The Old Print Shop

150 Lexington Avenue, New York, New York 10016

About Auction House

Edward Gottschalk founded The Old Print Shop in 1898. At that time, it was located between 9th and 10th Streets on Fourth Avenue in back of Wanamaker's. He moved the shop to its current location in 1925. After Mr. Gottschalk's death, his widow hired Harry Shaw Newman, who had sold prints to Mr. Gottschalk, to run the Shop with an option to buy over a five-year period. The contract was signed on October 11, 1928. The final payment was due by October 31, 1933.

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  • Press Release
    Artist Spotlight: Frederick Mershimer

    Mezzotint was first invented in the seventeenth century, although it did not become popular until the eighteenth century. The British particularly enjoyed the process for portraiture because of its chiaroscuro type affect, but as time went on it found use in a variety of other genres. Frederick Mershimer was born in Sharon, Pennsylvania. He received a BFA in painting from Carnegie Mellon University in 1980. In 1982 Mershimer moved to New York City and continued his studies at the Parsons School of Design, Pratt Graphic Center, and Manhattan Graphic Center.Mershimer celebrates the experience of New York through his art, creating evocative images that transports the viewer beyond first appearances and reveal hidden beauty of the contemporary city. Before moving to New York, Mershimer worked exclusively as a figurative artist, but his attention was quickly diverted by the power and energy of the city around him. At first glance, his work can be interpreted as bold naturalism. Yet, he skillfully choreographs lighting and detail while altering perspective to draw the viewer's attention to the essence of the piece. His mezzotints speak to both the grit and grandeur of this modern American city.To translate his visions Mershimer has chosen Mezzotint - a tonal medium capable of achieving rich blacks and subtle gradations of grays. This painstaking technique requires the artist to spend long hours preparing the “texture ground” on the plate before the detail work of the actual image can begin. This preparatory work is done using a curved serrated blade called a rocker. "My images explore the dynamic between the city's architecture and our place within this imposing environment. Never truly understanding the world and my role in it, I find a sense of control by creating dramatic settings where events can unfold. I have always enjoyed night because it was a place to escape the expectations of society and to reinvent one’s self. Through night scenes, I'm able to capture the city's darker, more mystical and romantic undertones." Mershimer's work is in many collections including The Corcoran Gallery, Washington, DC; Cleveland Museum of Art, OH; Museum of the City of New York, NY; National Museum of American Art/Smithsonian Institution,…