TimeLine’s ‘earthy’ Dec. 2 auction artfully expands the dialogue about animals of the ancient world, fossils & natural history relics

Featured: 5th-6th C. AD Sogdian silver-gilt rhyton shaped as boar’s head, large ancient Roman mosaic panel with 18 parakeets, sculptures, fossil skull of dreaded Mosasaur, fabulous geodes

ESSEX, U.K. – The most famous prehistoric depictions of animals in art are the paintings which were discovered in the 20th century on the walls and ceilings of the Chauvet and Lascaux Caves in France. Generally estimated at 30,000-32,000 years old, those paintings seem positively modern when compared to a painting of a wild pig found in an Indonesian cave in 2021 and believed to be no less than 45,500 years old. Throughout the ages, animals have been favored subjects in artworks, which is the theme of TimeLine’s December 2 auction in Harwich, England. The 410-lot session presents a finely-curated selection of zoological art of the ancient world together with fossils, natural history relics and many other exceptional antiquities. 

Large late Roman mosaic tesserae panel with 18 parakeets in various standing and perching poses. Size: 83½in x 80¾in. Very similar to a mosaic in the Louvre. Provenance: Archaeologia Gallery, 1980s; with Leon Simard, Montreal, Canada, 1960s. Estimate: £30,000-£40,000 ($40,190-$53,580)
Large late Roman mosaic tesserae panel with 18 parakeets in various standing and perching poses. Size: 83½in x 80¾in. Very similar to a mosaic in the Louvre. Provenance: Archaeologia Gallery, 1980s; with Leon Simard, Montreal, Canada, 1960s. Estimate: £30,000-£40,000 ($40,190-$53,580)

Large and striking, a Sogdian (ancient Iran) silver-gilt rhyton (drinking vessel) from the 5th-6th century AD was masterfully crafted in the form of a wild boar’s head that exudes undeniable personality. The detailed facial features on this fantastic piece include a large snout, curled tusks, alert eyes with heavy lids, and erect ears. The head and back are framed by a boar’s mane. It measures 8½ inches long and weighs 1.3kg. Acquired from a New York gallery in the 1970s, it has since remained in a London private collection. It will convey with an academic report from Dr Raffaele D’Amato and three black-and-white photographs of the object that were taken circa 1970s, prior to its cleaning. It comes to auction with a £60,000-£80,000 ($80,370-$107,160) estimate.

In ancient Rome, private residences often reflected the citizenry’s love for the mosaic tradition through artworks, like a tesserae panel in the sale that is very similar to an example in the Louvre. From the late Roman period, the painstakingly-created mosaic panel depicts rows of endearing parakeets in various standing and perching poses. Owners of such panels usually commissioned the works to specifically depict animals they loved or with which they had an association, so it is safe to assume that the original owner of this sizable (83½in x 80¾in) panel was a bird fancier. The artwork’s line of provenance includes acquisition by a Montreal, Canada, collector in the 1960s; and Archaeologia Gallery in the 1980s. Its auction estimate is £30,000-£40,000 ($40,190-$53,580).

Continuing in a Roman theme, a circa-2nd century AD marble figure of Mithras-Sabatios shows the Phrygian (Anatolian) deity on horseback, garbed in a belted tunic, Persian trousers and a riding cloak. Beautifully carved, the figure imparts great character. Its record of ownership dates back to a 1980s collection from Bavaria. Together with an academic report from Dr Raffaele D’Amato, it is now offered with an auction estimate of £12,000-£17,000 ($16,070-$22,770).

Dogs are said to have first been domesticated some 30,000-40,000 years ago. Ever since, they have been loyal companions to humans and portrayed in literally every discipline of fine and decorative art. Ancient Roman were especially fond of dogs, and in fact, the traditional dog’s name “Fido” is derived from the Latin word fidelis, meaning “faithful.” The image of a peacefully-sleeping dog is carved into a Roman sardonyx cameo ring from the 2nd-3rd century AD, along with an inscription in ancient Greek tha translates to either “Be wakeful” or “(ring/seal) of Gregory.” Formerly in an English private collection of the late 1970s-1990s, it has a pre-auction estimate of £1,500-£2,000 ($2,010-$2,680).

A majestic Bactrian bronze zebu bull vessel with stopper dates to the 1st Millennium BC and is an especially fine representation of a bovine that symbolized strength, virility and herd-leadership to the earliest civilizations of the Indus Valley. Its distinctive anatomical features include a heavy dewlap and wide curving horns, setting it apart from other animals most often seen in the art of Mohenjo Daro and Harappa. The auction example became part of a New York collection in 1987 and was auctioned in 2013 at Bonhams, London. It will transfer to its new owner with an academic report from Dr Raffaele D’Amato, a copy of the relevant Bonhams auction catalog pages, and a copy of its own French passport No. 1119527. Estimate: £15,000-£20,000 ($20,090-$26,790)

A medley of animals decorates a Bactrian black chlorite “hand bag” ceremonial weight from the 3rd Millennium BC. It is adorned with lions, birds and ancient serpents which, in Bactrian art, often symbolize protection, regeneration and the connection between the earthly world and the spiritual realm. This type of object could have been carried or swung in ceremonies or processions. With provenance that goes back to the 1960s at Gallery Rosen Ancient Art in Tel Aviv, it subsequently went to a UK gallery, then joined the London collection. Estimate: £8,000-£10,000 ($10,720-$13,400)

Dating to the Cretaceous Period, circa 145-65 million years BP, a magnificent three-dimensional fossil skull of a juvenile Mosasaur “marine dinosaur” still possesses much of the same ferocity that made it a dreaded monster of the seas millions of years before humans existed. Its upper and lower mandibles, eye sockets and brain cavity are intact, including its jaw teeth and throat teeth. Measuring 17¼ inches long (with custom stand), it originated in Morocco, West Africa, and later became part of a Cambridgeshire, UK, collection. Estimate: £2,500-£3,500 ($3,350-$4,690)

Shaped by ancient oceans and deep-earth forces, geological specimens provide scientists and collectors, alike, with both a history lesson and tangible proof that nature is the greatest and most talented artist of all. Many spectacular geological specimens in the auction came from Artigas, Uruguay, prior to becoming the property of a London lady. Especially noteworthy, a monumental geode section features towering druzy grey quartz stalagmites. It stands 39¼ inches inclusive of its custom-made display stand and weighs a hefty 68.4kg. Effectively a cross-section of the earth’s natural architecture, this extraordinary specimen is estimated at £5,000-£7,000 ($6,700-$9,380).

