell krater, Sisyphus Group, was created circa 350-325 BCE. Substantial and beautifully executed, it has a broad, inverted bell-shape body tapering to a disc foot, with a thick, flaring rim and pair of graceful loop handles affixed to the upper body. The surface is coated in lustrous black glaze, enriched by red-figure decoration and with refined painted details. Side A depicts a nude male youth and draped female figure, while Side B shows a pair of ephebes (young men in military training) wrapped in long himatia, facing one another in a quiet exchange. Its provenance includes a central London gallery, acquisition on the Dutch art market, and the collection of Hugo Lievens, Brussels, 1982. It will convey with a historical report prepared by cultural heritage expert Alessandro Neri, who is based in Florence, Italy. Estimate: $8,500-$12,500
Masters of fine art, from classical artists of the 17th century through the modern and contemporary era form a specialty section of great breadth and quality. There are works by Joan Miro, Peter Max, Edith Kramer, Jozsef Molnar, and the great Rembrandt Van Rijn (Dutch, 1606-1669). A Rembrandt etching and drypoint on wove paper mounted to vellum paper is titled The Statue of Nebuchadnezzer and is signed and dated in the plate Rembrandt f. 1655. Rembrandt created this, and three other etchings, to illustrate a messianic treatise by the Sephardic rabbi and scholar Samuel Manasseh Ben Israel (1604-1657) titled Piedra gloriosa de la estatua de Nebuchadnesar (Glorious Stone of the Statue of Nebuchadnezzar), which was written in Spanish and published in Amsterdam in 1655. It comes to auction with a pre-sale estimate of $10,000-$15,000.
A remarkable circa-17th-century CE European armorial chest displays both Stuart and Imperial emblems. Its wooden body is covered in hide, and its arched lid and front are bordered with rows of domed brass tacks forming the date “1683.” A crowned shield bears the Stuart Royal Arms encircled by the Order of the Garter motto Honi soit qui mal y pense. The chest measures 21 inches long by 8.5 inches wide by 10 inches high. Estimate: $15,000-$25,000
Of great importance to those of the Jewish faith, a circa 18th- to early 19th-century CE Ottoman Empire Megillat (Book of Esther) manuscript is written on vellum and elegantly housed within an ornate silver repousse case crowned by a coral finial. The scroll is written in clear Hebrew script across 17 lines per column, and the silver case, which exhibits superior Ottoman artistry, is adorned with elaborate repousse and chasing in floral and vegetal motifs. The silver quality is assessed at 50 to 93.5%. Its line of provenance includes a Los Angeles private collection, acquired between 1995-2005; and Menorah Galleries in New York City. Estimate: $18,000-$30,000
Dating to sometime between 500 BCE and 800 BCE, a sensational necklace from the Pre-Columbian, Caribbean, Pre-Taino or Early Taino, Saladoid Tradition is composed of carved green serpentine effigy beads, each in the form of a stylized frog or toad. Such amphibians are sacred symbols of rainfall, fertility and agricultural renewal in ancient Caribbean cosmology. This necklace is published in Treasures of the Caribbean by Rodney Hilton Brown (War Museum, 2023), Page 63, where it is illustrated and discussed as an example of Pre-Taino or Saladoid lapidary craftsmanship. Formerly in the Rodney Brown Estate collection and collected from 2010 to 2015, it comes to auction with a $9,000-$15,000 estimate.
Several significant fossils are entered in the auction, including a massive fossil panel discovered at the Green River Formation, Wyoming, and dating to the Eocene Epoch, circa 53.5 million to 48.5 million years ago. Its astonishing imagery includes preserved palm fronds inlaid with three classic species of fish from the area of the Green River Formation. Prepared for wall display, with hardware provided, the 29-inch by 35-inch slab was previously part of a Berthoud, Colorado collection. Its pre-sale estimate is $12,000-$15,000.
Artemis Fine Arts’ November 6, 2025 Connoisseur’s Delight online auction will start at 8am MT/ 10am ET. Absentee bidding is currently in progress. The company ships worldwide and has its own in-house white-glove packing and shipping department to ensure quality control, however customs-clearance issues prevent shipment of goods to Germany, Switzerland or Australia. Also, it should be noted that Artemis cannot ship ancient items to their country of origin (e.g., Egyptian pieces to Egypt, Greek pieces to Greece, etc.). View all lots, with detailed, authoritative descriptions and multiple photos, in the online catalog. For additional information on any auction item, call Teresa Dodge at 720-890-7700 or email [email protected]. Bid absentee or live online through LiveAuctioneers.
Here’s some food for thought as we enter the fall to winter holiday season. In 2025, Thanksgiving related artwork, antiques, collectibles, and ephemera continue to whet the appetite of collectors worldwide. Here are some recent and impressive Thanksgiving themed sales results that caught the eye of the Auction Daily team. All prices noted include the auction house’s buyer’s premium.
On April 26, 2025, Slotin Folk Art of Buford, GA sold lot #72, Sister Gertrude Morgan’s Thanksgiving for $4,000.
On April 26, 2025, Slotin Folk Art of Buford, GA sold lot #72, Sister Gertrude Morgan’s Thanksgiving for $4,000. It held a presale estimate of $4,000-6,000. This paint on found cardstock work was framed and measured 23″ x 16″ overall. It was illustrated with a red and orange turkey; pink, tan, and orange fruits and vegetables; a large white house on the horizon; white clouds against a red sky; and a handwritten, religious toned prayer of gratitude. The artist signed the painting across the middle of the work in script writing.
Sister Gertrude Morgan (American, 1900- 1980), who left school in the third grade, was an entirely self-taught artist, musician, poet, and evangelist. She began painting in 1956 because she said a voice from God told her to do so. All of her artwork had overt religious themes, often incorporating images from scripture and words of prayer. On January 20, 2017, Morgan’s Precious Lord – painted in the 1970-1975 time frame – sold for $68,750 at Christie’s.
On April 12, 2025, Matthew Bullock Auctioneers of Ottawa, IL sold lot #0170, a 1934 Detroit Lions vs Chicago Bears 1st Thanksgiving game program for $819.
On April 12, 2025, Matthew Bullock Auctioneers of Ottawa, IL sold lot #0170, a 1934 Detroit Lions vs Chicago Bears 1st Thanksgiving game program for $819 on a $600-700 presale estimate. This program was for a game held on November 29, 1934; this was also was the first NFL game to be broadcast across the United States by the NBC radio network. The mosaic style cover is decorated with a photo of two lion cubs, stock images of three identical grizzly bears on all fours, and a cropped photo of the Lion’s quarterback Dutch Clark catching a football. The inside pages of the program included advertisements for local businesses, as well as photos and stories about the game day players.
Dutch Clark (b. Earl Harry “Dutch” Clark 1906-1978) was all things football. Nicknamed “the Flying Dutchman” and “the Old Master”, he is celebrated at the College Football Hall of Fame, the Pro Football Hall of Fame, and the Colorado Sports Hall of Fame. He began his career as an all-star in several sports at Colorado College. He would go on to play football for the Detroit Lions, where his number 7 jersey was the first ever to be retired by the team. You can see Clark wearing the number 7 jersey on the cover of the Thanksgiving program. After retiring from football, he coached both on the national and collegiate levels. The high school football stadium in Pueblo, CO is named “Earl ‘Dutch’ Clark Stadium” in his honor and memory.
On July 21, 2025, Flying Pig Auctions of Westmoreland, NH sold lot 0162, a flow blue China Royal Cauldon Thanksgiving turkey meat platter for $375.
On July 21, 2025, Flying Pig Auctions of Westmoreland, NH sold lot 0162, a flow blue China Royal Cauldon Thanksgiving turkey meat platter for $375. It held a presale estimate of $50-1,000. This oversized serving plate measured 17″x19″ and was made around 1904. It was decorated with a central image of a female turkey in tall grasses, with a male turkey and baby turkey in the foreground. The platter’s scalloped edges featured a foliage and floral border, with four different game birds evenly spaced around the periphery. The back was stamped Cauldon England in blue.
Flow blue China, which evolved and gained popularity between the 1820s and the turn of the 20th century, refers to the blurred, flowing quality of a blue glaze on a white background. This process was invented unintentionally, but would go on to become very fashionable throughout the Victorian era. Popular themes created in the flow blue style include Orientalist, floral, and idealized nature vignettes, much like the decoration seen on the Cauldon turkey platter.
On March 22, 2025, Matthew Bullock Auctioneers of Ottawa, IL sold lot #0099, a collection of 300+ antique Thanksgiving postcards, for $315.
