Richard Art Hambleton (1952/54 – 2017)

Richard Art Hambleton (1952/54 - 2017)

Richard Art Hambleton (New York, British Columbia / Canada, 1952/54 – 2017) Original oil on canvas painting of a cat. Signed and dated ’09 lower right. Provenance: Private Collection, New York (acquired directly from the artist), Private Collection, California, Private Collection, Sarasota Florida. During his career, Richard Hambleton’s works have been shown internationally in world-class galleries and museums, including paintings on canvas and paper of his “shadow” work. Richard Hambleton’s artwork has been represented in the Venice Biennale in 1984 and 1988, and his work is part of numerous permanent collections including that of the Museum of Modern Art.

Sight Size: 20 x 16 in.
Overall Size: 21 x 17 in.

Palaze Sized Carved Jade Boulder

Palaze Sized Carved Jade Boulder

A large Chinese hand carved boulder composed of jade, featuring village scenes, Wisemen, and floral accents. Reverse features etched brick patterns and sits on wood carved base.
CIRCA: Early 20th Ct.
ORIGIN:China
DIMENSIONS: (Off Base) H:49.25″ x W:15.5″ x L:30.5″ (On Base) (H: x W:15.5 x L:30.5″)
CONDITION: Great condition, Base has crack and scratches.

Gustav Stickley Oak Sideboard

Gustav Stickley Oak Sideboard

Gustav Stickley oak sideboard. Original paper label under center drawer, burnt clamp mark on side of drawer, original leather lined tableware drawer, original hardware, appears to be original surface as well. Excellent condition. 56″ w x 49″ h (top of plate rail) 22″ deep.

PARKS, GORDON (1912-2006) Sunday Morning, 1947

PARKS, GORDON (1912-2006) Sunday Morning, 1947

Gelatin silver print flush-mounted to Foamcore, printed later, signed lower right, 19 1/4 x 24 inches (489 x 736 mm); framed. Apparently fine but unexamined out of frame. Contact department for condition report.

Provenance: gifted by Gordon Parks to The College of New Rochelle, 1991

Exhibited: “Bridging the Gap: Photography by Gordon Parks and Toni Parks”, Castle Gallery, College of New Rochelle, New York, January 2011

Large / Magnificent Masoud Yasami Contemporary Painting

Large / Magnificent Masoud Yasami Contemporary Painting

Masoud Yasami (American, b. 1949), oil and acrylic on canvas painting entitled, “Composition with an Open Door”, dated 1990 CE. Signed and dated by the artist in the lower left corner, a brilliant contemporary painting by Masoud Yasami, an artist who creates abstract multi-dimensional compositions that magically orchestrate space and color resulting in remarkable works that play with physical illusions, walking a tightrope between reality and the supernatural, balance and chaos. Yasami constructs and transforms geometric shapes capturing scenes from the natural world juxtaposed in a seemingly unnatural yet surprisingly classical manner – in this case cloudy skies at sunset or sunrise, a flowing waterfall, a silhouette of a fern leaf, and a mesmerizing funnel-like vortex of white that one may interpret as a dramatic splash of whitewater, a surreal calla lily blossom, or a moving cloud form. Size: 68″ L x 60″ W (172.7 cm x 152.4 cm)

Adding to the theatrical quality of the composition are the overlapping blue and aqua bars on the lower right as well as the red and white cornered sheaths and blue bands below that appear to be cornering and/or interrupting the organic elements of the composition. Indeed the artist has stated, “For many years I have dealt with gravitational force as the drama in my work; for example creating the illusion of forcing a rod to bend or a sphere to fall out of its position of balance and harmony.”

The following is the artist’s statement on his artwork as presented on www.yasami.com: “My paintings are from an intuitive connection to understanding of both peace and upheaval. A wordless message through imagery by blending the natural beauty of disorder with the disciplined order of both balance and unity. Flawless compositions to draw your attention to the simplistic and the complex, an intellectual journey without losing the natural knowing of things. What is the message? Where does it originate from? I suggest, stay even in your experiences, be either uplifted by praise or grounded by criticism. Feelings kept in check to and tested to see if they are important enough to act upon and be accepted as seriousness. Clear and delicate observation supersede. Logical, intuitive solutions resolve personal conflict. With a backdrop of disabled symmetry, the foreground suggests necessary arrangement and rational organization to arrive at ones adaptation to the meaning of life. Natures necessary and seemingly erratic disorder is one in the same to perfect, symmetrical and geometric harmony. Gravity acts as a push rather than a pull and the images can relieve the viewer of the personal burdens of confusion. The brief moments that it takes for a sunset to occur and diminish can be experienced by human beings impacting lifelong inspirational sensations with disciplined restriction both necessary to stay in unification to the natural. With shadows being cast on the certainty of a determined outcome we are always at the mercy of there being an unexpected alternative. Certainty and sophistication teetering on the brink of unforeseen circumstances. The cycle of past experience and present existence continuously reflect on one another in the ever changing unpredictable way forward.”

Provenance: private Boulder, Colorado USA collection

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