Other highlights from the London geological collection include: an egg-shaped amethyst crystal geode display showing prismatic dark purple amethyst crystals on the inner surface with a large mass of calcite to one side, the calcite with clusters of small quartz crystals, £2,000-£3,000 ($2,680-$4,020); a free-standing polished geode section lined with dark purple amethyst crystals and calcite with small black crystals to one side, £1,800-£2,400 ($2,410-$3,210); and a striking and vividly-hued cut section of green celadonite geode with white quartz crystals to the outer wall, the internal wall lined with radiating clusters of prismatic amethyst and quartz crystals, £1,000-£1,400 ($1,340-$1,880).

TimeLine’s 2-6, 2025 auction will be held live at the company’s headquarters located at The Court House, 363 Main Rd., Harwich, Essex CO12 4DN, UK. All lots featured in this article (and in TimeLine’s printed catalog) will be auctioned during the Dec. 2 opening session. Internet bidders may pre-register online. Goods may be previewed in person at the gallery by prior arrangement only. Auction start time: 7am US Eastern time/12pm (midday) GMT. All remote forms of bidding will be available, including absentee, by phone (please book phone line 48 hours ahead of time) or live via the Internet through TimeLine’s bidding platform or LiveAuctioneers. TimeLine Auctions accepts payments in GBP and ships worldwide. Questions: call +44 7494 866514 or email Aaron Hammond at [email protected]. Website: https://timelineauctions.com.

15th-century illumination at its peak at auction

A French collector is now the proud owner of this exceptional work, whose illuminations are reminiscent of the Duc de Berry’s Belles Heures.

Vers 1420. Livre d’heures à l’usage de Paris, en latin et en français, manuscrit enluminé sur vélin, 28 enluminures, 24 vignettes dans le calendrier, 244 feuillets, reliure plein veau fauve, 20,7 x 15,5 cm (détail).
Adjugé : 768 800 €

After a long tussle between three telephones, two English-speaking and one French, it was the latter who finally won this Book of Hours for the use of Paris, executed around 1420, for €768,800, up from a high estimate of €100 ,000 (studied in Gazette no. 38). The quality of the 244-leaf illuminated manuscript on vellum, with no fewer than 28 large illuminations and 24 vignettes in the calendar, as well as borders, is a factor in this remarkable score, with a profusion of astonishingly fresh colors and a great deal of gold sprinkled throughout. This highly refined work is said to be the fruit of a workshop led by three different artists, as a detailed analysis of all the elements reveals. These masters were perfectly familiar with the art of the Limbourg brothers, authors of the master illuminations of the time, and in particular of the stylistically very similar Belles Heures of the Duc de Berry (Jean I, 1340-1416), preserved in the Cloisters of the Metropolitan Museum in New York. Given the extreme care taken in its production, our sacred collection was undoubtedly destined for a prestigious patron, who may well have been a certain Jacques de Brézé (circa 1440-1494), Grand Seneschal of Normandy related to the royal family, having married Charles VII ‘s daughter , Charlotte de Valois. Connoisseurs were consoled by a panel depicting Christ with a Column and a Donor, by a follower of the Master of the Redención or Master of Sopetrán (Castile, circa 1470), which fetched €79 ,980 . This work (39 x 28.4 cm), which far exceeded its high estimate of €20,000, should be seen in the context of the Hispano-Flemish trend that permeated Castilian art in the late15th century (see Gazette no. 39).

Everest under the brush of Nicolas Roerich, artist-traveller

The Russian painter’s spellbinding landscapes are an invitation to travel, and are on offer at Cazo in Paris.

Nicolas Roerich (1874-1947), Himalaya. Vue sur l’Everest, années 1930, tempera sur carton, monogrammé en bas à droite, 59 x 44,5 cm. Estimation : 40 000/60 000 € Adjugé : 162 500 €
Nicolas Roerich (1874-1947), Himalaya. Vue sur l’Everest, années 1930, tempera sur carton, monogrammé en bas à droite, 59 x 44,5 cm.
Estimation : 40 000/60 000 € Adjugé : 162 500 €

In 1925, Roerich traveled with his family and companions to the Ladakh region of northern India. On this expedition, he and his group came across numerous Buddhist monasteries and the ruins of ancient palaces. The painter would return on several occasions, recording these grandiose landscapes on canvas, as in this tempera on cardboard, Himalaya. Vue sur l’Everest, painted in the 1930s (€40,000/60,000). Although he knew the places he described well, Roerich “was not concerned with giving the image an ethnographic or geographical character: on the contrary, he wanted to turn them into symbols, to let the landscapes “speak for themselves”.

The series of Himalayan paintings, characterized by their striking colors, reflects his spiritual and transcendental vision of nature. Bathed in an unearthly blue light, this carefully rendered mountain landscape, which features the summit of a Buddhist religious edifice, illustrates Roerich’s deep admiration for Everest and the sacred nature of the region in his eyes. He produced a scene that was both realistic and evocative of the spiritual mysteries that inhabited him. A visionary artist, archaeologist, writer, theosophist and peace activist, Roich began his career designing stage sets for Diaghilev’s Ballets Russes, notably for Stravinsky’s The Rite of Spring. Beyond his artistic productions, Roerich was a dedicated humanitarian. He founded art schools, international cultural organizations and scientific institutes, all of which made a lasting contribution to world culture.