On March 22, 2025, Matthew Bullock Auctioneers of Ottawa, IL sold lot #0099, a collection of over 300 antique Thanksgiving postcards, for $315. This lot held a presale estimate of $30-300. Almost all were preserved in plastic sleeves. Images of turkeys, corn, food ladened tables, autumnal foliage, and pumpkins, were well represented in the archive. Uncle Sam, pilgrims, and cherubic children also appeared on many of the mailers.
This collection most likely dates from the late 1800s through about 1915; this is considered to be the “golden age” of postcard production. During this time, there were great advances in printing technologies which enabled the mass production of colorful and appealing penny postcards. In addition, the mail service was expanding and becoming more reliable across the United States. Today, antique holiday postcards, especially those celebrating Thanksgiving, Halloween, and Christmas, continue to be very popular with collectors – perhaps due to their relatively accessible price points; charming, quirky, and/or nostalgic images; and ease of display and storage.
On June 14, 2025, Florida Estate Sales Inc. of Tallahassee, FL, sold lot #204435, a two piece Kirk’s Folly Thanksgiving jewelry set, for $118.75.
On June 14, 2025, Florida Estate Sales Inc. of Tallahassee, FL, sold lot #204435, a two piece Kirk’s Folly brand ornate Thanksgiving jewelry set, for $118.75 on its $120-10,000 presale estimate. The pair included a cuff bracelet and a matching pin. Both were made from gold toned metal with extensive bead, charm, and enamel decorations. The bracelet featured a bejeweled turkey, a pumpkin and gourd, leaves, fruits, vegetables, and other November themes. The pin was decorated with a turkey, a gourd, flowers, fruits, acorns, leaves, and even a tiny charm in the form of the Mayflower vessel.
Kirk’s Folly was founded in New York City in 1979 by the Kirk sisters who loved to create and decorate. Their company name reflects the sister’s surname plus the word “Folly” to imply “playfulness.” Over time, the Kirk’s Folly lines have included jewelry, home accessories, and clothing. Most items have a distinctly “fantasy” touch to them, and incorporate jewels, good luck symbols, fairies, pixies, planets, and other auspicious symbols. Still in business today, the company primarily sells now through QVC, their website, and authorized resellers.
Curious about previous year’s Thanksgiving highlights? Check out these Auction Daily articles:
72: On April 26, 2025, Slotin Folk Art of Buford, GA sold lot #72, Sister Gertrude Morgan’s Thanksgiving for $4,000.
0170: On April 12, 2025, Matthew Bullock Auctioneers of Ottawa, IL sold lot #0170, a 1934 Detroit Lions vs Chicago Bears 1st Thanksgiving game program for $819.
0162: On July 21, 2025, Flying Pig Auctions of Westmoreland, NH sold lot 0162, a flow blue China Royal Cauldon Thanksgiving turkey meat platter for $375.
0099: On March 22, 2025, Matthew Bullock Auctioneers of Ottawa, IL sold lot #0099, a collection of 300+ antique Thanksgiving postcards, for $315.
204435: On June 14, 2025, Florida Estate Sales Inc. of Tallahassee, FL, sold lot #204435, a two piece Kirk’s Folly Thanksgiving jewelry set, for $118.75.
Fort Worth’s Kimbell Art Museum has finally landed the Chardin still life it’s been missing. On May 22, the Texas museum announced that it was able to exhibit Le Melon entamé (dated 1760), after reaching an agreement with the de Rothschild family, who had held it for a century and a half.
Christie’s had put this painting up for sale in Paris in June 2024, achieving a world record for an 18th-century work at €26 .7m . Unfortunately, the buyer, a St. Moritz promoter by the name of Nanni Bassani Antivari, heir to an Italian-Monegasque family, was already deeply in debt and unable to deliver any payment (see Gazette 2024 no. 46). After several unsuccessful attempts, Christie’s took him to court in Paris. In the end, the family took back the painting and sold it directly to the Texas museum. The price has not been made public, but according to our information, it is well below the 23 M€ of the auction that could not be honored. As a result, Artcurial can boast that it still holds the sales record of 24.4 M€ set in 2022 for Panier de fraises des bois. Wishing to enrich its collection of French still lifes, the Kimbell had been the successful bidder for this work from the same period, which was eventually pre-empted by the Louvre. The Fort Worth museum suffered a second disappointment at Christie’s Paris with Melon, for which it was the last underbidder. Having learned of the buyer’s default, its director, Eric Lee, logically contacted the family. It took several more months to obtain the export license, before studying the painting, examinations confirming that it had retained its original frame.
Back to still life
Oval in shape, with delicate shades of orange, yellow and red, the melon, surrounded by a table of fruit and bottles, is a work of more sophisticated construction and in better condition than the tray of strawberries that the Louvre has added to the forty-two Chardins already in its possession. Marking the painter’s return to still life, both works had been exhibited at the Salon of 1761 along with the Melon‘s counterpart , Le Bocal d’abricots à l’eau-de-vie, also oval in shape, now in the Royal Ontario Museum in Toronto. As noted by Pierre Étienne, an excellent expert at Christie’s, all three works had been sketched by Gabriel de Saint-Aubin, in the margin of his Salon journal. Among the last important paintings by the artist still in private hands, the pair of Melon and Bocal d’abricots has an illustrious history, having been acquired by the King’s goldsmith Jacques Roëttiers, before joining the Marcille collection. It was sold at Drouot in 1876 at the Marcille estate sale, to Charlotte de Rothschild, widow of Baron Nathaniel de Rothschild, under numbers 16 and 17. Le Bocal d’abricots was donated to the Canadian museum by his descendants in 1962. In the catalog to his 1979 exhibition, Pierre Rosenberg confessed his particular appreciation of the balance and beauty of these rounded compositions by an artist so dear to him.
Also Featured: 1966 first printing of Grateful Dead ‘Skeleton and Roses’ Family Dog concert poster, 7/8in Cox and Roosevelt 1920 jugate button, rarest of all 1930s German Disney toys (Philip Samuels Collection)
YORK, Pa. – Hake’s November 18-19 Premier Auction is a collectors’ choice event, offering bidders the opportunity to acquire prized pieces from nearly 1,600 lots across many dozens of categories. The multi-consignor selection includes investment-grade pop culture memorabilia in exceptionally high grades. Many items have never been available for public sale until now, having resided in private collections for decades.
1966 ‘Skeleton and Roses’ concert poster from ‘Family Dog’ series advertising Grateful Dead show at San Francisco’s Avalon Ballroom. CGC 9.8 NM/Mint. Designed by Stanley Mouse and Alton Kelley. Estimate: $75,000-$100,000
The anticipated top lot is a coveted Marvel X-Men #1 comic book published in September 1963 and CGC-graded a phenomenal 9.2 NM-. This issue contains the origin story and first appearance of the X-Men (Professor X, Cyclops, Iceman, Angel Beast and Marvel Girl), as well as Magneto. A key Silver Age Marvel comic, it is the product of a genius team-up, pairing a Stan Lee story with Jack Kirby’s inimitable cover and interior art. The colors are strong, and it would be difficult to improve upon this beautiful example, which is estimated at $100,000-$200,000.
Comic book fans might also want to consider the CGC 6.5 Fine+ issue of Amazing Spider-Man #1, released in March 1963 and featuring the first appearance of both J Jonah Jameson and The Chameleon. A Stan Lee, Jack Kirby, Steve Ditko (cover art) collaboration, this book retells the origin story of Spider-Man. Formerly in the John B Goodrich Collection, it is estimated at $20,000-$35,000.
A quintessential example of counterculture poster art from the Swinging Sixties is among the auction’s top lots. Printed in 1966, it is a CGC 9.8 NM/Mint “Skeleton and Roses” poster from the Family Dog series and announces a Grateful Dead show at San Francisco’s Avalon Ballroom. Designed by Stanley Mouse and Alton Kelley, it is an original first printing with “The Bindweed Press San Francisco” shown immediately above the right side of the ticket strip. Northern California’s Deadheads famously snapped up posters of this type and carried them along on their cross-country travels as a statement of support for the nonconformist hippie lifestyle. This outstanding high-grade poster is as nice as any of its type ever offered for public sale, and it carries a pre-sale estimate of $75,000-$100,000.
Contemporary original art offerings include a Cowboy Bebop The Real Folk Blues: Part 2 production animation cel with an image of main character Spike Spiegel as he looked in the final episode of Sunrise studio’s popular 1998-1999 anime series. In the 12-field cel, Spiegel is shown pointing his finger, with the exclamation “Bang,” before collapsing. Estimate: $10,000-$20,000
Created by Kenner in 1984 for photography purposes, a Star Wars: The Power of the Force (1985) Luke Skywalker (Imperial Stormtrooper outfit) first shot/photo sample action figure is encapsulated, archivally cased and AFA-graded 75 EX+/NM Display. The figure depicts Skywalker with light brown hair and a prototype rubber Stormtrooper helmet. It is the only AFA-graded example, according to the current AFA Population Report, and comes with a Collectible Investment Brokerage (CIB) LOA and a photo print of the figure signed and numbered by Kenner photographer Kim Simmons. Estimate: $10,000-$20,000
The American political section includes several museum-level treasures, starting with a Cox and Roosevelt 1920 jugate button described by Hake’s Americana Director Scott Mussell as “the undisputed crown jewel of political campaign buttons.” Measuring 7/8 inches wide with backing paper identifying the manufacturer, Whitehead & Hoag Co., Newark, N.J., this button was possibly a salesman’s sample and is the finest of any of its type known to exist. The political-memorabilia equivalent to Action Comics #1 or a Honus Wagner T206 baseball card, its provenance includes the esteemed Roger Richert Collection. A potential record-setter whose condition would easily qualify as Near Mint, its estimate is set at $20,000-$35,000.
A historically-important 1979 document bears the handwritten signatures of Ohio Governor Jim Rhodes, Adjutant General Sylvester Del Corso, and 26 National Guardsmen beneath a formal apology for the May 4, 1970 shooting and killing of unarmed Kent State University students protesting the US invasion of Cambodia. Issuance of the signed statement was required (in addition to financial compensation) to settle Krause v Rhodes, a lawsuit brought by nine wounded students and the families of four students killed during the on-campus demonstration. Fewer than 15 copies of the signed document were issued, and none has ever appeared at auction. It comes directly from Tom Grace, a student who was shot in his left foot at the protest. It has an open auction estimate with a required starting bid of $10,000.
Hake’s is honored to present two supreme Disney toys with provenance that traces back to the collection of Philip Samuels, a pop culture visionary and museum founder who once owned a pair of ruby slippers worn by Judy Garland in The Wizard of Oz. The first auction entry with Samuels provenance is acknowledged to be the rarest of all Mickey Mouse toys: a 1930s tin wind-up with die-cut eyes and a mouth that moves when the piece is activated. It was made in Germany, most likely by Saalheimer & Strauss, for export to the English market. Small text beside its wind-up key reads By Exclusive Arrangement With Ideal Films Ltd. All Rights Reserved Registered No. 508041. It is also marked Foreign on the back of Mickey’s shorts. This fantastic toy has the sort of primitive, early appearance collectors of vintage Disney toys love. Very few examples are known to exist and it is only the second to be offered by Hake’s in its 58-year history. Estimate: $20,000-$35,000
The second highlight from the Samuels collection is an iconic 1930 Tipp & Co. (Germany) tin wind-up Mickey and Minnie Mouse on Motorcycle with a built-in key. A “T Co” logo appears on the side of the gas tank, and the toy is enhanced by a lithographed motor “spoked” tires whose whitewalls are marked Dunlop Cord – 935 x 135. Complete, all original with a working mechanism, and graded VG overall, it is one of fewer than 10 original-condition examples of its type known to exist. Estimate: $20,000-$35,000
Moving into an exciting section featuring toys based on late-20th-century movies and TV shows, there’s a Kenner Star Wars (1978) Jawa Vinyl Cape 12 Back-A AFA 85+ NM+ action figure that isn’t likely to be overlooked. It is an initial “Vinyl Cape” variety, with no visible discoloration to the garment whatsoever. In an archival case, this superior specimen is estimated at $20,000-$35,000.
From Hasbro’s ever-popular line of Transformers, a 1984 Series 1 Optimus Prime (Autobot Commander) is AFA-graded 85 NM+ and window-boxed with intact tape seals and no color breaks. This toy is one of the most desirable of all Series 1 Transformers, and at the time of cataloging, only two examples were graded higher, per the current AFA Population Report. Estimate: $5,000-$10,000
A Teenage Mutant Ninja Turtles (1993) “Scratch” action figure, Series 6/54 Back, AFA 80 NM, represents perhaps the most coveted figure of the series. It is especially desirable on its original card and has been assigned a $5,000-$10,000 estimate.
Sonically, nothing says “Seattle” quite like Nirvana. A very rare and early Nirvana 7-inch vinyl single on the Sub Pop label includes Love Buzz on Side A and Big Cheese on Side B. Love Buzz is especially significant because it is the first piece of recorded music the band ever released. The single retains its super-clean pictorial sleeve, which is hand-numbered “973” (of 1000) in red felt-tip marker on verso. One of only 1,200 (including 200 red-slash promo copies) pressed for release in November 1988, it is graded VG++ and estimated at $5,000-$10,000.
Hake’s Nov. 18-19, 2025 online-only Premier Auction is now open for bidding. For a free printed catalog or additional information on any item in the sale, call +1 866-404-9800 (toll-free) or +1 717-434-1600; or email [email protected]. View the fully illustrated catalog online and sign up to bid at https://hakes.com/.
The young Japanese guard continues to set the international market alight, with Justin Caguiat (b. 1989), Kyne (b. 1988) and Yukimasa Ida (b. 1990) leading the way, according to the latest Artprice report on the contemporary art market.
Dreampop (2023) fetched $681,800 at Christie’s London
Caguiat’s hybrid, narrative style is driven by its rarity : only one work per year at auction. In March 2025, his painting Dreampop (2023) fetched $681,800 at Christie’s London, double its estimate. Kyne, for his part, capitalizes on an immediately identifiable pop-graphic aesthetic, aided by a solid fan base and a sales rate in excess of 80%, with hammer blows exceeding $100 , 000 . As for Yukimasa Ida, supported by Perrotin and Mariane Ibrahim, it totaled $545 ,289 for 32 lots over the 2024-2025 fiscal year.
Boba Fett action figures set three world records, including the #1 seller, a Lily Ledy Spanish-language release that sold for $77,885, the highest price ever paid for a Boba Fett production figure
YORK, Pa. – If ever there were a doubt as to the identity of the most popular character in the Star Wars universe, Hake’s October 16 auction ended the debate once and for all. With strong competition from both the marquee names and more-obscure personalities inhabiting George Lucas’ immortal franchise, one larger-than-life figure stepped forward to claim three of the top 10 positions at the $900,000 auction: Boba Fett.
Action figures depicting the formidable, eerily untalkative bounty hunter attracted heated competition in the high-profile sale, which exclusively featured Part III of the mind-boggling Jeff Jacob Collection. Earlier this year, Hake’s auctioned Parts I and II of Jacob’s prized action figure holdings. So far, the collection has raked in $3.55 million, with more auction excitement to come in 2026.
Auction’s cover piece and top lot of the sale was a Lili Ledy Spanish-language Star Wars: Return of the Jedi/La Guerra de las Galaxias: El Regreso del Jedi (1983) Boba Fett 30 Back AFA 75 Ex+/NM action figure, 3.75in tall with fixed rocket, dark-armor variety. Highest-graded of only three AFA-graded examples known and the first carded example of its type ever to be offered at auction. Sold for $77,885, a world record price for any production Boba Fett action figure.
The October 16 event was led by the auction’s cover piece, a Lili Ledy Spanish-language Star Wars: Return of the Jedi/La Guerra de las Galaxias: El Regreso del Jedi (1983) Boba Fett 30 Back AFA 75 Ex+/NM action figure. A dark-armor variety standing 3.75 inches tall with a fixed rocket, this toy was pursued for 20 years before joining Jeff Jacob’s legendary Star Wars trove. It is the highest-graded of only three examples to be AFA-graded, and was the first carded example of its type ever to be offered at auction. It rocketed to $77,885, a world record price for any production Boba Fett action figure.
Several other figures landed at the top of prices realized, including a Kenner Star Wars: The Power of the Force (1985) Anakin Skywalker 92 Back action figure with its matching aluminum collector coin. AFA-graded 85 Y-NM+, it presented on an unpunched card with a yellow blister and archival case. The only other time Hake’s had offered an example of this figure in such a high grade was at the July 2018 auction of the Russell Branton Collection. According to the AFA Population Report, only one figure of this specific type exists in a higher grade, which undoubtedly encouraged bidders to give it their best shot. Against an estimate of $10,000-$20,000, the auction entry sold for a world-record price of $24,015.