Buccellati & Tiffany Sterling Silverware, Luxury Toys & Décor Auction – Dec 28, 2025 | SJ Auctioneers

SJ Auctioneers announces a meticulously curated auction featuring the pinnacle of fine silverware, led by exceptional sterling lots from the world-renowned houses of Buccellati and Tiffany & Co. Buccellati, famed for its intricate, handcrafted Italian artistry, and Tiffany & Co., an icon of American luxury, represent a rare convergence of history and craftsmanship. Bidders will find a spectacular selection, from Buccellati’s classic, ornate creations to Tiffany’s most coveted sterling flatware patterns, including sets from Georg Jensen, alongside luxury toys, fine jewelry, and rare decorative objects. This is an unparalleled opportunity to acquire the collection. Browse and bid

The lots are open for online bidding now at the link below. Items will close live on auction day December 28th 2025. https://www.liveauctioneers.com/catalog/394469_toys-collectibles-jewelry-decor-silverware

Some of the lots included in the auction are,

122863D

MARIO BUCCELLATI STERLING SILVER CENTERPIECE DISH BOWL- Centerpiece made by Mario Buccellati, With floral decorations and gilded inside. Measures approx High: 20 cm, Wide: 39 cm Made in Italy

https://www.liveauctioneers.com/item/220824566_mario-buccellati-sterling-silver-signed-centerpiece-dish-bowl

Mario Buccellati Sterling Silver Centerpiece Dish Bowl
Mario Buccellati Sterling Silver Centerpiece Dish Bowl

122840Q

96 Pc For 12 Georg Jensen Sterling Silver Parallel Sterling Flatware Set. Box for display only. Awesome condition. 100% complete. NOT ONE PIECE MISSING..no monogram12 knives 9”12 forks 7”12 salad forks 6 3/8”14 teaspoons 5 5/8”12 oval soup spoons 6 5/8”12 all sterling butter spreaders 6”12 seafood forks 5 3/4”9 additional pieces as pictured including serving pieces with wings. All additional pieces are all sterling. The cheese plane has a sterling handle. Total 96 pieces.

https://www.liveauctioneers.com/item/219635104_georg-jensen-sterling-silver-parallel-sterling-flatware-set-96-pc-for-12

96 Pc For 12 Georg Jensen Sterling Silver Parallel Sterling Flatware Set
96 Pc For 12 Georg Jensen Sterling Silver Parallel Sterling Flatware Set

122841

Montblanc Rare Sealed Gaius Maecenas Patron of Art Limited Edition Fountain Pen in Orig Box. Montblanc Rare Sealed Gaius Maecenas Patron of Art Limited Edition Fountain Pen in Orig Box Made in Germany numbered out of a limited edition 3374 of 4810. The fountain pen, with a 18k gold nib, has a marbled lacquer barrel and the cap is engraved with an ode to Maecenas by Horace; it is sealed, making its condition absolutely exceptional.

https://www.liveauctioneers.com/item/219638844_montblanc-rare-sealed-gaius-maecenas-patron-of-art-limited-edition-fountain-pen-in-orig-box

Montblanc Rare Sealed Gaius Maecenas Patron of Art Limited Edition Fountain Pen in Orig Box
Montblanc Rare Sealed Gaius Maecenas Patron of Art Limited Edition Fountain Pen in Orig Box

122863G

MARIO BUCCELLATI STERLING SILVER OWL FIGURINE MADEIN ITALY sterling silver animal made by Mario Buccellati using his well-known furry technique, with glass eyes and gilded feet. Measures approx High: 13 cm, Long: 9 cm MADE IN ITALY

https://www.liveauctioneers.com/item/220824569_mario-buccellati-sterling-silver-owl-figurine-madein-italy

Mario Buccellati Sterling Silver Owl
Mario Buccellati Sterling Silver Owl

122837

Buccellati Sterling LARGE Leaf Dish Bowl Made in Italy Measures approx. 8.5 inches wide 8.5 inches long Great condition

https://www.liveauctioneers.com/item/219635084_buccellati-sterling-large-leaf-dish-bowl-made-in-italy

Buccellati Sterling LARGE Leaf Dish Bowl
Buccellati Sterling LARGE Leaf Dish Bowl

122871

Walt Disney Pride Lines O Gauge 1536 Mickey Mouse Circus Train With Orig Box. trains look unused, untested and in brand new mint condition.

https://www.liveauctioneers.com/item/219635159_walt-disney-pride-lines-o-gauge-1536-mickey-mouse-circus-train-with-orig-box

Walt Disney Pride Lines O Gauge 1536 Mickey Mouse Circus Train With Orig Box
Walt Disney Pride Lines O Gauge 1536 Mickey Mouse Circus Train With Orig Box

122818A

Swarovski Signed Chess SET Game With Original Box. Includes crystal pieces, game board, stoarge case. Color: Clear & Black Approximate measurements – 14 5/8″ x 14 5/8″ Great Condition no chips or cracks present

https://www.liveauctioneers.com/item/219878048_swarovski-signed-chess-set-game-with-original-box

Swarovski Signed Chess SET Game With Original Box
Swarovski Signed Chess SET Game With Original Box

Who invented the idea of jewelry for self-adornment, and when? It goes back farther than you think – much farther

ESSEX, U.K. – Beauty, status and identity – those are the three reasons why personal adornment with jewelry is likely to have begun. But just how far back does the concept of jewelry go, what types of materials were used in the beginning, and how did each subsequent culture contribute to the art form’s evolution?

Charming Renaissance gold and enamel ring with vivid ruby and fine enamel work, Western European, late 16th century A.D. Estimate £4,500-£5,500 ($6,030-$7,370)
Charming Renaissance gold and enamel ring with vivid ruby and fine enamel work, Western European, late 16th century A.D. Estimate £4,500-£5,500 ($6,030-$7,370)

Jewelry has ancient origins, which is why most significant pieces from past millennia are usually available only from high-end auction houses where experts can identify and appraise them. Often, considerable time is invested by auction houses prior to accepting ancient jewelry consignments. They undertake careful research and look into each item’s possible prior ownership to ensure it is accurately described. Potential buyers are advised to make sure any auction house from which they buy ancient jewelry adheres to strong guidelines and that the firm is reputable and of long standing. 