A factory-sealed Kenner Star Wars: The Empire Strikes Back (1980) Darth Vader 32 Back Collector’s Case, a special-offer item, was AFA-graded 75 EX+/NM and came with Boba Fett, IG-88 and Bossk bounty hunter figures. The carrier case was designed with the capacity to hold up to 31 Kenner Star Wars action figures, so it gave youngsters quite an incentive to add new acquisitions to their collections on birthdays or holidays. Only six collector’s cases of this particular type (with bounty hunter figures) have been graded by AFA, per the current AFA Population Report, and of those, only three are AFA-graded 75, with only one graded higher. Jeff Jacob’s case was only the second factory-sealed example Hake’s had ever handled. It sold above its high estimate for $23,365, a world-record price for a toy of its particular type.
Boba Fett reappeared, but in a larger size, as a Kenner Star Wars: The Empire Strikes Back (1980) figure from the 12-inch Series. When introduced, the oversize series didn’t catch on with Star Wars fans, who preferred the smaller figures. Production of the 12-inch Series was scaled back, ultimately making figures like the Boba Fett quite scarce, especially in such high-grade condition. Housed in its window box, the toy was AFA-graded 85 NM+, one of only four examples in that grade with none higher, according to the current AFA Population Report. Against an estimate of $5,000-$10,000, the foot-tall Boba sold for world-record price of $17,700.
Making it a Boba Fett trifecta within the top 10, a Palitoys Star Wars: Return of the Jedi (1984) Boba Fett Tri-Logo 70 Back-B, AFA 85 NM+ in a French Meccano-style blister, was released with English, Spanish and French text to accommodate a multinational fan base. However, the auction example proved to be a rarity over time. According to the current AFA Population Report, it is one of only two examples known in an AFA 85 grade, with none graded higher. It concluded its bidding run at the upper end of its estimate range, at $16,875.
Lily Ledy’s Spanish-language Star Wars: Return of the Jedi/La Guerra de las Galaxias: El Regreso de Jedi (1983) Artoo-Detoo (R2-D2) 30 Back AFA 60 Ex action figure performed at auction no differently than its astromechanical counterpart has done for the past 45 years on film: with impressive confidence and reliability, despite its diminutive size. Measuring 2.25 inches tall in in its archival case, it was one of only five examples of its type to be graded by AFA, with only three in an AFA 60 grade and only one graded higher. It surpassed its pre-auction estimate to sell for $11,420, a world record price for an action figure of its type.
An example of a Star Wars: The Power of the Force (1985) Gamorrean Guard 92 Back AFA 85 Y-NM+ action figure, 3.75 inches tall with a matching aluminum collector coin, had only ever appeared in a Hake’s auction once before in such a high grade. In addition, at the time of cataloging, no examples in a higher grade were noted in the AFA Population Report at all. The Gamorrean Guard marched to the upper end of its estimate range, settling at $8,695, a world record price for an action figure of its type.
Ordinarily a dark character, Darth Vader stepped out of his iconic role as a villain long enough to take a bow in the auction spotlight in the form of a Star Wars (1978) 12 Back-C AFA 85 NM+ action figure. Measuring 4.25 inches tall on an unpunched blister card, this toy had condition going for it, since a mere three examples have ever been graded higher, per the current AFA Population Report. It sold for $7,855 against an estimate of $2,000-$5,000.
Jeff Jacob’s collection was also the source of many rare GI Joe action figures and toys in exceptionally fine condition. The top-selling “Joe” lot was a Hasbro Dreadnok Ground Assault Series 5 Vehicle with rockets and motorcycle with cannon. AFA-graded Qualified 75 Q-EX+/NM in a profusely pictorial box, this set fired up the imagination of many a junior Army hero when it was issued as a Sears exclusive in 1986. At Hake’s, it sold for $5,840 against an estimate of $1,000-$2,000.
To discuss consigning a collection or single item to a future Hake’s pop culture memorabilia auction, call +1 866-404-9800 (toll-free) or +1 717-434-1600; or email [email protected]. All enquiries are kept strictly confidential. Visit Hake’s online at https://hakes.com/.
Early Sinclair signs, with sensational graphics of a primitive single-engine airplane and ‘Dino’ the dinosaur mascot, flew to the top of prices realized
DENVER, Pa. – If any one word could summarize the selection in Morphy’s October 4-5 Automobilia and Petroliana Auction, it would be “condition.” A dazzling array of advertising signs, gas pumps and globes; product cans and other antique and vintage motoring-related items presented bidders with a wealth of fresh rarities from which to choose in a sale that closed confidently at $1.7 million.
Nearly 1,100 lots were entered, many emblazoned with mascots and graphics regarded as classics by those who collect gas and oil advertising. Two of the most sought-after auction treasures were produced for the Sinclair Oil Corporation, a firm that launched its business in 1916 from the combined assets of several small petroleum companies.
At the top of prices realized was a circa-1930s Sinclair Aircraft Gasoline double-sided porcelain service station sign with an early single-engine-airplane graphic. Petroliana collectors seeking a high-grade example of this particular type of sign are well aware that they are likely to face additional competition from those who pursue aviation memorabilia, especially if the condition is graded at the upper end of the 1-to-10 scale. Both sides of the 48-inch (diameter) sign displayed very good color and gloss, as well as extremely clean script. Assessed at 8.5 condition with isolated minor chipping being the only exception to its spruce appearance, it landed within its estimate range, at $49,200.
Bright and brilliantly-hued example of Sinclair Pennsylvania Motor Oil double-sided porcelain sign with striking dinosaur mascot graphic and the phrase ‘MELLOWED 100 MILLION YEARS.’ Size: 23¾in diameter. Condition: 9.0. Sold for $35,670 against an estimate of $10,000-$20,000
The second Sinclair highlight was a vividly-hued, double-sided porcelain sign advertising the company’s Pennsylvania Motor Oil. It bore a striking graphic of their beloved dinosaur mascot “Dino” striding above the phrase MELLOWED 100 MILLION YEARS. A great-looking example with only minor chipping to side one and a few barely noticeable surface scratches to side two, the 23¾-inch (diameter) sign was graded a strong 9 and sold for $35,670 against an estimate of $10,000-$20,000.
A complete and exceptionally nice porcelain neon sign advertising “GM General Motors Parts” was still housed inside its original shipping crate with an Amarillo, Texas destination indicated on the container’s exterior. The unit consisted of two single-sided porcelain signs mounted back-to-back on their original metal can, with dimensions measuring 56 inches by 71 inches. A fantastic survivor in 9.0 condition, it settled within its $20,000-$40,000 estimate range at $27,060.
An attractive double-sided Kanotex Ethyl Gasoline (New York) circular porcelain sign with eye-catching red, yellow and black graphics and a red border was gloss and bright. Its sides were graded 8.25 and 8.0, respectively. Against an estimate of $2,000-$8,000, the sign went the extra mile, reaching $10,455.
Produced around the 1930s, a great-looking 55-inch-tall single-sided porcelain “lollipop” sign advertised “Kendall The 2000 Mile Oil” and had a tin topper that said “Kendall Superb Motor Oil.” It retained its original ring and pole and stood atop a replacement base in VG condition. Its sides were graded 8.75 and 8.0, respectively. With provenance from the Andre Harvey collection, it sold for well over three times its high estimate, closing at $11,070.
There was notable pre-sale interest in a circa-1940s single-globe gas pump lens for Little Bear Gasoline produced by Little Bear Oil Co., of Neodasha, Kansas. AGS-graded 94 and most likely new/old stock, its main attraction was the visually-appealing graphic of a bear cub encircled by a red ring with the name LITTLE BEAR GASOLINE in contrasting white letters. It roared at $13,530 against an estimate of $5,000-$10,000.
A rare and stunning 15-inch single-globe lens boldly advertised the message “Tiger Gasoline” with an artful tiger graphic and unique script style. Very little is known about the issuing company or the auction item’s background prior to its discovery in New York. In grade-94 condition with bright color and gloss to both its inner and outer fields, the lens surpassed its high estimate, chalking up $12,300.
Manufactured around the 1920s, a Wayne Model #452 double gas pump retained both of its original cylinders and all of its internal parts. It had been partially restored and presented nicely enough to please any collector with its handsome red and black livery but was described in Morphy’s catalog as an “ideal candidate” for a full restoration. It impressed enough bidders to reach $10,455 against a pre-sale estimate of $4,000-$8,000.