To begin the story that led to today’s penchant for wearing distinctive, hand-crafted jewelry, we have to go back to prehistoric times, when early humans first adorned themselves with natural objects such as shells, bones, and stones. The primary motive of self-decoration is believed to have been the desire to stand apart from others, but there might also have been a spiritual connection to the practice.

Several beads made from Nassarius gibbosulus (sea snail) shells are thought to be the earliest known forms of personal adornment. Two shell beads found in Skhul Cave on the slopes of Mount Carmel, Israel, are estimated to be 100,000 years old, while another found at Oued Djebbana, Algeria, is believed to be 90,000 years old. A further group of pierced shells, some with red ochre, from the Aterian levels at the Taforalt site in Morocco have been securely dated to about 82,000 years ago. All of these examples pre-date several 75,000-year-old Nassarius kraussianus beads that were found at Blombos Cave, South Africa, which previously had been assumed to be the oldest forms of jewelry.

As societies evolved through the ages, so did the materials used in fashioning jewelry. Gold and silver became a staple in jewelry-making around 3000 BCE in Mesopotamia and Egypt. Gemstones would follow, starting with lapis lazuli and turquoise. In their era, ancient Roman metalsmiths raised the bar on aesthetics by incorporating semi-precious stones such as garnets, emeralds, jasper and lapis imported from Egypt, as well as onyx, amber and moonstone sourced from the Persian Gulf.

Each culture with a jewelry tradition has made its own distinct contribution, from the Egyptians who perfected filigree work, to Mesoamericans who produced incredible jade designs, to Vikings, whose geometric and abstract zoomorphic patterns set them apart from other medieval metalsmiths.

Let’s take a chronological journey through the world of ancient jewelry by examining a few of the highlights from the opening day of an auction series taking place December 2-6. The company hosting the sale is TimeLine, a British antiquities auction house with roots dating back to a firm of specialist dealers who launched their business in 1858.

  • Bactrian gold pendant with agate cabochon, 4th-2nd century B.C. Estimate: £3,000-£4,000 ($4,020-$5,360)
  • Romano Egyptian gold ring with garnet intaglio depicting a duck, 1st century B.C. to 1st century A.D. Estimate: £3,000-£4,000 ($4,020-$5,360)
  • 1st century A.D. Roman sard (translucent chalcedony) intaglio carved with classical intaglio profile image of a large panther. Estimate £2,000-£3,000 ($2,680-$4,020)
  • Roman gold spiral-twisted wire bracelet with a central bezel, 2nd-3rd century A.D. Elegant and surprisingly contemporary in appearance. Estimate £4,000-£6,000 ($5,360-$8,040)
  • 2nd-3rd century A.D. Roman garnet gemstone with bust of Empress Julia Domna, one of the most influential women of the Imperial Roman world. Estimate: £3,000-£4,000 ($4,020-$5,360)
  • Migration Period gold ring with nicolo and garnet cloisonnes on sides, 4th-5th century A.D, Eastern Europe. Estimate: £10,000-£14,000 ($13,400-$18,750)
  • Byzantine gold ring, 6th-9th century A.D., with personal inscription that translates to ‘belonging to Mary and Eutropius.’ Estimate: £5,000-£7,000 ($6,700-$9,380)
  • Seljuk (Turkish dynasty) braided gold bracelet with fluted body, 11th-13th century A.D., Estimate: £3,000-£4,000 ($4,020-$5,360)
  • The ‘Otterington Hall’ medieval gold ring, 1450-1550 A.D., engraved with image of Saint Christopher carrying the Christ Child on his back. Found by a metal detectorist in England in 2024, declared a National Treasure and subsequently ‘disclaimed’ by The Crown, hence cleared for private ownership. Estimate £4,000-£6,000 ($5,360-$8,040)
  • Charming Renaissance gold and enamel ring with vivid ruby and fine enamel work, Western European, late 16th century A.D. Estimate £4,500-£5,500 ($6,030-$7,370)

TimeLine’s 2-6, 2025 auction will be held live at the company’s headquarters located at The Court House, 363 Main Rd., Harwich, Essex CO12 4DN, UK. All lots featured in this article (and in TimeLine’s printed catalog) will be auctioned during the Dec. 2 opening session. Internet bidders may pre-register online. Goods may be previewed in person at the gallery by prior arrangement only. Auction start time: 7am US Eastern time/12pm (midday) GMT. All remote forms of bidding will be available, including absentee, by phone (please book phone line 48 hours ahead of time) or live via the Internet through TimeLine’s bidding platform or LiveAuctioneers. TimeLine Auctions accepts payments in GBP and ships worldwide. Questions: call +44 7494 866514 or email Aaron Hammond at [email protected]. Website: https://timelineauctions.com. 

World-Class Martin and Deborah Maloy antique toy and train collection sets the stage for holiday magic, Dec. 13 at Bertoia’s

World-Class Martin and Deborah Maloy antique toy and train collection sets the stage for holiday magic, Dec. 13 at Bertoia’s

VINELAND, N.J. – For 60 years, the late Martin “Marty” Maloy and his wife, Deborah, wholeheartedly embraced the antique toy hobby and became fixtures at high-profile shows, auctions and club events on both sides of the Atlantic. The couple’s gracious northern New Jersey residence became known to their fellow members of the Antique Toy Collectors of America as a haven for exquisite European tin toys, autos and boats; British figural biscuit tins, both European and American trains and accessories; airplanes, wind-ups and many other wonderful rarities. On December 13, 2025, it will be the Bertoia family’s honor and pleasure to auction Part I of the Maloy collection at a live gallery event with all forms of remote bidding available. 