In addition to automotive and petroleum-related advertising, the auction included an excellent selection of signage for many other types of products. A circa-1930s double-sided Blatz Milwaukee Beer porcelain neon sign, complete on its original metal can, featured a deep navy-blue field with white lettering and red neon. Working, and in overall excellent condition with sides graded 9.0 and 8.5+, respectively, it rose to $11,685 against a $4,000-$8,000 estimate.
Colorful and large, a circa-1950s single-sided tin sign displayed the message Switch to Squirt / never an after-thirst and a bright graphic of the endearing blond-haired Squirt mascot alongside a tall bottle of the citrus-flavored soda pop. Graded a strong condition 8.75, it bubbled up to $13,530 against a $5,000-$10,000 estimate.
An homage to blue-collar laborers, a circa-1920s single-sided porcelain sign touted Carhartt’s union-made pants and overalls with the slogan Honorably Made For Honorable Men and a notation that their factories were located in New York City and Detroit. At 120 inches by 30 inches, it was the largest example of this particular type of Carhartt’s sign Morphy had ever handled. In condition 7.0, it achieved a within-estimate price of $6,765.
Leading the auction’s comprehensive offering of 55 petroleum product cans, a circa-1940s
1-quart can that once held Tiopet 100% Pure Pennsylvania Motor Oil displayed VG color and gloss and a terrific image of a Native American chief in a full feather bonnet. In 8.0 condition and with provenance from the Andre Harvey collection, it commanded $4,920 against an estimate of $500-$1,000. To discuss consigning a collection or individual item to a future Automobilia & Petroliana Auction at Morphy’s, please call Dan Morphy personally at 877-968-8880 or email [email protected]. All discussions are kept strictly confidential and there is never an obligation to consign. Online: www.morphyauctions.com.
SOUTH SAN FRANCISCO, CA, October 21, 2025 – Turner Auctions + Appraisals is very pleased to present the Estates of Jon S. Emerson, Robert A. Unger, and Donald C. Saiger on Sunday, November 2, at 10:30 am PST. Featuring over 380 lots, this wide-ranging auction features an intriguing array of Tiffany Studios items; antique weapons and militaria; artworks; decorative arts from America, Europe and Asia; sterling silver flatware and table ware; vintage pocket watches; small furniture; several Louis Vuitton trunks and travel items; numerous frogs; Thai bronze Buddhas; airplane models; Ray Ban sunglasses; Southwest kachinas; child’s sewing machines; and much more. Some lots from other collectors round out the sale.
From Tiffany Studios are a turtleback desk lamp, candlesticks, and desk sets. Art glass makers of vases and paperweights include Tiffany Studios, Orient & Flume, R. Lalique, Lundberg Studios, and Quezal. Glasses, bowls, urns, decanters, vases, and figures come from Tiffany & Co., Baccarat, Fabergé, Daum, Lalique, and Fabio Micucci. There is art pottery by Van Briggle, Rookwood, Grueby, and Ephraim. Among the items are sterling silver flatware, serving ware, vases, urns, picture frames, bowls, a salver, and a mirror. There are also tableware and plates: a Hermès dessert service, Chinese Blue & White porcelain; Fabergé Limoges china; and plates by Oscar de la Renta for Richard Ginori. There also an extensive collection of glass frogs by Lalique, Baccarat, Steuben, Daum, and others.
Artworks include pieces by Louis Icart, Manel Anoro, David Gilhooly, Bjorn Weckstrom, and others — plus carvings from Africa, India, and Asia. Furniture lots offer chairs from Herman Miller Eames, Louis Sognot, Piero Fornasetti, Thomas Moser, and Philippe Stark. From Asia are China are tables, chairs, carved figures; Japanese chests; and a Moroccan panel screen. Civil War-era lots include militaria, plus tintypes, ambrotypes, daguerreotypes, and photos. Among the weapons from the 1800s are swords, rifles, and revolvers. There is a wide array of antique pocket watches, many with 14k or 18k gold cases.
Turner Auctions + Appraisals begins its online auction on Sunday, November 2, 2025, at 10:30 am PST; sale items are available for preview and bidding now. The auction will be featured live on four platforms: LiveAuctioneers, Invaluable, Bidsquare, and Turner Auctions + Appraisals’ free mobile app, which can be downloaded from the App Store or Google Apps (“Turner Auctions”). Both are easily accessed via Upcoming Auctions at the company’s website: www.turnerauctionsonline.com/upcoming-auctions.
Here below are some highlights of the upcoming online sale (please see lot details in the online catalog). Information on the owner of each estate follows.
Lot 89: Tiffany Studios Turtle Back Desk Lamp. Early 20th century, the double side bivalve shade with twin outer Favrile glass “turtle shell” panels and inner inset opalescent white glass panels enclosing a single socket, rising on a verdigris patinated bronze harp standard on an organic leafy base with a band of inset multicolor glass cabochon jewels and five recessed ball feet, impressed stamp “TIFFANY STUDIOS/NEW YORK/408”, 13.5″h x 8.5″w x 6″d. Condition: Metal fame bent on both sides along the top edge. Lacking a pull chain. Wiring and cord have been replaced. Provenance: The Estate of Jon S. Emerson. Estimate $2,000-$4,000.
Tiffany Studios Turtle Back Desk Lamp
Lot 24: Colt Frontier Six Shooter SAA Revolver. The Single Action Army Revolver, .44/40 Caliber, Serial 53085, top of barrel marked “COLT’S PT. F. A. MFG. Co HARTFORD CT. U.S.A.”, front side of barrel marked “COLT FRONTIER SIX SHOOTER”, also marked “PAT. Sept. 19.1871/” JULY 2.-’72./” JAN 19-’75.” The handle mounted with ivory grips and with vintage walnut grips. Overall 13″l, barrel 7.5″l. Accompanied with a modern glass case and oak wood stand in addition to modern woven leather holster. Please note this lot includes a letter of authentication of the Colt revolver dated March 12, 2009, from Kathleen J. Hoyt, Historian. Originally 50 revolvers were shipped to both Schulyer, Hartley and Graham in New York, New York, on October 24, 1879, and to Winchester Repeating Arms Company in New Haven, Connecticut, on November 1, 1879. Condition: Overall good condition consistent with age and use, small nicks to metal surface. Ivory grips with age crack. Provenance: The Estate of Donald C. Saiger. Estimate $2,000-$4,000.
Lot 183: Louis Vuitton Monogram Cabin Trunk. Early 20th century, the hinged top with a leather surround, the leather stamped with LV monogram, and two horizontal wood ribs with metal bosses stamped “LOUIS VUITTON”, opening to reveal on verso, a quilted lattice backing formed by “LOUIS VUITTON” ribbon strips and on the lower left interior side of the lid an orange label “Brought from ARTHUR GILMORE INC. NEW YORK, 16 52nd Street” and on the right an orange label “LOUIS VUITTON PARIS” label Serial No, 788691″, having a linen wrapped interior and a removable tray, both tray and main compartment with twin adjustable “LOUIS VUITTON” luggage strip belts for securing clothing, the front and sides painted with identifying “600/F.S.-1” in white, the center lock plate stamped “To Champ Elysees/Paris/Louis Vuitton/London/149 New Bond Street/Made in France”, exterior escutcheon plate numbered “075075/ lower 69869” and a lower center leather strap stamped “PARIS/LOUIS VUITTON/MADE IN FRANCE/LONDON”, the sides with leather handles 13.25″h x 36″w x 20″d. Condition: the interior in good condition, a few scattered marks or small stains, replaced tray handles, a few places with a tear or fabric has come off the backing, the leather, wood and Louis Vuitton material having dings, scuff marks and scratches consistent with age and use. Provenance: The Robert A. Unger Trust. Estimate $2,000-$4,000.
Lot 190: Pair Art Deco Louis Sognot Chrome Armchairs. Pair Art Deco Louis Sognot Chrome Armchairs. Each consisting of a two-cushion seat, upholstered in pale gold tweed, rising on a chrome streamlined arching tubular steel base. 29″h x 24″w x 41″d. Condition: some pitting to the chrome patina, upholstery not original, some wear and light marks. Provenance: The Robert A. Unger Trust. Estimate $3,000-$5,000.
Lot 313: Artist: Manel Anoro (Born 1945). Title: “Menorca (Tramontana).” Signature: Signed lower left. Dated verso: Agost 2010. Medium: Oil on canvas. Size: 28 1/2″ x 36″ (frame 30 1/2″ x 37 3/4″). Condition: good. Provenance: The Robert A. Unger Trust. Estimate $2,000-$4,000.
Lot 145: Frank W. Smith Silver Co. Lion Sterling Silver Flatware Service. Comprising (12) dinner forks 7″l; (12) dinner knives with stainless blades 9″l; (12) salad forks 6.5″l; (12) teaspoons 5.75″l; (12) soup spoons 7″l; a cold meat fork 7.5″l; a tablespoon 8.5″l; a reticulated tablespoon 8.35″l; a sugar shell 5.5″l; a butter server with gilt wash 7″l; a letter opener 8″l; a pie server fitted with a stainless blade 10.75″l (bent tip) Total weighable 103 oz. (2900.15g) [67 total]. Provenance: The Robert A. Unger Trust. Estimate $4,000-$6,000.
Lot 96: Tiffany Studios Grape Vine Assembled Desk Set. Comprising 1.) a large square box with lid, signed “TIFFANY STUDIOS/NEW YORK/824”, 2.5″h x 8″w x 8.25″d; 2.) a two-tiered letter rack, bearing stamp “TIFFANY STUDIOS/NEW YORK” (model number and stamped in middle of base not along edge), 8.5″h x 13″w x 4.5″d; 3.) a small two piece scale with a weighing platform, signed “TIFFANY STUDIOS/NEW YORK 872” 3″h x 3.75″w x 1.75″d; 4.) a footed inkwell, signed “TIFFANY STUDIOS/NEW YORK” (no model number); 5.) four reticulated blotter corners, including a single mismatched Pine Needle corner 6″ x 6″ x 8.25″ [8 pieces total]. Condition: each with original vintage red-brown bronze finish with verdigris patina, glass missing from blotter corners, the lid to box has several minor cracks to green slag glass. Provenance: The Estate of Jon S. Emerson. Estimate $1,000-$2,000.
Lot 50: Liberty Head $20 Gold Coin. 1857(P) Liberty $20 coin in EF condition. Provenance: The Estate of Donald C. Saiger. Estimate $1,500-$2,000.
Lot 27: Antique Winchester Model 1894 Rifle. Magazine lever action, Caliber: .38-55. Serial 43896, blue finish half octagonal and half round two line barrel, walnut stocks, Buckhorn rear sight. Top of barrel marked “MANUFACTURED BY THE/WINCHESTER REPEATING ARMS CO. NEW HAVEN CONN U.S.A.”, marked “MODEL 1894/-WINCHESTER-/PAT.AUG 21. 1894”, overall 44.25″l. Provenance: The Estate of Donald C. Saiger. Estimate $800-$1,200.
Lot 119: R. Lalique Courges Opalescent Glass Vase. Marcilhac Model 900, introduced in 1914, the cased white opalescent glass ovoid form in a gourd vine pattern, raised molded “R. Lalique” stamp and etched “R. Lalique France/France Model 900” 7.5″h x 8″d. Condition: the rim probably sanded on outer edge, some light cloudy mineral encrustation in the interior base of vase, otherwise in good condition. Provenance: The Estate of Jon S. Emerson. Estimate $1,500-$2,500.
Lot 42: American Waltham 18k Gold Pocket Watch. The yellow gold hunting case engraved with a cursive script monogram marked “Warranted 18K U.S. Assay/B.W.C. Co./875438”. Dial marked “American Waltham Watch Co” with inner black Roman-numeral hours, an outer black Arabic minutes track, and an Arabic seconds ring. Movement marked “A.W.W./Waltham, Mass ROYAL/5598256”, 50mm, 136g Condition: non-working condition. Provenance: The Estate of Donald C. Saiger. Estimate $1,000-$2,000.
Lot 88: Pair Tiffany Studios Gilt Bronze Candleholders 1213. First-quarter 20th century. Each stick cast with urn form candle cup on a tripod claw on slender cylindrical standard on spreading base. Underside stamped: TIFFANY STUDIOS/NEW YORK, 1213. 20.5″ h x 5.5″ d. Condition: patina/wear to gilt. Provenance: The Estate of Jon S. Emerson. Estimate $800-$1,200.
Lot 375: Micucci Large Granzioli Glass Vessel. The Fabio Micucci Granzioli X Collection Murano art glass large vessel with “crushed ice” texture; base etched Andrea Zillo, 2015, [limited edition of] 99, Fabio Maria Micucci for Ralph Pucci. Approx. 17 3/4″ h x 12 1/2″ diam. Vessel in good condition; in Micucci box 18 1/2″ x 23″ x 23″ (some wear to box). Provenance: The Robert A. Unger Trust. Estimate $800-$1,200.
Lot 130: Daum Crystal Bust: Les Dandys Gaspard. Jean-Francois Leroy (Born 1964) for Daum, black pate de verre head of labrador retriever, mounted to stone plinth, limited ed. 045/500, accompanied by a chrome triangular label reading “Les Dandys/Gaspard 500 ex/Daum”, dimensions of bust 9″h x 12″ x 7.5″, overall: 13″h. Provenance: The Robert A. Unger Trust. Estimate $800-$1,200.
Lot 168: Grueby Arts and Crafts Pottery Vase. Grueby Pottery, early 1900s. The green-glazed art pottery vase of slightly baluster form with a hexagonal fluted rim; 7 3/4″ x 3 5/8.” Base impressed: 02, Grueby Pottery, U.S.A. Condition good; no chips/cracks. Provenance: Estate of Jon Emerson. Estimate $800-$1,200.
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ABOUT THE ESTATE OWNERS IN THIS AUCTION
Jon S. Emerson (1935-2025)
Among many other achievements, Jon Emerson was an award-winning landscape designer who taught in Baton Rouge at the Louisiana State University (LSU) Robert Reich School of Landscape Architecture for 31 years. An esteemed teacher and mentor, his professional interests and skills were varied and vast, from architecture and landscape architecture, art, and sculpture to interior design, stained-glass, and plants. His personal interests were equally broad, including travel, opera, dogs, horses, history, poetry, and more.
Jon Emerson grew up in Berkeley, California, where the beautiful gardens of his family’s homes perhaps inspired his career choice. He graduated from the University of California, Berkeley, with a Bachelor of Landscape Architecture, then earned a Master of Landscape Architecture from the Harvard Graduate School of Design, where he taught for one year. In 1965, while working for Sasaku, Dawson, DeMay and Associates, he was awarded the prestigious Prix de Rome in Landscape Architecture. The two years spent studying at the American Academy in Rome also allowed him to travel in Europe and the Middle East, influencing him as a designer and teacher.
In 1967, Mr. Emerson went to Baton Rouge to teach at LSU, became a full professor, and taught until he retired in 1998 as professor emeritus. There he left a rich legacy on generations of LSU students and the field of landscape architecture.
Later in Baton Rouge, Mr. Emerson founded Jon Emerson & Associates, a landscape architecture firm. Among its acclaimed projects are New Orleans’ City Park Botanical Garden; and Baton Rouge’s Main Library, featuring two rooftop gardens and a stained-glass window in the children’s section. He also founded an art studio and kennels for the Scottish Terrier dogs he loved. In 2000 Mr. Emerson was elected to Fellowship in the American Society of Landscape Architects (ASLA).
Family and friends also praise Jon Emerson and the profound impact he had on others. According to close family members, Jon Emerson sought to achieve at the highest level and encouraged others to do the same. Always upbeat and driven, he was passionate about learning, seeking to inspire others to excellence. Not only was his career full of accomplishments, his personal life was as well – from numerous equestrian trophies as a youth, to the Best in Breed award at the Westminster Kennel Club dog show in 1998, won by one of his favorite Scottie dogs.
As a collector, Mr. Emerson’s eclectic possessions were informed by his myriad interests and travels. According to his family, as he journeyed to experience unique architecture around the world, each acquisition had meaning and significance to him – whether it was obtained in Rome, China, Machu Picchu, Bogota, or the Philippines. Auction highlights in this sale include lots from Tiffany Studios.
Now, with Jon Emerson’s passing, others will have the opportunity to see, enjoy and acquire the treasured items collected by a gifted mentor who shared his prodigious talents with students, clients, family, and friends.
Robert A. Unger (1942-2024)
Robert Unger was a talented and innovative retail designer and visual merchandiser who worked with leading department stores for five decades. Born in New Jersey, where it is said he acquired his sarcasm and humor, Rob was highly respected as a designer, leader, and mentor. Known for his taste, style, and enthusiasm, his out-of-the box approach to store design and merchandising contributed greatly to the appeal of the department stores with whom he worked.
During his long career, Mr. Unger worked at Bamberger’s in New Jersey, Jordan Marsh in Boston, and Burdines in Miami. In his senior-level positions, he oversaw visual merchandising, store design and store planning. These three department store chains eventually became part of Macy’s.