Deborah Maloy’s incredible biscuit tin collection contains many pieces with an animal theme, like this rare tinplate Noah’s Ark (British or Continental European) profusely lithographed with images of wild animals, various types of birds on the roof, and Noah and other passengers looking out through ‘windows.’ Length: 21in. Seams of four corners of roof resoldered and touched up. Excellent condition. Estimate: $2,500-$5,000
Deborah Maloy’s incredible biscuit tin collection contains many pieces with an animal theme, like this rare tinplate Noah’s Ark (British or Continental European) profusely lithographed with images of wild animals, various types of birds on the roof, and Noah and other passengers looking out through ‘windows.’ Length: 21in. Seams of four corners of roof resoldered and touched up. Excellent condition. Estimate: $2,500-$5,000

The auction’s flagship toy, a fabulous antique hand-painted musical carousel, is one of many Marklin treasures in the collection. It holds special meaning for Bertoia’s president and principal auctioneer, Michael Bertoia, because of its prior ownership. “It was part of my father’s personal collection,” Michael said, referring to the late Bill Bertoia, a legendary antique toy dealer and co-founder of Bertoia Auctions. “Marty came to visit my parents at our then-family home in southern New Jersey and bought the carousel straight from the collection. It’s a fitting tribute to both Marty and my father that the carousel leads this sale.” Estimate: $80,000-$140,000

Marty amassed more than 100 fine-quality European transportation toys over the years, and it would be a fair statement to say that they were among his favorite pieces. The vehicles run the gamut of both land and air transportation, with a selection that includes race cars, limousines, buses, trolleys, motorcycles and primitive airplanes. Marklin, Carette, Bing, and Ernst Plank are among the prestigious German manufacturers represented in this part of the collection.

Additional German wind-up tin toys include a few dozen Lehmanns (some with original boxes, such as Ikarus and Masuyama) and several early Gunthermann and Issmayer hand-painted wind-ups with whimsical themes of animals, musicians and circus performers. Among the notable highlights are a large 8-man Rowing Scull and a feline Musical Jazz Trio, both manufactured by Gunthermann; and a German-made revolving carousel with an unusual aviation theme. Its design incorporates suspended airships and, overhead, a wind-up airplane that powers the movement of the entire toy.

Armchair admirals can set sail with their choice of seaworthy craft from a fleet of beautifully-executed turn-of-the-20th-century toy boats and ships. At the forefront of the group is an exceptional example of a Marklin Series II destroyer battleship Brooklyn. “In terms of condition, this might be Marty’s finest boat,” Michael said, “as it retains its original paint and has nearly all its original appointments, including cannons, masts, and more. Its condition and completeness go far beyond that of most Marklin nautical toys that might appear at auction.” The Brooklyn is estimated at $25,000-$45,000.

Another standout, a flawlessly-scaled luxury paddle-wheeler is emblazoned with the name Philadelphia at each wheel cover. The boat has been professionally restored to the highest possible standard and would be a show-stopper on any collector’s mantel. Its pre-sale estimate is $8,000-$16,000.

The diverse marine-toy category is rounded out by Bing battleships, live-steam riverboats, and a very early German merchant sailing ship, which Bertoia’s experts have attributed to Lutz. The bow-wound clockwork ship has been professionally restored back to its original colorful hull and is complete with masts and sails.            

American tin was another category which the Maloys collected with great enthusiasm. Their George Brown clockwork Circus Wagon, estimated at $12,000-$20,000, was proudly displayed in their home together with the perfect companion piece: a framed, two-sided original sketch of the toy from the George Brown Sketchbook. The artwork is cataloged separately in the auction and is expected to sell for $6,000-$10,000. “The two make a wonderful match. It would be great if they could be kept together,” Michael observed.

George Brown is also the manufacturer of a completely original and untouched Broadway Avenue clockwork omnibus with elegant stenciling all over the wagon body. An especially artful design from the much-admired Connecticut toymaker’s workshop, it is expected to reach $4,000-$8,000 at auction. 

In keeping with the Maloys’ animal-loving nature, the auction includes an extensive menagerie of elusive animal-related platform toys, including a cow, a camel, a Fallows articulated pig farmer, and many others. 

Also gracing the American tin toy section is an Althof Bergmann standout, an ultra-rare Children at Maypole. As the name suggests, this toy – which is spectacularly well preserved – features children spinning around a maypole as the toy propels forward.

When some collectors hear the name “Maloy,” they automatically think of walls lined with colorful early-20th-century biscuit (cookie) tins. Deborah Maloy astutely formed one of the largest and finest biscuit tin collections anywhere on Earth. Marty enthusiastically joined Deborah in her pursuit of the charming novelty product containers, setting his own particular focus on biscuit tins with a transportation theme. Their joint effort resulted in an extraordinary toy-crossover collection of tins simulating double-decker buses, trolleys, boats, airplanes, limousines, fire trucks, baby prams and other obscure and sought-after novelties from Huntley & Palmers, Crawford & Sons, McVitie & Price, Macfarlane, Lang & Co., and numerous other British and Continental-European commercial bakeries.

Finally, the Maloy collection is replete with top-tier trains – the crème de la crème – including rare Marklin, Bing and Carette productions in gauges ranging from 0 to 2. The live-steam locomotives, German bridges and glass canopies; Ives lithographed stations and accessories; early trolleys and beautifully hand-painted and decorated coaches are sure to command the attention of toy train enthusiasts the world over.

The December 13, 2025 Signature Auction featuring the Martin and Deborah Maloy Collection Part I will be held live at Bertoia’s gallery located at 2141 DeMarco Drive, Vineland, NJ 08360, starting at 10AM ET. Toys may be previewed the week before the auction by appointment only. Other bidding options include absentee, by phone, or live online via Bertoia Live, LiveAuctioneers, or Invaluable. For additional information on any item, to leave an absentee bid, schedule a private-preview appointment, reserve a telephone line for bidding, or discuss consigning to a future auction at Bertoia’s, please call 856-692-1881, email [email protected]. Watch for auction updates on Bertoia’s website: www.bertoiaauctions.com.

Morphy’s Dec. 4-6 Las Vegas auction to showcase stellar Ray Claridge collection of early alcohol, tobacco, soda pop & general store signage + antique coin-ops

Featured: 9ft Mr. Peanut figural mascot, Owl Cigar Store sign, vending, arcade & coin-op machines; neon signs, tobacciana, vintage theater, drive-in, soda fountain, barber shop & taxi-related items

LAS VEGAS – On December 4-6 in Las Vegas, Morphy’s will auction the classic advertising, American pop culture and coin-op collection of Southern California businessman and entertainment industry professional Ray Claridge. In addition to the Claridge collection, which comprises the majority of the sale’s contents, there are 200+ high-quality lots from longtime antique advertising collectors Mike and Darlene Peel.