Among his many accomplishments, Mr. Unger was an early supporter and implementer of shop concepts within large department stores, implementing Macy’s private labels to the stores it acquired. At Burdine’s, he worked to make the retail space lighter and brighter, helping brand it “The Florida Store.” He also brought technology to Burdine’s-Macy’s in Miami via display kiosks that provided images and sounds that could be perceived, not only in the store, but in the mall as well. After Macy’s closed the Burdine’s offices in Miami, Mr. Unger eventually moved from Miami to Napa, California, where he enjoyed his retirement with his reliable canine companions.
As stated in Mr. Unger’s obituary in wwd.com: “Rob was a giant in the visual and store design world,” said Ralph Pucci of the Ralph Pucci International gallery, which for many years was a key supplier of mannequins to the stores where Unger worked, and other retailers. “He created many exciting visual ideas and programs that became the norm in the industry.”
Known for his design eye, impeccable taste, and appreciation for quality and beauty, Robert Unger collected throughout his work life, enhancing his diverse array of fine possessions through international travels over many years. Friends said he sought and enjoyed the finer things in life, but was not inclined to vaunt them. Colleagues described Mr. Unger as an icon, the best boss ever, a gifted visionary, a bigger-than-life mentor, and a true giant of the industry.
Donald C. Saiger (1936-2024)
Born and raised in Chicago, Donald Saiger graduated from Carthage College in Wisconsin in 1958. While he planned to go to dental school, a friend talked him into joining the FBI, which he always said was the better of two choices. As an adult, Mr. Saiger lived in Northern California’s Marin County. He spent most of his professional life doing aerial reconnaissance for the FBI, commuting to his job each day by flying his own plane from his local airport, across the San Francisco Bay, to the FBI’s field office in Oakland, where he picked up his airplane for work. Among his many assignments over a long career were work on the Patty Hearst kidnapping case and providing security in the U.S. for Imelda Marcos, who was First Lady of the Philippines from 1965 to 1986 and is mother of the Philippines’ current president. After San Francisco’s devastating Loma Prieta earthquake in 1989 – its 6.9 magnitude killed 63 people, injured over 3,750 persons, and displaced over 12,000 from their homes – Mr. Saiger, with his eagle eye, was responsible for evaluating the runway at the San Francisco Airport to ensure it was safe for subsequent airplane landings. He retired from the FBI in 1989.
But airplanes were not the only modes of transportation that thrilled Mr. Saiger. A lifelong bachelor, he became interested in model trains as a boy, perhaps after growing up in place close enough to hear the trains’ whistles as they passed through town. Some years later, he began collecting model trains — then did so with a passion for over 30 years, according to his long-time friend Kate MacPherson, with whom he walked his Malamute or other dogs for four miles a day for many years. Turner Auctions + Appraisals recently held two auctions of Mr. Saiger’s expansive collection of high-end model trains.
This current auction showcases other interests of Mr. Saiger, with a selection of intriguing items, both historic and contemporary. Featured are antique guns, swords, and other weapons; FBI and Civil War-era memorabilia; vintage pocket watches for men; Hopi kachina dolls and sculptures from the Southwest; airplane models; an 1857 Liberty Head $20 gold coin; and more.
Now, with Mr. Saiger’s passing in 2024 at age 88, collectors who also appreciate fine quality may peruse and acquire the engaging objects of Mr. Saiger’s desire and refined collecting eye.
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ABOUT TURNER AUCTIONS + APPRAISALS
Based in South San Francisco, Turner Auctions + Appraisals was founded by Stephen Turner to expand and complement the capabilities of Stephen G. Turner Associates,an auction and appraisal consulting firm founded in 2004.Turner Auctions + Appraisals presents online auctions in diverse categories of personal property (www.turnerauctionsonline.com). Among them are Fine Arts, Decorative Arts, Asian Arts, Toys, Jewelry, Militaria, Ethnic Arts, and others. The company offers a range of auction and appraisal services for buyers, sellers, and collectors. Online auctions are held several times a month. Working with leading live and online auction houses on the West Coast since 1991, Turner is a professional appraiser of personal property and seasoned auctioneer. His areas of expertise include fine art, decorative arts, antiques & residential contents.
The company welcomes consignments and appraisals.
For more information about the company, please contact:
Stephen Turner, President
Turner Auctions + Appraisals, 461 Littlefield Avenue, South San Francisco, CA 94080
Some of the Edens’ finest baits were saved for the last auction installment, including a boxed Anderson & Co. ‘Chautauqua’ and early Heddons in special-order colors with introductory boxes
DENVER, Pa. – On Saturday, October 25, fishing lure collectors will have one final opportunity to dip into the celebrated Wayne and Lori Edens collection, as Morphy’s presents the third and final installment of a series that debuted 10 months ago. The breathtaking assemblage of lures – or “baits,” as they are more commonly known to purists, is said to be the largest, most comprehensive and historically-important collection of its type ever to come to the public marketplace. For that reason, there’s an air of last-chance excitement within the hobby, with many absentee bids already in place to compete on auction day.
Anderson & Co. (Jamestown, N.Y.) ‘Chautauqua’ Weedless Trolling Hook Minnow patented by Krantz & Smith in 1909, a detail confirmed by the stamping on the bait’s tailfin. Completely intact with copper finish. One of only three known to exist with original box, which is factory-marked ‘COPPER’ on both ends. Estimate: $10,000-$15,000
One of the most coveted Heddons in the Edens collection is a 2-hook rimless cup Slopenose bait made in early 1902, during the first 5-6 weeks of the Michigan company’s production. It is one of only three known examples accompanied by the ultra-rare Heddon introductory black box with silver printing. The bait, itself, displays the correct “chalky” white paint and shows some wear, as would be expected, since the very first baits to leave the Heddon factory were not varnished. Its hand-painted, friction-fit, red-painted aluminum collar has been locked in place for over 120 years, and it also has its brass ties, tail cap, and most importantly, its rimless belly cup. Estimate: $4,000-$15,000
Another very desirable Heddon, a circa-1910 Night-Radiant Moonlight Bait has a distinctive bulbous head, clear glass eyes and spotless hardware. It appears never to have been fished and comes with its correct box, a “Care & Use” insert and a “Special Notice” insert advising fishermen to bring their lanterns with them, presumably to enjoy the bait’s night luminescence. This is the exact example shown on Page 90 of the book The Heddon Legacy, in which it is described as one of only a couple ever found with the original box and papers. This combo was never cataloged, and in fact, originated in the Heddon factory archives, making it even more desirable. In VG condition, it is estimated at $4,000-$15,000.
Moving into the “big leagues,” a Heddon 747 measures an impressive 7¾ inches long and is hand-painted in an unusual color that attractively blends red and purple. The form appeared in VL&A’s 1917 catalog as the “Dowagiac Mascallonge Minnow” and was offered in a choice of only two standard colors, Green Crackleback or Rainbow, proving the auction bait was a special-order item. It has black hand-painted gills, intact glass eyes, and bellyweights that are still sealed under paint. Uncleaned and in Excellent-Minus condition, it is estimated at $5,000-$20,000.
Also quite sizable, a 5½-inch Heddon Dowagiac “Musky” Minnow is hand-painted in a non-cataloged color with a Gold Flitter finish, three short, hand-painted gills on each side, and marked spinners. It is in VG or better condition and is accompanied by its correct fancy-font white pasteboard box, one of no more than 20 such boxes known to exist. Estimate: $5,000-$15,000
Smaller at 3 5/8 inches but no less mighty, a stunning circa-1904 Heddon 150 Dowagiac Minnow is finished in a special-order all-white color with red accents. In solid Excellent condition, it has very clean all-brass hardware, including unstamped props and original hooks. Its bellyweights are still under paint, and it has flawless iris glass eyes. The accompanying Type II wooden slide-top box is correct for the era. According to Morphy’s specialist who cataloged the collection, it is one of the finest early 150 combos in existence. Estimate: $5,000-$15,000
A peppy little number, a circa-1905 Heddon high-forehead 154 Dowagiac Underwater Minnow bait with two bellyweights has a bright red body that contrasts beautifully with its long, sweeping black hand-painted gills, fully extending into the first cups. It has shiny unstamped spinners and all-brass hardware, as well as flawless glass eyes. In Excellent condition, it comes in its correct slide-top “hung” wooden box with strong markings and the correct model and color designations on both ends. Estimate: $3,000-$10,000
A connoisseur’s bait, the “Chautauqua” Weedless Trolling Hook Minnow was produced by Anderson & Company of Jamestown, New York, from a design patented by Krantz & Smith in 1909, a detail confirmed by the stamping on the bait’s tailfin. The auction example is completely intact with a handsome copper finish that has survived the tests of time very well. Graded VG, is it one of only three known survivors with an original factory box, which is correctly marked COPPER on both ends. Estimate: $10,000-$15,000The third and final auction of rare and antique fishing lures from the Wayne and Lori Edens collection will be take place on Saturday, October 25, 2025 at Morphy’s gallery, 2000 N. Reading Rd., Denver, PA 17517, starting at 9 a.m. Eastern Time. All remote forms of bidding will also be available, including absentee, by phone, and live via the Internet through Morphy Live. For additional information on any item in the auction or to reserve a phone line for bidding, call 877-968-8880 or email [email protected]. Visit Morphy’s online at www.morphyauctions.com.