One of the very best reverse-painted glass signs known to exist, this one advertises Owl brand cigars. Signs of this type would have been placed in shop windows or used as a hanging display in the late 19th or early 20th century. Original brass frame houses extraordinary image of perched owl with ‘CIGAR STORE’ in large bold lettering. Important investment-grade piece with fabulous graphics. Size: 30¼in x 80in. Condition 9.0+. Estimate: $30,000-$60,000
One of the very best reverse-painted glass signs known to exist, this one advertises Owl brand cigars. Signs of this type would have been placed in shop windows or used as a hanging display in the late 19th or early 20th century. Original brass frame houses extraordinary image of perched owl with ‘CIGAR STORE’ in large bold lettering. Important investment-grade piece with fabulous graphics. Size: 30¼in x 80in. Condition 9.0+. Estimate: $30,000-$60,000

Not much grass grows under Ray Claridge’s feet. He’s a man of many accomplishments who’s equally at home in motion picture, car racing or vintage advertising circles. He founded and operated Cinema Vehicle Services, the North Hollywood company that built some of the most recognizable movie and TV cars of the modern era, including “General Lee” from Dukes of Hazzard and “Herbie” from The Love Bug. After decades in that world, Ray opened Back in the Day Classics in Orange, California, one of the region’s largest advertising and memorabilia showrooms. He has also been deeply involved in West Coast racing culture for many years and played a major role in taking NASCAR to Japan. His wide-ranging interests, which embrace the West Coast lifestyle, are captured in their entirety in one big, dazzling collection that traverses the realm of American pop culture from its earliest days through the decades immediately following World War II.

Every imaginable type of signage can be found in the auction lineup, including one of the very best reverse-painted glass signs known to exist. Promoting the wide range of cigars sold under the “Owl” brand, it is of a type that would have been placed prominently in a shop window or used as a hanging display in the late 19th- or early 20th century. This important, investment-grade piece, with spectacular graphics intended to stop passersby in their tracks, features an extraordinary image of a perched owl with the phrase “CIGAR STORE” in large, bold lettering. The sign measures 30¼ inches by 80 inches and retains its original frame. Graded a strong condition 9.0+, it will be introduced with a pre-sale estimate of $30,000-$60,000.

A spectacular scene-stealer of monumental height, a 1950s-’60s Planters Mr. Peanut fiberglass figure was made by Old King Cole Mfg. Co., a respected Ohio firm that also produced mascots for Big Boy, A&W and other classic American businesses. Standing nearly 9ft tall, the auction entry is from a limited run of promotional figures that Planters provided exclusively to distributors and retailers. Such figures were never offered to the public. The example offered by Morphy’s is believed to have been used initially at the Atlantic City Boardwalk and is one of the few remaining examples in its size and of its high quality. Its auction estimate is $20,000-$40,000.

Taking a commanding position in the gas & oil section, an outstanding Wayne Model #492 10-gallon Roman column visible gas pump has attractive pinstriped details throughout. An extremely clean and fresh restoration with exceptional colors, it has a white cloth hose with polished brass nozzle and a Gold Crown cast milk-glass globe. This towering 10ft tall beauty is expected to sell for $20,000-$40,000. 

A wonderful illuminating cast aluminum and glass “SODA” trade sign was made by Beacon Mfg. and Sales Co., of 729 6th Avenue, New York City. It is an original sign that depicts a tall, foaming soda fountain glass with a soda spoon handle protruding from the top. The original manufacturer’s label appears on the wall bracket. There are only slight indications of paint loss to the glass and a minor repair to the spoon handle. It is otherwise an outstanding example assessed as being in Excellent condition. Estimate: $15,000-$30,000

More than 100 lots represent brewery or distillery beverages. One of the finest is a Wichman Lutgen & Co. Inc., San Francisco, lithographed advertisement for Gilt Edge Whiskey. It is emblazoned with the slogan, “The Treat That Can’t Be Beat” together with an image of the brand’s iconic Victorian lady. Both the frame and matting are original, and the sign is graded a pleasing 9.0+. Estimate: $15,000-$25,000

Collectors will have a rare opportunity to bid on an S B Rothenbert (Oakland, Calif.) Fine Old Whiskey oversize whiskey bottle, with its original label under glass and housed in its original crate. In fact, everything about this amazing survivor is original, including the bottle’s contents. A stunning example in near-perfect 9.0 condition, it could serve up a winning bid in the vicinity of $10,000-$20,000

An early 1900s pre-Prohibition porcelain corner sign from Adolph Coors Brewing Co., advertises Colorado’s most famous brew: Coors Golden Beer. One of the nicer examples known to exist, it displays bright shades of blue with red and white, and is rated a clean and solid 8.0 out of 10. This sign was produced by Burdick Sign Co., of Beaver Falls, Pa., and is marked on its bottom edge with an unusual version of the manufacturer’s mark. Estimate: $10,000-$20,000

In terms of eye appeal, it would be hard to beat an early 1900s to 1920s Stevens & Baker Clauss Cutlery curved reverse-on-glass advertising sign with its original wood frame and backing. The paint and colors are bright and crisp, with beautiful detail work throughout. The frame itself is surrounded by clear jeweled-eye glass enhancements around the perimeter. It has its original electric cord but does not illuminate; the backing was not removed to investigate. Graded a condition 8.5, this incredibly hard-to-find sign will cross the auction block with a $10,000-$20,000 estimate.  

Soda pop fans would be hard pressed to find a more beautiful example of the well-knownand admired 14-inch illuminating reverse-on-glass Pepsi-Cola bullet sign with the message “BIGGER AND BETTER / A NICKEL DRINK WORTH A DIME.” TAC-authenticated, with no areas of repair, its base and backing are original, showing remnants of the original decals. It is fully operational with its original cord. Graded a condition 9.0, it has been assigned a pre-auction estimate of $5,000-$15,000.

A fantastic array of coin-operated machines awaits bidders, including gambling, vending and music machines of the highest caliber. A Mills Novelty Co. (Chicago) 5¢ Dewey Jackpot slot machine with a front-glass graphic and copper flash castings is housed in a quartered oak cabinet (replaced back door). It appears to have undergone a restoration in its earlier days. The unit has original castings (with the exception of doghead castings), and the front glass is an older replacement with lustrous lettering. The colorful tin-litho wheel is in excellent condition. In VG condition, its auction estimate is $10,000-$20,000.

Morphy’s Dec. 4-6, 2025 General Antiques & Advertising Auction will be held live at their comfortable West Coast satellite gallery located at 4520 Arville St., #1, Las Vegas, Nevada 89103. Start time is 9am Pacific time (12 noon Eastern time). Preview weekdays by appointment from 9am-4pm local time starting one week before the auction; or on auction days from 8-9am. All forms of remote bidding will be available, including absentee, by phone (please reserve line in advance), or live via the Internet through Morphy Live. For condition reports or other questions, call tollfree 877-968-8880 or email [email protected]. Online: https://www.morphyauctions.com.

A historical sketch

This drawing – on the left-hand page – is the sketch for one of the most famous Art Deco posters. Signed Leonetto Cappiello, it was destined for the Revel company, the flagship of Lyon’s economy from 1851 to 1986.

Leonetto Cappiello (1875-1942), Parapluie Revel, 1922, esquisse, gouache, fusain et mine de plomb, 58 x 38 cm (à vue). Estimation : 8 000/10 000 €
Leonetto Cappiello (1875-1942), Parapluie Revel, 1922, esquisse, gouache, fusain et mine de plomb, 58 x 38 cm (à vue).
Estimation : 8 000/10 000 €

François Revel (1887-1971), grandson of the founder of the Lyon umbrella company of the same name, was determined to continue the development of the family business. By the beginning of the 20th century, the company was expanding its sales to Asia, manufacturing over a million units a year and exporting 98% of its production. François did not neglect the advertising aspect of his company’s reputation. He met one of the most fashionable poster designers of the 1920s : Leonetto Cappiello. The Italian-born artist was in the process of developing his discipline thanks to his graphic, uncluttered and always lively style. When the company director came to meet him in Paris in 1922, Cappiello would have immediately presented him with this sketch with its strong contrasts and innovative angle, even before he knew what he was going to ask him, arguing with joy and pride : “I knew that an umbrella manufacturer would come to see me one day !” This sketch has remained in the Revel family to this day. A larger scale model (160 x 120 cm) was acquired in 1961 by the Musée des Beaux-Arts de Lyon from Mrs. Capiello.It can be seen until March1, 2026 in Nantes as part of the exhibition “Sous la pluie. Peindre, vivre ou rêver”. These three anonymous men, braving the storm with their umbrellas, will reveal their faces in an unpublished gouache commissioned around 1925 by François Revel following the success of the first poster.

Leonetto Cappiello (1875-1942), Parapluie Revel - Les trois personnages de face, souriants, circa 1925, gouache, watercolor, ink, charcoal and graphite, signed lower right, 57.5 x 40.5 cm. Estimate : €4,000/6 ,000
Leonetto Cappiello (1875-1942), Parapluie Revel – Les trois personnages de face, souriants, circa 1925, gouache, watercolor, ink, charcoal and graphite, signed lower right, 57.5 x 40.5 cm.
Estimate : €4,000/6 ,000

Milestone’s Dec. 6 Winter Premier Antique Toy & Bank Auction delivers goodies that would make Santa’s elves green with envy

Featured: James Fetzer collection of mechanical banks, bell toys, chocolate molds and Christmas games; and Ed Steinberger collection of early banks and antique McLoughlin board games

One of the top examples from the James Fetzer collection of antique chocolate molds, this rare 21in-tall Santa Claus with Toys is marked for the manufacturer ‘Anton Reiche’ (Germany). Excellent condition. Estimate: $1,000-$1,500
One of the top examples from the James Fetzer collection of antique chocolate molds, this rare 21in-tall Santa Claus with Toys is marked for the manufacturer ‘Anton Reiche’ (Germany). Excellent condition. Estimate: $1,000-$1,500

WILLOUGHBY, Ohio – Milestone Auctions will light up the holidays this year with a festive December 6 sale of high-quality antique toys, banks and Christmas antiques. The 626-lot selection is led by two advanced collections that couldn’t be more compatible. The James Fetzer collection includes American bell toys, rare German chocolate molds, and Christmas games; while the Ed Steinberger collection adds board games by the revered mid-19th to early 20th-century publisher and lithographer McLoughlin. Both collections contributed to the broad array of nearly 200 cast-iron and tin mechanical and still banks. Additionally, the auction lineup is brimming with horse-drawn cast-iron toys, pressed-steel trucks, cast-iron motorcycles and racers; antique and vintage German tin toys, Christmas tree ornaments and candle clips.

The mechanical bank section is one of the largest and most diverse to appear at auction in years, with many rare examples in very fine condition. A J&E Stevens (Cromwell, Conn.) “Girl Skipping Rope” cast-iron mechanical bank displays all-original paint with no cracks or repairs. The bank is in Excellent condition and, when tested, its mechanical action worked properly. The pre-sale estimate is $15,000-$25,000.

The top tier of mechanical banks also includes several elusive productions from Kyser & Rex of Philadelphia. A “Confectionary” bank – always a favorite with collectors – depicts a woman attendant in a candy store with the names of various sweets marked on apothecary-style storage drawers behind her. The bank is all original except for its rear access door, which appears to be a very good replacement. There are no cracks or repairs to the casting, and the mechanical action works well. The Confectionary bank is hard to find in any condition. This one, which is graded Excellent, would make a worthy addition to even the most advanced collection. Estimate: $8,000-$12,000

Also by Kyser & Rex, a “Santa Claus Sleigh” cast-iron mechanical bank depicts the Christmas gift-giver in a red coat with a peaked hood, a blanket draped across his lap, and a supply of wrapped gifts stowed at the front of the sleigh. Two reindeer are shown in full-gallop mode, ready to deliver a Christmas bounty to good boys and girls. Graded Excellent to Near Mint, it is expected to sell for $8,000-$12,000.