Featured: David Bausch’s fine posters & automobilia, Dale Buchardt’s Ives & AMRR trains, Marklins, Steno Tonelli’s Japanese tin, Richard Mueller’s litho’d paper-on-wood toys, spotless cast-iron rarities
VINELAND, N.J. – Bertoia’s Annual Fall Auction is always one of the most keenly-anticipated events of the year for collectors of toys, banks, advertising or holiday antiques. The lineup of featured collections entered in this year’s edition, which is slated for November 21-22, offers bidders a level of quality and variety that rivals anything seen in Bertoia’s past pre-Thanksgiving sales. The opening session is packed with rare toys, banks and trains; while the artful selection chosen for Day 2 will usher in the gift-giving season with beautiful Christmas and other holiday antiques, as well as early 20th-century advertising and posters.
Large Gunthermann (Germany) bi-wing airplane of painted tin and wire construction with authentic canvas-covered wings having a 13.5in wingspan. Two hand-painted pilot figures retain their original paint. Classic early-aviation form displaying incredibly well-preserved condition. Provenance: David Bausch collection. Estimate: $6,000-$10,000
Auction headliners include Ives and AMRR trains from the personal stash of the late Dale Buchardt, whose collection is also the source of an incredible Kenton Coca-Cola truck that Dale regarded as his very best toy. It is possibly the only example of its type known to exist. Also sharing the spotlight are the prints, posters and automobilia amassed by a renowned pioneer of the toy hobby, David Bausch; and lithographed paper-on-wood toys from the collection of the late Richard Mueller.
A stunning collection of cast-iron automotive toys came to Bertoia’s in such immaculate condition, the task of assessing them for the auction catalog proved to be quite a challenge for even the company’s president and principal auctioneer, Michael Bertoia. “You just don’t see cast-iron toy collections with contents so close to flawless, there’s no other way to accurately describe them than ‘mint,’ or at the very least, ‘near mint.’ Cast iron fans are going to pounce on them. They really do live up to the standard of ‘unplayed-with’ condition.”
Leading the cast iron highlights are an incredible Arcade “Hathaway’s Bread & Cake” truck and several outstanding taxi cabs, some of which are even accompanied by their factory boxes. Several choice figural cast-iron doorstops will cross the auction block, along with a dozen or so premium-quality cast-iron horse-drawn toys from a Florida collector. That particular grouping is led by a fine and highly desirable Pratt & Letchworth combination wagon.
Lithographed paper-on-wood toys, comprising boats, trains, carriages and other vehicles, come from the late Richard Mueller’s collection. A member of the Antique Toy Collectors of America (ATCA) and the gracious host of the club’s past annual convention in New Orleans, Richard accumulated one of the world’s largest collections of vintage pull toys. At an early age, he developed a love for collecting model trains – and later in life, pizza stores! While he was a student, he began working for Domino’s Pizza. This led to a successful four-decades-long career during which he operated the largest number of Domino’s locations of any single franchisee in the United States.
Richard and his wife, Linda, took great pleasure in restoring their 100-year-old Castle Farms property in Charlevoix, Michigan, which is now an award-winning wedding and event venue; as well as the nonprofit Hungry Ducks Farm. Also, Richard and his brother Glenn founded the nonprofit TrainTastic in Gulfport, Mississippi, the largest model train Museum in the USA.
During the November sale, Bertoia’s gallery will serve as a crossroads for all sorts of rare trains, including sought-after Marklin productions. A Marklin Schlitz Beer Car from a Midwestern consignor is fresh to the market following Michael Bertoia’s on-air appraisal of the piece on a 2025 episode of Antiques Roadshow. Another top prize is an extremely rare Marklin 0-gauge car richly emblazoned with “Anheuser-Busch Budweiser / King of All Bottled Beers” and “Anheuser-Busch Beer Car.” Additionally, there are some larger-gauge German trains and a number of elusive accessories of a compatible gauge.
The parade of collections continues with more blue-ribbon consignments from both sides of the Atlantic. From the UK comes the second round of Tony Cuff’s toys, including a sizable fleet of German boats and battleships, and English-outline trains. The expansive American train category is highlighted by Dale Buchardt’s Ives trains, a high-grade selection of boxed Lionel sets and colorful trolleys; and early 2-inch-gauge American trains by notable manufacturers such as Carlisle & Finch of Cincinnati, Ohio; and Knapp of New York City.
European tin automotive and wind-up toys are featured on Day 1, as are Japanese tinplate autos of the 1950s and ’60s. Among the postwar Japanese vehicles set to make a big splash are a dazzling Lincoln Imperial and a large and spectacular Atom race car. Also to be auctioned are a rare space rocket, superhero-themed toys; and from Italian theatrical set designer and longtime collector Steno Tonelli, some very nice Ventura and Ingap toys.
Day 2 of the November 21-22 auction will be a festive affair, as it is primarily reserved for the sale of antiques with a Christmas, Halloween or other seasonal theme. At every holiday sale hosted by the Bertoia family, guests find the atmosphere lively and welcoming, and there’s always an assurance that some of the rarest and best of all known examples will be waiting to be discovered. The November 22nd session is anchored by highlights from the advanced collection built over several decades by the late Ed DeGarbolewski and his wife Brenda. Ed and Brenda’s comprehensive Christmas cache includes Santas, nodders, reindeer, sleighs, belsnickles, ornaments and trees; plus wonderful skittles sets, Heubach bisque candy containers, artful terracotta items, and more. The session’s offerings also include holiday items from the collection of Jerry & Darla Arnold.
David Bausch, or “Dave,” as he is known to his many friends in the toy hobby, is a man of formidable credentials, both in his professional life and his avocation. He’s a retired Lehigh County, Pennsylvania politician, a lifelong toy collector, ATCA member, and founder of the venerable Allentown Antique Toy Show & Sale, which is now in its 47th year. As Dave said in the April 1983 Antique Toy World cover story, “There is a joy in owning and sharing a collection with others.” Luckily for those who have a passion for antique toys, 2025 is the year Dave has chosen in which to share his collection in the most literal sense.
At Bertoia’s August 22 Automobilia sale, collectors got their first glimpse into Dave’s world through a diverse assemblage of motoring-related figurines, trophies, awards, objets de vertu, and gentlemen’s desktop novelties. Also at that auction, Bertoia’s presented Part I of his vast collection of fine posters, prints and other artworks associated with transportation. Part II of his extensive archive of art posters was specifically reserved for Day 2 of the November 21-22 Annual Fall Auction, and it will be worth the wait.
An automotive theme is seen throughout Bausch’s enviable array of posters. Some of the French productions are doubly exciting because they cross over into the holiday realm as Christmas advertisements for toy stores. Two even depict Santa Claus behind the wheel of an early auto – how perfect is that? In today’s marketplace, such posters are in high demand, and not just in Europe and the United States. All over the world, interior designers, owners of high-end restaurants and bistros; museum curators, and private collectors avidly pursue these beautiful artworks from a period of time when great lithographic art was at its peak.
Bertoia’s November 21-22, 2025 Annual Fall Auction will be held live at the company’s gallery located at 2141 DeMarco Drive, Vineland, NJ 08360, starting at 10AM ET. Auction goods may be previewed the week before the sale by appointment only. In addition to live gallery bidding, remote bidding options include absentee, by phone, or live online through Bertoia Live, LiveAuctioneers or Invaluable.For additional information on any item, to leave an absentee bid, schedule a private-preview appointment, reserve a telephone line for bidding, or confidentially discuss consigning to a future auction at Bertoia’s, call 856-692-1881 or email [email protected]. Watch for November 21-22 auction updates on Bertoia’s website: www.bertoiaauctions.com. Download Bertoia’s free app through the Apple Store or Google Play (for Android) to bid conveniently from anywhere.