A third Kyser & Rex highlight is a desirable blue-dress version of the company’s “Mammy and Child” mechanical bank. A beautiful presentation with rich, deeply-hued paint, it is all original with the minor exception of the front part of feeding spoon, which appears to have been replaced. There are no cracks or repairs to the casting and its mechanism works properly. This rare and wonderful bank in Excellent-NM condition carries a $6,000-$10,000 estimate.

Manufactured by Shepard Hardware Co. (Buffalo, N.Y.), a “Picture Gallery” cast-iron mechanical bank is complete and original with no cracks or repairs. The bank has bright paint and works properly. Its condition is rated Excellent, and it is superior to most examples that have reached the auction marketplace over the past several years. Estimate: $7,000-$10,000

There are so many sought-after mechanical banks in this sale, it would be a challenge to list all of the standouts, but some of the collector “must-haves” include four J&E Stevens classics: “Dentist,” $4,000-$12,000; “Reclining Chinaman,” $6,000-$10,000; “Calamity,” $5,000-$8,000; and “Bread Winners,” $5,000-$8,000. Also worthy of mention is a Kyser & Rex “Chimpanzee” bank estimated at $7,000-$10,000.

Nearly five dozen rare antique cast-iron bell toys from the James Fetzer collection will cross the auction block, including a “Drummer Boy Chariot” made circa 1895 by Gong Bell (East Hampton, Conn.). This extremely appealing toy shows crisp casting and wonderful detail, with original paint and no cracks or repairs. In Excellent-NM condition, it is offered with a $4,000-$8,000 estimate. Other toys of special note in this category include Gong Bell’s “Clown & Poodle,” $3,000-$6,000 and “Mary & Her Little Lamb,” $1,500-$2,000; and from Gong Bell’s East Hampton rival N N Hill, a crossover toy depicting early comic-strip superstars “Buster Brown and Tige,” $1,200-$1,500. 

Hefty pressed-steel work vehicles from favored manufacturers will be lined up and ready to rumble. An original Sturditoy (Pawtucket, R.I.) pressed-steel Tractor Trailer Oil Tanker is super-clean with all-original paint and decals. Nearly three feet long and in Excellent condition, it should easily roll to a $6,000-$8,000 finish. Other brands represented in this rugged motor pool include Gendron, Kelmet, Keystone, American National, Turner, Burdette-Murray and, of course, the king of pressed steel, Buddy ‘L.’

Leading the scores of cast-iron motorcycles, an 8½-inch Hubley (Lancaster, Pa.) Harley-Davidson Hill Climber is in all-original condition with original tires, rims and dark-green paint. Its removable Harley-Davidson driver figure is “dressed” in motorcycle attire of the period, including simulated leathers, boots and a helmet. A hard-to-find bike in overall Excellent condition, it could speed its way to a $4,000-$6,000 finish.

The James Fetzer collection of antique chocolate molds has been arranged into 78 lots, most of them containing multiple items. Many have a holiday theme. There are Christmas molds, with many iterations of Santa and Father Christmas; Easter bunnies, chicks, ducks and eggs; and Thanksgiving turkeys. In addition, there are other types of animals, clowns, children, and a Native American chief. Others depict patriotic characters or forms of transportation. A rare 21-inch-tall Santa Claus with Toys is marked Anton Reiche (Germany) and is estimated at $1,000-$1,500.

Miles King, co-owner of Milestone Auctions, commented that being able to acquire antique molds from such a refined collection is “a great way to jump-start a collection or find a ‘go-with’ to add to an existing collection, for example a grouping of train-shaped molds to add to a toy train collection.” 

Around three dozen antique games bring exquisite American lithographic art to the auction spotlight, including prized pieces from both the Steinberger and Fetzer collections. From magic to Mother Goose, and Peter Rabbit to Captain Kidd, this colorful assortment has something to appeal to every collector. Estimates range from as little as $100-$200 to the top entry, J H Singer’s “Favorite Steeple Chase” game, with Victorian-era images of Santa Claus and mounted equestrians. Estimate: $2,000-$3,000 

The December 6, 2025 Winter Premier Antique Toy Auction will be held at Milestone’s gallery located at 38198 Willoughby Pkwy., Willoughby (suburban Cleveland), OH 44094. Start time: 10am ET. Ample free parking. In addition to live bidding at the gallery, Milestone welcomes all other forms of remote bidding: absentee, phone or live online through Milestone Live, LiveAuctioneers, Invaluable and AuctionZip. Worldwide shipping available. For additional information about any toy in the auction, to reserve a phone line for bidding, or to discuss consigning to a future Milestone auction, call Miles King at 440-527-8060 or email [email protected]. Online: www.milestoneauctions.com

Henri Rivière’s finest hours, Brittany at twilight

Among the many prints, illustrated books and multiples offered by Millon in Paris, enthusiasts won’t want to miss this lithograph on glazed vellum (59.8 x 24 cm), Le Crépuscule, by Henri Rivière (1864-1951). It comes from the suite ” La Féérie des heures “, a series of sixteen lithographs printed in editions of 2,000 by…

Among the many prints, illustrated books and multiples offered by Millon in Paris, enthusiasts won’t want to miss this lithograph on glazed vellum (59.8 x 24 cm), Le Crépuscule, by Henri Rivière (1864-1951). It comes from the suite ” La Féérie des heures “, a series of sixteen lithographs printed in editions of 2,000 by Eugène Verneau in 1901 (the first eight) and 1902 (the other eight). This kakemono-format lithograph, signed on the plate and estimated at €800/1,000, has the distinctive feature of being countersigned in blue in the lower right-hand corner. The twelfth print in the series, it shows a man and a woman unloading the catch, on the eastern slipway of the port of Loguivy, Côtes-d’Armor. Henri Rivière was a master in the art of printmaking, drawing inspiration from the Impressionists and Japanese masters, foremost among them Hokusai and Hiroshige. At the time, he was the only artist to dare to print in 12 or 14 colors. With La Féérie des heures, he reached a summit in a language of absolute simplicity.